|
#1
|
|||
|
|||
One thing I just thought of regarding Mick's comments on this time in the new book is that he basically says due to the fighting with Mason/Bekka etc. he couldn't keep this going. So how come fighting was tolerated for Rumours etc. but not this?
John |
. |
#2
|
|||
|
|||
Quote:
Mike (Scarrott) |
#3
|
||||
|
||||
Quote:
2. The band had finally broken through and were touring behind a hit album when the personal relationships fell apart. They were able to use that as creative inspiration. 3. There's a big difference between couples breaking up and two people who don't like each other. Neither is pleasant, but the couples were able to maintain professional relationships. 4. Lindsey Buckingham was back in the picture by that point. A Buckingham-Fleetwood tour would have been more respectable than a Fleetwood Mac tour that didn't feature any of the Rumours singers while still relying heavily on that material. Quote:
Quote:
The problem with the whole era, starting with the Tango tour, is that they were too subservient to the Rumours legacy, which was understandable, but not something that they had done during the previous personnel changes. They didn't do any Peter Green songs on the Kiln House tour, for example. As a result, the new members were allowed to develop their own identities within the context of Fleetwood Mac.
__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#4
|
|||
|
|||
Quote:
John |
#5
|
||||
|
||||
I was on a roller coaster excursion at Six Flags in California and was surprised to see that Fleetwood Mac was performing there, later that day,along with REO Speedwagon and Pat Benatar. I was both elated and skeptical.
I knew that Stevie, Lindsey and Christine were gone, and felt crestfallen that their status was now at level where they were performing shows at an amusement park with two somewhat has-beens from the 1980s. The only saving grace was that they were the headliners. The show was fine for what it was. But it was a little disconcerting when they performed classic Fleetwood Mac songs. Most of the audience was likely very confused and not informed about drastic line up change. Only a fraction of the venue was filled, and I saw people walking out during the show. It was sad. I recall feeling so worried about what kind of future was in store for the band. I can't recall, but I thought I already had the Time album when I saw this show. But I've seen some posts saying that the album didn't come out until after their tour.
__________________
Life passes before me like an unknown circumstance Last edited by PenguinHead; 11-21-2014 at 02:56 AM.. |
#6
|
||||
|
||||
It was released Oct. 10, 1995. There was BTM with Billy and "Shakin' The Cage" by the Zoo with Bekka.
__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#7
|
||||
|
||||
Quote:
Quote:
What has really surprised me is that the show I saw was broadcast in its entirety on then radio station KLSX-FM, yet I've never seen a recording of the show in bootleg trading circles. Did nobody at the radio station hit the "record" button? Quote:
__________________
Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#8
|
||||
|
||||
Quote:
Many of the attendees who went to the show, did so on a whim, with little knowledge of the band's history and the various configurations and changes in the group. I assume they expected to see the most famous incarnation of the band, and its most identifiable members: Stevie, Lindsey and Christine. For them, it certainly was DRASTIC (capitalized, italicized and bolded for dramatic emphasis, I guess! lol)
__________________
Life passes before me like an unknown circumstance Last edited by PenguinHead; 11-19-2014 at 07:00 AM.. |
#9
|
||||
|
||||
Quote:
In 1976 the band was experiencing a huge wave of creative and commercial success. It's well documented that the chemistry they had was worth preserving despite the infighting. They had a future ahead of them. By the time the of the Time, Fleetwood Mac's stature was in flux. Now they were old school. Two of the prominent members were gone, and the third one (Christine) was barely holding on. The market/music scene, as well as their image had changed drastically. They're performing in amusement parks, with two other somewhat has-been bands. They hardly had the chemistry or constitution to withstand the tensions between them. It's not hard to understand why this configuration had a short shelve life. It hindsight, Christine's tentative presence was precursor In circumspect, it was Mick's attempt to persevere; to keep Fleetwood Mac alive. It was another link in the chain; a place holder of sorts, which allowed the next chapter of the the band to unfold: The Dance.
__________________
Life passes before me like an unknown circumstance Last edited by PenguinHead; 12-24-2014 at 02:42 AM.. |
|
|
Blues: The British Connection by Bob Brunning
$12.99
Bob Brunning Sound Trackers Music Series Hardcover 6 Book Lot Pop, Metal, Reggae
$79.99
Bob Brunning Sound Trackers Music Series Hardcover 6 Book Lot Pop, Metal, Reggae
$56.99
Bob Brunning Sound Trackers 1970s Pop Hardcover Book Import
$19.99
1960s Pop - Hardcover By Brunning, Bob - GOOD
$6.50