|
|
Thread Tools | Display Modes |
#1
|
|||
|
|||
Lindseys Guitar on gramms, I didnt hear
people are saying they rocked the 1st song, and you could hear LB at the start, I honestly thought the other guys loud guitars really over lapped his , once I saw he had his acostic, I was disapointed, and I had my surround sound turned up but could barely hear him ?
anyone agree ? or maybe I should re watch ? |
. |
#2
|
|||
|
|||
Quote:
|
#3
|
||||
|
||||
I think Lindsey stole the show. His picking was easily recognizable and I just thought it stole the show. It was what was most noticeable about the performance.
|
#4
|
||||
|
||||
Quote:
__________________
|
#6
|
|||
|
|||
Quote:
Michele |
#7
|
||||
|
||||
To me, they really rocked. And Lindsey's sound immediately reminded me WORLD TURNING, don't you agree?
And yes, I heard clearly his voice. What's the name of that first song?
__________________
|
#8
|
|||
|
|||
Copy of A from the Hesitation Marks album.
Michele |
#9
|
||||
|
||||
Quote:
Overall, the moment was a complete mess. But Lindsey came out looking good.
__________________
Daniel |
#10
|
||||
|
||||
Quote:
i thought he was really highlighted and his guitar was easily discernible at the beginning of Copy of A. as well as his high harmony (which i personally didn't like much, but i'm always more into deeper voices). once when Homme came in his guitar became louder in the mix and i didn't like it that much since the part he was playing is i think really Lindsey's part on the record, where it's so much more impressive. plus whoever is normally doing it at NIN shows sounds more interesting on that part too (maybe they use prerecorded stuff / loop there, i don't remember). but they were doing it as a group so i guess that's nice, and Lindsey couldn't do both acoustic and electric at the same time. i liked QOTSA song, thought it was pretty tight although disliked Homme's live vox on most of it. i half-expect head-banging from Linds on that song every time i watch it, lol. he looked like he enjoyed it and had no problem fitting in and doing some hard rocking. really really hope this album and appearance together is not the end of Buck-Reznor collaborations, and they do something together again in the relatively near future!
__________________
"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#11
|
||||
|
||||
The Grammys: Lindsey Buckingham’s Redemption & Mixed Signals For Guitar Music
http://www.guitarplanet.eu/the-gramm...tar-music.html
The Grammys: Lindsey Buckingham’s Redemption & Mixed Signals For Guitar Music New guitar heroes struggle to make an impression as the legends of yesteryear triumph at The Grammys; meanwhile Lindsay Buckingham finally gets his due. Tuesday, 28. January 2014 - by David Hayter Love them or hate them The Grammys are the biggest, best and, let’s face it, the only music awards show that really matters. The winners might be arbitrary and the panel always rewards success over artistry, but this is the only glitzy shindig that’s happy to let country, jazz, traditional R&B and classical music stand shoulder to shoulder with Jay-Z and Beyonce. It may be bloated, but it delivers once in a lifetime moments (where else would you see Bob Dylan playing with Mumford & Sons?) and, for better or worse, it provides a solid gauge of where the music industry is heading. So what did the 2014 edition tell us about guitar music? Lindsey Buckingham Is Finally Cool & Recognized As A Guitar Hero Closing a show which featured Katy Perry being burned at the stake, robots rocking with Stevie Wonder, and Macklemore leading 30 couples through their wedding vows as Madonna ushered in their first dance (seriously that happened), is an unenviable task. The Grammys decided to place their faith in the once ridiculed Fleetwood Mac songwriter and guitarist Lindsey Buckingham, who has been reclaiming his guitar hero throne on the road this year. The guitarist joined forces with the Nine Inch Nails, Queens Of The Stone Age and Dave Grohl adding some delicious, darting, countrified intensity to Trent Reznor’s “A Copy” before joining in the tumultuous jamming session that ensued when Josh Homme hit the stage. He’s spent a long time in the wilderness, but Lindsay is finally getting the respect he deserves. A Magnificent Mess: Metallica and Lang Lang read more http://www.guitarplanet.eu/the-gramm...tar-music.html
__________________
"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#12
|
||||
|
||||
Quote:
__________________
"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#13
|
|||
|
|||
Quote:
I actually thought he was playing that part because it sounded so much like a Lindsey solo, until I saw the other guy playing it. |
#14
|
|||
|
|||
I thought LB sounded fantastic. Very cool!
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#15
|
||||
|
||||
Quote:
but i guess they were trying to make sure they all get to contribute / fit in their "supergroup".
__________________
"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
|
|
John McVie Signed Autographed Card SuperStars MusiCards #176
$34.95
8x10 Print Fleetwood Mac Peter Green Mick Fleetwood John McVie 1969 MEF
$14.99
Fleetwood Mac Tour John McVie Bass Guitar Pick
$25.00
* JOHN MCVIE * signed autographed electric guitar * FLEETWOOD MAC * 1
$680.00
8x10 Print Fleetwood Mac Peter Green Mick Fleetwood John McVie Spencer 1969 #EFL
$14.99