|
|
#46
|
||||
|
||||
|
Quote:
Anyway, It wasn't until U. S. record execs gave Kate a 2nd breakout chance in America during the oft proclaimed 2nd British music invasion of the early to mid 80's that I came upon Kate's work again. I immediately picked up "Hounds Of Love" after RUTH and loved it! Next up was the superb "Don't Give Up" w Peter Gabriel & "The Whole Story" in 86', where I first heard songs from her 1st 4 records, including Kate's version of WH, to which my first reaction was ! Her voice was so shrill (and that was a new vocal!) and the music felt so miniature, yet ostentatious and all Dark Shadow-ish. Needless to say, her older material was an acquired taste, which I grew to love and appreciate. I especially enjoyed "Babooshka", "Experiement IV", "Breathing" & TMWTCIHE, but I still prefer Benatar's version of WH!For me Kate's masterpiece is "The Sensual World". I think it's a perfect place for those unfamiliar with Kate's work to begin. It's accessible, romantic & heartbreaking, just as Bella Donna would be a great place for a Stevie newbie to begin. The "The Red Shoes" is good as well, even as it borders on self indulgent, insulated & a little neurotic. But it's worth a listen if you can put up with its excesses. Last edited by Christopher; 09-15-2011 at 12:12 PM.. |
|
#47
|
|||
|
|||
|
"You're The One" on The Red Shoes is the most depressing break-up song ever. The lyrics just kill me.
"It's just everything we did, We did together... And there's a little piece of you In whatever..." |
|
#48
|
||||
|
||||
|
Quote:
It's quite harrowing indeed. |
|
#49
|
|||
|
|||
|
The first time I heard "You're The One" in 1993, I had a (crystal) vision, and I knew this song would devastate me one day. And 12 and 1/2 years later, it did.
It's still very hard to listen to. Stevie comes closest in "She Still Loves Him", with the line: "They wouldn't have liked it much anyway to know that she still loves him..." But "You're The One" has that starkness of the break-up, and the realization that it's all gone, all of it. "It's alright, I know where I'm goin' I'm goin' to stay with my friend Mmm, yes, he is very good looking... The only trouble is He's not you... He can't do what you do He can't make me laugh an' cry At the same time... I know where I'm goin' But I don't wanna leave... I just have one problem We're best friends, yeah... Sugar... Honey...! Sugar..." |
|
#50
|
||||
|
||||
|
Quote:
Back on topic: I also discovered "Wuthering Heights" (and all of Kate's works for that matter) through Pat Benatar, who'd heard the song while on tour through Europe. Pat's voice is gorgeous on it, but even she feels she did not do it justice. My preference is for Kate's original vocal, which is high, but not shrill, and very plaintive like that of a ghost sadly begging to be let in (which is appropriate, since that is the role being played). Also good is this live version, for which the wireless microphone was invented(!): |
|
#51
|
|||
|
|||
|
I much prefer Kate's original "Wuthering Heights" vocal to the 1986 one. Ugh.
Because of Pat's version (which I got in March 1981 when Crimes Of Passion was still in the Top Five), I finally broke down and got the first album by "that Kate Bush person" in September 1983. So, The Kick Inside was my first Kate album, and "Moving" my first time to hear her voice. After 2 and 1/2 years of non-stop Pat, Kate's "Wuthering Heights" was a big shock to me! At first I hated the album. But I played it non-stop that first weekend. By Sunday afternoon, I was entranced!!!! "Oh To be In Love", "James And the Cold Gun", "The Saxophone Song"... Every song is wonderful. The next day, when I went back to college, I bought Kate Bush, the EMI America sampler put out in 1983, and started falling for her music even more. Right before Christmas break 1983, I got The Dreaming, Kate's most recent album, on cassette for my Walkman, and my headphones were glued to my head until the middle of January!!!! (At first, I was SO amazed at the tambourine jangling from the left headphone to the right on "Houdini"!). Last edited by mikebise; 09-15-2011 at 03:26 PM.. |
|
#52
|
|||
|
|||
|
On an earlier post someone said that Kate is the best female vocalist of our time....I'm not sure I agree with that but i understand why a Stevie fan would love Kate and vice versa..however I always found Kate's compositions and vocals to be more theatrical than Stevie's...Stevie is more grounded, more real, more attainable...Kate is "out there"...I love them both
![]() |
|
#53
|
||||
|
||||
|
Quote:
__________________
"They love each other so much, they think they hate each other." Imagine paying $1000 to hear "Don't Dream It's Over" instead of "Go Your Own Way" Fleetwood Mac helped me through a time of heartbreak. 12 years later, they broke my heart. |
|
#54
|
|||
|
|||
|
Oh my......lol!
|
|
#55
|
|||
|
|||
|
|
|
#56
|
|||
|
|||
|
I can see how someone would make that argument. Kate is truly a musical mad scientist.
|
|
#57
|
||||
|
||||
|
OMG, I frackin' love YouTube. I had no idea this existed. It's almost as if Kate Bush was an honorary member of Pink Floyd:
|
|
#58
|
||||
|
||||
|
I'm sure you know about this Floyd/Bush collab, but I'll post it anyway.
|
|
#59
|
||||
|
||||
|
She kind of is, lol. David Gilmour is a good friend of her brother Paddy and discovered her talent at the age of fiteeen and brought her to the attention of EMI. He comntinued to be involved (in an advisory capacity) in the early stages of her career, including the 3 years it took to work on her debut album.
__________________
I'll follow you down until the sound of my voice will haunt you...you'll never get away from the sound of the woman that loves you... |
|
#60
|
||||
|
||||
|
My old headteacher used to play Babooshka in assemblies, that was the first time I heard Kate Bush.
Quite strange to think back now to a hall full of seven to eleven year olds singing Babooshka ![]() |
![]() |
|
|

JOHN MCVIE HAND SIGNED 8x10 PHOTO AUTOGRAPHED FLEETWOOD MAC BASSIST RARE BAS COA
$127.49
Fleetwood Mac Tour John McVie Bass Guitar Pick
$25.00
Signed John McVie Mick Fleetwood Mac Autographed Rolling Stone Magazine Auto PSA
$499.99
Mick Fleetwood John McVie autographed Fleetwood Mac album vinyl proof Beckett
$949.99
Authentic Touring Fleetwood Mac John McVie Vintage Tour Guitar Pick
$116.95