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#1
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With the rich history of our favourite band, picking the best song is really hard so I think best broken down into era 1 & 2:
Green/Spencer/Kirwan: Closing My Eyes and Oh Well Pt 1 and 2 Spencer/Kirwan/McVie: Jewel Eyed Judy and Station Man Welch/Kirwan/McVie: Woman of a Thousand Years and Future Games Welch/McVie/Weston: Miles Away (opening riff is one of the best mac moments) and Believe Me McVie/Buckingham/Nicks: Over and Over and The Chain (honourable mention to early live Rhiannons) McVie/Nicks/Burnette/Vito: Behind the Mask and As Long as You Follow McVie/Burnette/Mason/Bramlett: Sooner or Later and Dreaming the Dream Nicks/Buckingham: Come and Thrown Down (hope to add one of the new songs here, fingers crossed )
__________________
Last edited by On Ice; 01-12-2013 at 01:29 AM.. |
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#2
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landslide is perfection
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#3
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this is very tough...but I will name just 2
Best Pop: SYLM...early version (featured on the Best of) the beautiful arrangement and the harmonies! Best Soul ballad: Why (original and the white album touring, featured on Midnight Special) again the composition, arrangement and the harmonies! What I wouldn't give to see this line up again and CM to revisit some of her classics pre BN! |
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#4
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Hard to pick just ONE as we all know there are so many Great F/Mac songs
#1 The Chain #2 GYOW #3 Sara/Gypsy |
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#5
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Definitely "The Chain", and, believe it or not, "As long As You Follow." The 4-part harmony and the atmosphere overall are addictive perfection.
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#6
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Without a doubt the best songs from that period. Rosebud Rhiannon, and The Chain would be my pick from the BN era.
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#7
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Wow...there is no way to pick only one.
1. Gold Dust Woman. 2. The Chain. 3. Why/Over and Over. 4. Go Your Own Way. 5. Sara. I need to meditate on this to narrow it down. ![]() |
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#8
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Jeez, As Long As You Follow is soooo good. Everything works - the melody, harmonies, Rick's amazing guitar.
Still, I'd have to say Sara or Silver Springs for their sheer, mysterious power.
__________________
There were reasons to be crazy. - Stevie Nicks, “Real Tears” |
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