Will Stevie make another solo album?
 

Or is she just going to stick with her gig with Fleetwood Mac? I wonder if FM will be making another cd?

She's said in interviews that she's going to start working on a new solo album once the FM tour is over. I'd expect one more solo CD and tour from her, at least. Lindsey keeps saying they're going to do more FM albums, but I have my doubts about that.

There will be a new solo album, but I'll be winning to wait briefly if they re-release Buckingham/Nicks and tour behind it.
I'd love for them to do just that plus about six solo songs each, with both of them onstage through every song. :blob2:

- Jake

That to me sounds like a bit of a stretch, that means that Buckingham/Nicks would have to do fairly well in order to tour behind it, unless the go for smaller venues ::salivates::

Do you really see a B/N solo tour? I can't see it.

I do hope they re-release the album, though! SOON!

Bn...
 

I would love to have a BuckinghamNicks cd release and tour but realistically I can't see it happening. I just do not think that Stevie or Lindsey would want to do that to John and Mick at this point. It is pretty much the Stevie Lindsey show right now anyway but with that impeccable, rocking rhythm section! Now, if they would just include a few BN tunes..we would be set!
Frozen Love
Crystal
Without You
Lola......oh, what a dream show!

As for the original topic, I would love for them to just start working on another FM album after a break from touring. However, its more likely that Stevie will want to do something solo first. I think she still has one or two more albums in her contract.

I could see at least an Arizona Heart Benefit.

- Jake

I think Johnny Stew can varify this but if memory serves, when Stevie signed to do Trouble In Shangri La, she also signed to do either two or three more albums after that. So, even if Fleetwood Mac do jump back into recording an album from the ground up (and I would LOVE that), Stevie will still have to make those records at some point so whether it be now or a few years down the road, they're coming! :nod:

And thank goodness.

- Jake

I'd say: call the next Fleetwood mac album BuckinghamNicks. Problem solved.

Let's start WWIII.
How about NicksBuckingham? ;) :lol:
Problem unsolved.

- Jake

I Prey that Lindsey and Stevie do not go solo after this tour and just start their from the ground up album. How's that for the title of the album if they do that "From the Ground Up." And guys guess what the person to most likely go solo after the tour is Lindsey not Stevie. But I'm sure if Lindsey does it Stevie will follow.Wouldn't that be the weirdest thing. Lindsey and Stevie both touring at THE SAME TIME seperately. Thats never happened before and what if tehy were both in town the same night, Lindsye in some small theatre, Stevie at an amphitheatre. I'm sure they'd try not to do that, but it'd be a weird scenario. To solve it, just do Fleetwood Mac and make the new album I'm calling "From the Ground Up"

i hope for a new FM too, i mean, if there was a chance she'd make another BD or TWH i'd love that even more, but it seems to me that at this point she'd never get a producer who's stronger than her, and might be able to prevent her from recording the likes of Too Far From Texas or That Made Me Stronger. currently the only one who might be nearing this position is lindsey, not to say TISL didn't have it's moments, but overall her work on SYW was even better in my opinion, and of course more adventurous. lindsey's FM stuff is just an excellent bonus since his solo stuff either never gets released or (and excuse me) suck.
although if i was stevie's advisor i'd be hoping she'd be making a solo project, coz at this point it looks like she's only (and excuse my language) consolidating her iconic presence as a solo artist, something FM are way past.

I think if Lindsey produced her album, it would be out of this world amazing. I would LOVE to see that happen and I guess we'll find out sooner or later. :nod:

solo or FM?
 

A Lindsey produced solo album by Stevie would rock the planet! I can only imagine what he could do with some of her new writings. However, I hope to have more Fleetwood Mac music in the future and LB trying to venture into the rocky waters of Stevie's solo efforts is dangerous!! They barely made it through SYW without "exploding into a mass of timbers"...could you see LB saying to Stevie "um, why don't we cut FFG back a bit..its too long".
Even though it was ok for John Shanks to do so, somehow I think if LB tried the same thing, Stevie would not go for it. Please God, no more Sheryl Crow produced albums. John Shanks actually does a pretty good job with some of her stuff although he can overproduce her. I like what he did with Planets very much but no matter what, Lindsey will ALWAYS be Stevie's best producer because he just "gets her". A great example, IMO, is a song like GB. He did not overdo the song, he added such gentle guitar work and enticed such a beautiful vocal out of her. Everytime I hear the beginning notes to GB, I am struck by how much it sounds like a lullaby. He just understands how to bring out the best in her songs and seems to see the bigger picture, even when Stevie herself might not see it. What he did with Gypsy....a true masterpiece. Her piano demo is, if I am being kind, sparse and beyond simplistic. He "saw" what she was trying to find and he turned those random lyrics and sparse melody into something so fantastic. None of her other producers, with the exception of maybe JI way back when, have the ability to do that. Just the addition of LB's guitar work on I Miss You jumps right out at me and is what really makes that song for me. So, yes I would love for Lindsey to produce her solo album but I would also worry that they might not make it through. More Fleetwood Mac..from the ground up this time. Not two solo albums crammed together on one cd. Can you imagine joint writing? Oh my.

Lindsey always gets way too much credit where Stevie's songs are concerned I think. First of all, he really had a lot more to work with for "Gypsy" than just the simple piano demo everyone always refers to. There are many piano demos and some are far more elaborate (to say the least) than the extra long version in which she repeats the same notes over and over. She was probably only exploring some ideas with a recorder turned on. But mostly, Stevie recorded a great "Gypsy" with Tom Petty and the Heartbreakers during the Bella Donna sessions and although it is "rougher" than the Fleetwood Mac version, I don't think they are that dissimilar. Lindsey refined "Gypsy" but he certainly didn't "make it".

Call me greedy, but I want new albums from Stevie and Fleetwood Mac. My hope would be that the two albums would follow each other in a relatively short amount of time (ie: 'Bella Donna' in 1981, and 'Mirage' in 1982), though I know that's a longshot.

One thing working in our favor though, is the fact that the entire band seems recommitted to working together. It no longer seems to be out of a sense of loyalty or duty... it's out of a desire to create. So I can't imagine them putting it off until the last possible minute anymore... I think Lindsey & Stevie will fulfill any solo obligations they have, and then will return to The Mac as soon as they can. (And to answer the contract question... yes, I'm pretty sure that Stevie is obligated to record/release at least two more albums for Warner Bros., though I can't find the Billboard clipping I have, to verify that.)

One other thing... I'd prefer Stevie work again with someone like John Shanks, rather than have Lindsey produce a solo album (which I highly doubt would ever happen anyway).
I love, love, love Lindsey's brilliant production touches, but I also love and adore the production on Stevie's solo albums... which, in my opinion, have always had a very unique sound to them. Obviously her solo music isn't everyone's cup of tea, but I think it allows her to branch out in ways that she can't within Fleetwood Mac (horn sections, orchestras, etc.).

I also think more of Stevie's personality comes thru in her solo work, which is always a great thing in my eyes. And again, I realize that some people prefer her music when it's filtered thru Lindsey and/or Fleetwood Mac in general... but I enjoy both.

I agree.

- Jake

ITA. Even if I really love what comes out from Lindsey & Stevie collaborations (they're magic together :cool: ), I'd prefer as a producer for her next solo, John Shanks again or someone like him, to see Stevie having also a creative space where she can be as personal as she wants and try different approachs to her music, like on TISL. :)

Romy

Stevie I believe has three records deal with Reprise.... of which TISL was one.....

Post #102989457823 on the same subject.
 

The Heartbreakers' "Gypsy" is more closer to the American mainstream than anything Buckingham has recorded with Nicks. And the FM version of "Gypsy" uses "Dreams" as its launchpad while going through some Tusk treatments as well. Buckingham's work on that song is comparable to what Bacharach and Wilson did in their prime, if people choose not to focus on that as much as they do on Nicks' songwriting and performance then that's their right. But my belief is that there's no way "Gypsy" would be a classic for the ages and had been a chart hit as well if not for Buckingham's work.
A horn section she hasn't had on a solo tune for a long time and the orchestra she last had on "Beauty And The Beast" (and I most certainly am not counting "At Last" here). She most certainly had the guts to be gloriously self-indulgent in her epics before ("Bella Donna", "The Wild Heart", "BATB", even "The Nightmare") but as of now she doesn't have it and her solo work doesn't offer an obvious alternative to that of Fleetwood Mac, not at least to these ears.
I understand how the albums might sound unique to some who has been a fan for a long time but for me the sound of Bella Donna is the sound of Tom Petty & The Heartbreakers and the sound of TISL is the sound of a Buckingham wannabe combined with the sound of Sheryl Crow. Whatever arguments you had over "Silver Girl" and "Say You Will" not having been changed much from the tape that Stevie brought to FM in early 2002 aren't effective to me; for me it sounds like she worked on those with Sheryl quite a lot and wanted to have some of that sound on SYW too. And as you probably noticed, "Destiny Rules" is missing that all-important harmonic arrangement; Buckingham's work. The important point here is that very few fell in love with Stevie Nicks because of "Silver Girl" and "Say You Will", most people fell in love with her through "Rhiannon" and "Dreams" which are Buckingham production works; the sound of which goes through "Gypsy" and is retained on "Destiny Rules" and "Thrown Down".
So in my mind I think she was "never gonna make it baby". Everything she does "has been done". With Buckingham she did the most lasting pieces of work, both artistically and in public imagination. Nowhere do I get Stevie as intimate as on Tusk and that's because the band was ready to fall down to that state of mind with her. Stevie Nicks may have given Fleetwood Mac a lot of star power but it was the band that made her; she most certainly didn't make the band. She developed her image first within the band and that was definitely influenced by the music the band was playing. Like it or not, without Buckingham her career would most likely have been the typical singer-songwriter one.
While I enjoy both too I enjoy the other significantly less than the "real thing". And that is simply because she chooses to make the sound uniform and the studio players are there playing routine parts so that they wouldn't overshadow Stevie. I love the woman but she doesn't seem to have the same kind of confidence as a solo act which she has when she's working with Buckingham. I always take Buckingham's playing and arrangements to the same level as Stevie's work in her own songs and if that's chauvinistic and obnoxious to some then so be it, I don't have to prove anything to them. When Lindsey is out there willing to support Stevie so that he exposes his own vulnerability through his playing then that will always beat the lacklustre studio musicianship to me.

As for the new solo album; I'm all ready for that especially if Lindsey can't get his head out of his rear end for a long time. But then again we all must understand the possibility that it certainly can't equal past works and if the general consensus is that it does then that's most likely just in the mind of the fans. Even on TISL the songs that were used for its promotion weren't her recent writing; "Every Day" came from John Shanks, "Sorcerer" and "Planets Of The Universe" from the distant past. I do not know why they chose those songs; maybe certain people do not trust in Stevie's writing that much anymore. Her writing most certainly hasn't captured the public imagination for a long time. Choosing "Say You Will" as a single from the latest FM album didn't really promote the album any better than any other track would have.

So maybe she did go up the alley of artistic esotericness just like the other people in FM did. The material they've been doing recently isn't going to leave any significant stamp to the world of music and maybe that's because they've lost the connection to the audiences. We fans may think of them as "never having lost it" but we might as well all be wrong; there is no proof of the current material reaching the public hearts.

So in that way I don't think Stevie is in any better position than any other members, past or present, of Fleetwood Mac. Like it or not, her tour setlists still rely mainly on nostalgic selections and that's what the majority of the audience is there for. The online community may have plenty of young people involved but even that is because younger people are the ones who use the Internet the most. So in spite of selling more albums than other members of Fleetwood Mac and in spite of still being a big concert draw I do not think she is artistically in any better position than the other members.

Some of the same accusations can be thrown at Lindsey too but us Buckheads can always resort to the fact that the man has always been generally underappreciated, whether we're speaking of his own songs or his production work. Stevie has had a lot more to lose. :p

(Note that most of this post is not directly related to the topic but is rather just about letting out steam on some of the discussions we've been having on this matter. And hopefully this will be my final word on the subject but that depends on me more than on the others.)

If she asked me for my unlearned opinion, which she won't :laugh: , I would say "Stevie, I wish you would stop the big production aspect of your records and do a piano and/or guitar only kind of thing and sing with some sand. You can do it - I mean look at "At Last" - your pipes shine on that one." She then would probably hit me over the head with her tambourine - but at least I would have had the chance to tell her :laugh:

Well, i would have to get her attention first!!!!! HEY STEVIE - OVER HERE!!!!!! :wavey: :wavey: :wavey: :wavey:

Then, the two security guards haul me away while I am screaming "GO UNPLUGGED!!!!!!!!!!!" :laugh:

Hey, I'd be open for a stripped down performance album too. Limited amount of musicians, one or two takes and a good atmosphere. Most likely it won't happen, given the people she's chosen to surround herself with and given the fact that she rose to prominence through other measures.

But nah, Sharon, she won't be going to O'Rourke, Corgan or White. Maybe not even Rubin. Although if she did I'm sure we'd have a Stevie solo album that even the indie types could accept.

Maybe I'm too optimist but I don't see it too unlikely to happen. ;)

Well, I've always thought to be an "indie type" (not intended as some kind of superior quality, just a fact) for my tastes in music and cinema... but I loved TISL as well, and became a huge Stevie fan for it. :D I see much more complexity and talent where you see "not the real thing", but it's just a matter of opinions.
By the way, I also consider Lindsey an underappreciated genious as a musician and producer, and I'm looking forward to his solo too. :)

Romy

Well, technically "Rhiannon" might be a Buckingham arrangement, but it's a Keith Olsen production. As is "Landslide." ;)

Also, I've been wondering something... "Rhiannon," as it's performed in that Buckingham Nicks concert that recently started circulating... is VERY fast, and omits the long "dreams unwind" ending.
Stevie's piano demos (even the earliest we can find) always include that part.

I wonder if LB's contribution to the arrangement was to make it faster... and, back in 1974, shorter, too.

And again, I really disagree with the notion that Stevie's studio albums are lackluster because the "studio musicians are only there to back her."
Stevie is not a musician, and has never purported to be. She's a singer/songwriter.
The production should always be there to enhance her songs... not to overpower them.

With Fleetwood Mac, it's a little different because it's a band setting. There's room for all the members to shine, and there should be.
But I'm not buying a Stevie Nicks solo album for Waddy Wachtel's guitar-playing, or Benmont Tench's piano & keyboards. Or even Jimmy Iovine's production.

They are there to enhance... not to overshadow.

And again, I was what you can consider a relatively new fan in 1985/86, because even though I loved all of the singles that I heard on the radio, I never really knew WHO Fleetwood Mac and Stevie Nicks were.
But when I started buying all of the albums in '86, I most definitely could hear a difference between Stevie's solo work and her music with Fleetwood Mac. And that was probably due to the fact that I wasn't so familiar with the music already. It didn't all meld together in my mind.
Stevie's solo stuff, to me, was a little more "rock and roll"... in that it was a little more "out there" and eccentric, and a little less perfect.

While Fleetwood Mac's stuff sounded glossier, more refined, and more "perfect"... more homogenized overall.

Now, don't get me wrong... I love that sound. I'm not saying it's a bad thing... just that I hear the difference. And I think Lindsey is a brilliant producer. Granted, I do think he has made a few missteps here and there... but I also think Stevie has made a few missteps of her own.
It's bound to happen when you're recording albums for 30 years.

I honestly believe the solo career allows her to branch out more, in ways that she wasn't able to in Fleetwood Mac... at least prior to her and Lindsey becoming the sole songwriters in FM. And you're right... there aren't horn sections on every song or album, and she really only used an orchestra on "Beauty And The Beast"... but, the ability to do that is there, if and when she wants it.

Anyway, those are some of the various reasons why, in my opinion, her solo music stands apart from her Mac music. For me, neither is "better than" the other... they're separate entities in many ways, which are then made consistent by Stevie's writing and voice.
I can enjoy both equally. :)

I also wanted to add that I don't think she's more self-expressive than Lindsey, artistically speaking... simply that I believe they're both equally self-expressive, in their own individual way. I also don't think Lindsey's solo albums have a lock on the "artistic" label.
Whereas Lindsey's artistic nature is expressed mostly thru his production (because up to 'Out Of The Cradle,' I would venture to say his guitar playing almost took a backseat to his production, in terms of which was the bigger vehicle for his expression, and the same can be said of his lyrics*), Stevie's is expressed thru her songwriting and voice.

They're different means to the same ends. Two sides of the same coin, if you will.
Which is probably why, together, they can make an even bigger statement than they ever can when they're apart.
But, wow... they're still pretty doggone amazing on their own! :D

(* I think Lindsey's lyrics still take a "backseat" to his production in many ways, however I think he's writing amazing songs now lyrically, and his level of expression via those lyrics has definitely increased in a major way. Though, IMHO, none of his 'SYW' songs are as introspective as the 'OotC' songs, outside of "Say Goodbye," which was written 15/16 years ago. But he has taken on the role of observer, with great aplomb.)