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#1
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I have a pop heart, which is why Christine was always my favorite. BuckVie is so close to Mirage...I just love it. Which is the main reason I hate SYW. So many duds, no Christine, and it's just plain TOO LONG. And I'm the only person alive who LOVES What's The World Coming To! I should cut SYW down to about 8 songs, and I could listen to it then.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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#2
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[QUOTE=HomerMcvie;1249870]It should have been a solo song for him.
I have a pop heart, which is why Christine was always my favorite. BuckVie is so close to Mirage...I just love it. Which is the main reason I hate SYW. So many duds, no Christine, and it's just plain TOO LONG. And I'm the only person alive who LOVES What's The World Coming To! No it was my favorite song when the album came out along with Destiny Rules though I though her voice struck me as way too low in the versus. The album was not that great IMO, thought I tried to love it. There are definitely some good tracks though. I might be the only one who loves what LB did to Smile at You. As far as ranking the favorites, I don't even have the heart anymore. SN and M$ck just ruined it for me. |
#3
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I loved another woman
Love that burns Closing my eyes Mission bell Woman of a thousand years Spare me a little of your love Did you ever love me Hypnotized Coming Home Rhiannon Gold Dust Woman Brown Eyes Eyes of the World Big Love Behind the mask Nothing without you Say Goodbye (Love is here to stay)
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There's no use in crying, it's all over |
#4
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#5
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As do I!
If "Angel" sounded on the studio record as great as it does in the Sausalito soundboard, I'd have chosen that as the best track on HAHTF. |
#6
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some of them are here on earth... lol
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" Last edited by jbrownsjr; 03-06-2019 at 04:10 PM.. |
#7
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I love both, actually. But the HAHTF Angel is appropriately disillusioned and mysterious, whereas the TUSK Angel is self-mythologizing and solipsistic (though VERY energetic and engaging). And the groove can just go on and on in a trance for as long as it needs to...
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#8
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Maybe you'd like to come away.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#9
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Baby, I can't come. I'm in my shawl vault.
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#10
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Of course I have my own list!! Not complete...
Fleetwood Mac (1968): Mr. Wonderful (1968): Then Play On (1969): Oh Well Kiln House (1970): Future Games (1971): Future Games Bare Trees (1972): Sunny Side Of Heaven Penguin (1973): Bright Fire, Caught In The Rain... Mystery to Me (1973): Emerald Eyes, Forever... Heroes Are Hard to Find (1974): Heroes Are Hard To Find Fleetwood Mac (1975): Monday Morning Rumours (1977): Second Hand News Tusk (1979): Brown Eyes Mirage (1982): Love In Store Tango in the Night (1987): Big Love Behind the Mask (1990): In The Back Of My Mind Time (1995): Say You Will (2003): Illume EP (2013): Buckingham McVie: On With The Show |
#11
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Angel from Record Plant is bonkers. It’s just possessed.
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"Remember..." --LB, Nokia 10-19-08 |
#12
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HAHTF (the album) is a bit of a slow-burner to appreciate, I think, and it took me a long time to really get to grips with it. I'm glad I did although I don't think I will ever come to terms with Silver Heels. Christine turns into Bob on Bad Loser, Bob's She's changing me almost sounds like a precursor to Say you love me- try playing them back-to-back to catch my drift, and Bob channels Albatross for Safe Harbour. Coming Home feels liberatingly free-form and has a great bass line here and there so I'm glad others rate it too.
I'm not absolutely sure that my choices aren't perhaps my favourites rather than what I might feel are the best, but it's my reality. So Stevie's only on four of the tracks? That's her look out... Nothing Without You (OK,it's a cover, like Mission Bell,but hey..) works best for me as it's the most inclusive of all the band's then personnel-- Christine is very prominent, and Lindsey guests as well. I've played them in an order which makes about as much sense as I can make of them, and I'm cursing you-know-who for it not quite technically being a best of 18 album playlist. Big Love Behind the Mask Woman of 1000 years Closing my eyes Gold Dust Woman Hypnotized Brown Eyes I loved another woman Rhiannon Coming Home Did you ever love me Mission Bell Say Goodbye Love that burns Spare me a little of your love Love is here to stay Nothing without you Eyes of the World
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There's no use in crying, it's all over |
#13
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There's no truth in my lies There's no light in my eyes And it's all I guess That I'll ever miss It's political in the best sense: a critique embedded in a good-natured, foursquare musical expression of conservatism. The widespread dismissal of the song has always puzzled me. Maybe everyone really has gone to the moon.
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moviekinks.blogspot.com |
#14
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i love the lyrics, but melody and music is where it is for me in a song. and boring melody and music and performance and Nicks' nasal voice is making it drilling the holes in my ears and making them bleed. so while i LOVE slightly political Lindseylyrics (as opposed to all his regular love-whining), i can happily read it but i can't listen to this song. i mean Doing What I Can lyrics are as stupid and as lazy as they come right? but i adore the sound of the song and its tempo and its music.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#15
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"I am just one small part of forever" -Think About It (The song that got me into Stevie Nicks) "The face of a pretty girl x1,000,000" -Isn't It Midnight (The song that got me into Christine McVie) "The sun is bright, but not too bright to see. When the darkness comes you've got to fly into the light." -Doing What I Can (The song that got me into Lindsey Buckingham) "I can still hear you saying you would never break the chain" -The Chain (The song that got me into Fleetwood Mac) |
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