#76
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#77
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#78
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to me, Lindsey's SYW material (+all those other songs from his not-to-be 2001 solo album) was what made me a huge Lindsey fan that i still am. his 90s era music was fantastic, and it moved in different direction from his early music in 70s and 80s. and that different direction was music that i absolutely adore. so yes, i think Lindsey's mid to late 90s-era music is his strongest ever. sure, i loved where he went with Seeds, and i enjoy his songs on BuckVie and Lindsey Buckingham 2021 album. and Second Hand News is probably still the most perfect little rocking pop song ever. but 90s were Lindsey's creative peak. he mellowed back up after that. he stuck to his guns and didn't try to go in many different directions after that. which is completely fine. and so, while he was on his creative peak, he tried to take Fleetwood Mac in a new, different creative direction. he hoped maybe this time around Tusk-like push will work and other band members will finally accept and run with him too, and maybe they'll gain new audiences, or take their old audiences on a new journey with them. looking at all the hate at Come, Red Rover and Murrow here, Fleetwood Mac historical fans were stuck in their ways, and did not care about evolving band. which is ok, we like what we like... still interesting to read. when Destiny Rules started with that excerpt of Come? it was glorious! i was thinking - can't believe this is still FM, how great to hear this evolution!
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#79
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it's amazing live! highlight of any live LB show when he played it.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#80
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add also The Singer not the Song and She Smiled Sweetly. Deep Dense would have been nice too! and that never finished crazy song called Steve's Riff.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#81
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I also didn’t want to water down the album with Stones covers. Lindsey’s original compositions were too strong for that.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#82
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It’s been 20 darn years and I STILL WANT to hear the full version of that instrumental snippet that is played on the Destiny Rules doc!!
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#83
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Oh man…does anyone remember from the SYW tour when Linsey would point his finger at ladies in the audience during “Come”😂😂😂😂
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#84
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you look at that list of songs and they are all amazing and really strong, not a dud between them (well, other than Say Goodbye but hey there's always one!). i adore those Stones covers he did, but again, i hear you.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#85
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Wait a minute…Elle! You’re not a fan of Say Goodbye? I’m not a huge fan of that one either and it’s been my dirty little secret for YEARS.
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#86
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all the time! people are still talking about specific shows when they were Lindsey's Come girl!
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#87
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i severely dislike both the sped up and the slow / live versions. i mean intricate guitar parts are nice, but the song is Julio Iglesias kind of schlock that i never cared for.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#88
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Speaking of slowed down songs…the shady pines version of NGBA still takes home the trophy for being my least favorite of all time.
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#89
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That was the tour of Stevie’s lasso dance during Say You Will and Lindsey’s Come finger…wow what kind of sentence did I just write!?
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#90
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I love how they did it on the Say You Will tour. Once it went back to a LB only presentation it has gotten increasingly slow seemingly every time he plays it.
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