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I guess I should have been more clear. You're right---my main complaint is that we've been listening to some of these songs for years, and that's probably not Lindsey's fault. But another reason for me wanting different mixes or versions of the "old" songs is so that they fit better with the newer material. In the recent online articles, Lindsey has implied that he wanted a more stripped back sound as well as a unified theme and tone for the album. He told Billboard, "It seemed to be more truthful in terms of what the songs were saying and what I was trying to look at" to hold the guitar-driven songs until the next album. He's talking about a general them and approach he was "trying to look at." He also said, "I want to still have it sound like a record, but very much in the spirit of someone sitting and playing guitar." "Down on Rodeo" is a great song, but it doesn't have the kind of sound he's describing in that statement. If he wanted THAT kind of approach, he should have stuck with the demo arrangement, which I happen to think served the song a little better than the more produced one. When I listen to the truly new songs, they literally sound like they're from a different session than the "older" songs like "Down on Rodeo"---probably because they ARE from a different session! Actually, "Someone's Gotta Change Your Mind" is probably somewhere in between the two production styles. On the other hand, we don't know that the "new" songs weren't written or recorded 5 years ago...! Hah! My favorite band, Crowded House, included an older song called "Walking on the Spot" on their final studio album, TOGETHER ALONE. WOTS was written and demoed in 1986 and performed in a completely different arrangement [upbeat] during their early tours, but the version that ended up on TOGETHER ALONE was a slow, dark ballad with a similar mood to Lindsey's "Street of Dreams" [which happens to be one of my favorite LB tunes]. My point is that, while CH included an older song on a newer album, they didn't just pull out the old tape from 1986 and shove the song into a group of newer recordings that feature a new, different production style. They gave the tune a tune-up, with a new arrangement and a new recording. I was hoping that Lindsey would have, at the very least, remixed songs like "Down on Rodeo" to make them more closely match the production of the newer tunes. Is this a deal-breaker for me? Of course not. I'll buy the CD the day it's released, and I will listen to it relentlessly. Obsessive fan that I am, I'm just being picky. Quote:
I guess I don't mind this practice of a "live version then studio version" release---that is, as long as the song in question is one that I like! I guess I was the only one lamenting the fact that a complete studio version of "My Little Demon" didn't end up on SYW. [In spite of what I said earlier in this same message, I'm still hoping it'll end up on the next electric guitar album!] Now, if "Running Through the Garden" had been on THE DANCE and then appeared on SYW as well, I'd have been upset. *grin* mattl |
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