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  #1  
Old 03-11-2009, 01:47 PM
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animal animal is offline
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Default I posted this in Chit Chat but wanted people to be aware!!

I'm not saying FM are doing this, I just wanted people to be aware.

http://online.wsj.com/article/SB1236...tml?mod=djemMM

Concert Tickets Get Set Aside, Marked Up by Artists, Managers


Less than a minute after tickets for last August's Neil Diamond concerts at New York's Madison Square Garden went on sale, more than 100 seats were available for hundreds of dollars more than their normal face value on premium-ticket site TicketExchange.com. The seller? Neil Diamond.

Ticket reselling -- also known as scalping -- is an estimated $3 billion-a-year business in which professional brokers buy seats with the hope of flipping them to the public at a hefty markup.

In the case of the Neil Diamond concerts, however, the source of the higher-priced tickets was the singer, working with Ticketmaster Entertainment Inc., which owns TicketExchange, and concert promoter AEG Live. Ticketmaster's former and current chief executives, one of whom is Mr. Diamond's personal manager, have acknowledged the arrangement, as has a person familiar with AEG Live, which is owned by Denver-based Anschutz Corp.

Selling premium-priced tickets on TicketExchange, priced and presented as resales by fans, is a practice used by many other top performers, according to people in the industry. Joseph Freeman, Ticketmaster's senior vice president for legal affairs, says that the company's "Marketplace" pages only rarely list tickets offered by fans.

The vast majority of tickets are sold by the artists and their promoters with the cooperation of Ticketmaster. In fact, he says that for any concert to which Ticketmaster carries so-called platinum seats, the Marketplace sells only artist-sanctioned tickets, not those resold by fans.


Getty Images
Neil Diamond approved premium ticket sales on a Ticketmaster site.
Though scalping tickets is legal in most states, the spiraling prices for tickets sold in the secondary market are frequently the target of ire from consumers, Congress and artists, all of whom say the practice takes advantage of fans while enriching third-party speculators.

Ticketmaster Chief Executive Irving Azoff said in an interview Tuesday that when ticket brokers resell tickets without permission from artists or promoters, it "drives up prices to fans, without putting any money in the pockets of artists or rights holders."

But Ticketmaster facilitates the secondary ticket market and profits from it. According to several managers of top artists and Ticketmaster executives, the company routinely offers to list hundreds of the best tickets per concert on one of its two resale Web sites -- and divides the extra revenue, which can amount to more than $2 million on a major tour, with artists and promoters.

These platinum seats are sold on Ticketmaster's TicketExchange, which describes itself as a marketplace for "fan-to-fan" transactions, using the slogan "Buy tickets. Sell tickets. It's that simple."

In addition to being Ticketmaster's CEO, Mr. Azoff also oversees the company's Front Line Management division, which handles the affairs of more musicians than any other competitor in the U.S. -- and represents Mr. Diamond. Ticketmaster is in the process of being acquired by concert promoter Live Nation Inc., an all-stock deal that is under intense regulatory scrutiny in part because it could affect competition in the music business, including the secondary ticket market.

Secondary ticket sales are viewed by Ticketmaster, concert promoters and artists as one of the biggest -- yet thorniest -- sources for revenue gains. In 2006, Ticketmaster launched TicketExchange in response to pressure put on its profit margins by secondary-ticket sellers such as StubHub. But in doing so, it opened the company to criticism by ticket brokers, fans and politicians, who accuse the ticketing giant of profiteering and obfuscation.

Ticketmaster is moving to distance itself from some parts of the secondary ticketing market. It is in the process of hiring an investment bank to try to sell another resale service, TicketsNow, according to people familiar with the matter.

Virtually every major concert tour today involves some official tickets that are priced and sold as if they were offered for resale by fans or brokers, but that are set aside by the artists and promoters, according to a number of people involved in the sales.

That includes recent tours by Bon Jovi, Celine Dion and Van Halen, and a current tour starring Billy Joel and Elton John. Spokesmen for Bon Jovi and Ms. Dion had no comment. A spokesman for Van Halen said that the band could not be reached. A booking agent for Messrs. Joel and John did not respond to requests for comment.

Tickets for a March 27 Britney Spears concert at Mellon Arena in Pittsburgh were priced earlier this week at $39.50 to $125 apiece on Ticketmaster.com. But some of those same classes of seats were being offered at the same time through the "TicketExchange Marketplace" for as much as $1,188.60. The link to the Marketplace page was marked, "Browse premium seats plus tickets posted by fans."

Ms. Spears' spokeswoman declined to comment.

The ticket listings are offered in small batches, each at a price, such as $1,164.01, that mimics prices set via online auctions. After inquiries from The Wall Street Journal, the "tickets posted by fans" message was removed from the TicketExchange Web site. Prices also fell, narrowing the gap between Ticketmaster and TicketExchange Marketplace.

Tickets that do not sell at the inflated platinum prices can also be moved between TicketExchange and Ticketmaster's lower-priced main inventory, without any signal to consumers that the ticket's status has been reduced.

Ticket brokers complain that artists sell their own tickets for inflated prices but rarely admit doing so, thus avoiding the appearance of gouging fans. "It's not fair for artists to hide behind Ticketmaster-TicketExchange," said Paul McCann, a broker near Baltimore. Ticketmaster says it is working to clarify the origin of tickets on TicketExchange. "It's cloudy and has to be cleaned up," Mr. Azoff said.

Bruce Springsteen recently decried a recent incident in which his fans were directed without his permission from Ticketmaster to TicketsNow.com, which caters to ticket brokers.

"As a matter of policy we do not ever release tickets to the secondary ticket market nor do we ever accept payment from them," said his manager, Jon Landau. Ticketmaster has said the incident was a mistake.

Ticketmaster says TicketExchange shouldn't be considered scalping. It says the site's "goal is to give the most passionate fans fair and safe access to the best tickets."

In a meeting last May with more than 100 ticket brokers, Ticketmaster's then-chief executive, Sean Moriarty, acknowledged that the ticketing giant had used TicketExchange to sell 160 Neil Diamond tickets over two shows at marked-up prices.

"That's a choice up to Neil and management," Mr. Moriarty said. He did not respond to messages left on his cell phone requesting comment.

"It's our job to make our clients aware of every opportunity that exists," Mr. Azoff, who is Mr. Diamond's manager, said in an interview last year.

Testifying before the House Judiciary Subcommittee on Courts and Competition Policy last month, Mr. Azoff said he believes the secondary market is currently flawed. "We agree that this model is broken," he told the panel, "and it needs a solution."

Write to Ethan Smith at [email protected]
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  #2  
Old 03-11-2009, 01:51 PM
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i always thought that certain artists charge too much for there tickets. if the artists charge the same price for all of the seats that the shows would be sold out and that more people could afford to go to more than one show.
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Old 03-11-2009, 01:56 PM
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Ticketmaster says TicketExchange shouldn't be considered scalping. It says the site's "goal is to give the most passionate fans fair and safe access to the best tickets."
Bulls**t. The SCALPING has gotten out of control over the past 10 years.

Most passionate fans = Those fans with the most money to spend? Pfftt.
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Old 03-11-2009, 01:59 PM
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It's not just Neil Diamond...it's TicketBastard themselves doing the scalping. Don't worry folks, Bruce Springsteen's "people" are working on the problem.
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Old 03-11-2009, 02:40 PM
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Not my Neil!!! I feel so betrayed.
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  #6  
Old 03-11-2009, 02:58 PM
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Eh, just think of it as an extra unpublished price point in the ticket scaling for the show.

Some acts do it the way Neil Diamond did, others have auctions on the Ticketmaster website for specific blocks of tickets in the first 5-10 rows. All it does is ensure that the artist receives the premium that would otherwise surely come on the traditional secondary market.
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Old 03-11-2009, 03:04 PM
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Quote:
Originally Posted by LukeA View Post
Eh, just think of it as an extra unpublished price point in the ticket scaling for the show.

Some acts do it the way Neil Diamond did, others have auctions on the Ticketmaster website for specific blocks of tickets in the first 5-10 rows. All it does is ensure that the artist receives the premium that would otherwise surely come on the traditional secondary market.
As much as I hate to admit it, if artists are going to go for the jugular, they may as well give the fans some kind of premium experience ala I Love All Access. Sure, the artist has a right to charge whatever they want to charge for a ticket, but it reeks of cowardice and moral bankruptcy when you try to hide your greedy intentions behind the veneer of a ticket scalping front. If you are a greedy a$$hole, you should let your fans know it.
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Old 03-11-2009, 03:59 PM
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Ticketmaster says TicketExchange shouldn't be considered scalping. It says the site's "goal is to give the most passionate fans fair and safe access to the best tickets."
What a bunch of bull****. The most PASSIONATE fans would be waiting with their fingers on their keyboards at 8:59am, ****head. Not everybody who is PASSIONATE about their favorite artists have the money to spend thousands of dollars on concert tickets. If the system was FAIR as they suggest, then the best seats would be available FIRST. As in at 9:00AM, first row pops up first, second row pops up next and so on and so on. However, we all know that for years, this has not been the case. Long gone are the days when PASSIONATE fans had to camp outside the box office in the hopes of getting the "best tickets". When everything went online, so did the whole "whoever is first in line gets the best tickets" philosophy. This industry is filthy and it's about time this crap is coming out.

I personally have no problem with a broker or a fan who has extra tickets, trying to sell them for a small profit. Hey, if someone is willing to pay it, then so be it. But Ticketmaster is the one doing the markup here. Their "face value" BS is not their asking price. It's been like this for years. If they want to make $500/ticket, then charge $500/ticket from the start. But then make those premium seats available as soon as tickets go on sale for the event. This whole hiding behind the scenes thing is a joke. For years they have hid behind "broker" and have kept all of the best seats to themselves so they can mark them up at ridiculous prices. This is why when they say "so and so artist sold out their show in 15 minutes", I roll my eyes, because I know it is just a story Ticketmaster puts out there to entice those fans who missed out on getting tickets and to welcome them into their world of taking advantage of them and ripping them off for as much as they can get. Ticketmaster are the ones who make the show "sell out" in 15 minutes, not the fans.

Thanks for posting this article.
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Old 03-11-2009, 04:11 PM
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This really pisses me off like none other!!!!

What can be done to help this situation- is there anything???
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Old 03-11-2009, 04:12 PM
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Originally Posted by TheScoop View Post
****head
that's my favorite F word.
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Old 03-12-2009, 12:08 PM
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Originally Posted by TheScoop View Post
The most PASSIONATE fans would be waiting with their fingers on their keyboards at 8:59am, ****head. Not everybody who is PASSIONATE about their favorite artists have the money to spend thousands of dollars on concert tickets. If the system was FAIR as they suggest, then the best seats would be available FIRST. As in at 9:00AM, first row pops up first, second row pops up next and so on and so on. However, we all know that for years, this has not been the case. Long gone are the days when PASSIONATE fans had to camp outside the box office in the hopes of getting the "best tickets". When everything went online, so did the whole "whoever is first in line gets the best tickets" philosophy. This industry is filthy and it's about time this crap is coming out.
I agree with you.

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that's my favorite F word.
I prefer f*ckface.
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Old 03-12-2009, 05:41 PM
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By the whole 'passionate fan' logic, I must not be very passionate- I bought tickets off *Craiglist* (shudder!) and paid only $75 a ticket, and I'm not even on the ground floor!

The most expensive I saw for Tulsa, OK was $2181, for a meet and greet (no concert!). I guess that's what the *real* fans are doing first (although no joke, $2K isn't THAT hideous a price).

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