#31
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The old goat would have a cow if it wasn't hers.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#32
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She did, that’s exactly why they released an EP instead of just 2 songs for streaming as LB originally proposed - as a calling card for the full album coming next ( which ended up morphing into BuckVie once Chris joined, instead).
Stevie didn’t want to work on the album, the other 3 started and then gave her what they had to pick 2 songs to release for streaming before their 2013 tour. She picked Sad Angel and Miss Fantasy. They added her vocals to those but then she decided there can’t be only LB songs coming out so she pulled her ancient demo and insisted on EP instead.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#33
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I'll buy that. Tango was mostly Lindsey and his tricks.
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#34
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Tango was BuckVie 0.1.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#35
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I'll buy that.
Interesting that Christine was the only one that LOVED making Tango. John had trouble getting his groove to play. Stevie was in rehab or never there or showing up drunk. Lindsey was pissed at Mick buying drugs in his driveway and trying to just get the process over with. Christine says she loved this experience making Tango with Lindsey. So you are correct, it sort of was BuckVie, the early years.
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#36
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No, I'm being smart. Love Without You, love The Second Time. Love All Over Again. (Christine song, current tour closer song.) |
#37
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Tango as BuckVie 1.0 is an interesting notion. And given all of that parallels/similarities, that might be the way people should look at it in the history books. All the same people, essentially, just a different name on the cover. |
#38
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#39
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I didn't know that, Matt, but that kind of makes sense and seems believable. Mystified is built on what they call a pentatonic (five-tone) scale. It's a musical scale that's redolent of Oriental music. Lindsey went through a pentatonic phase around this time: Make Me a Mask, the guitar opening of Surrender the Rain, and so on. There's lots of little pentatonic filigree all over Tango, including Mystified's essential figure, the big guitar+synth riff that opens Little Lies, bits of the Tango title song on the chorus, and You and I Part I. It's not that an entire song is pentatonic; it's more a case of patches of pentatonic harmony here and there (some of it very noticeable in terms of the song's character). Claude Debussy incorporated pentatonic harmony and figures in his music, in a very famous case of world influence in Western music. One of his Book 1 piano preludes, The Girl with the Flaxen Hair, would fit perfectly on Tango or Out of the Cradle with some lyrics added to it.
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moviekinks.blogspot.com |
#40
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