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#1
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Boring and Stevie sounds like she’s got a wad of cotton stuffed up her nose… Just awful.
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#2
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The song itself is tolerable. Neil Finn is no slouch as a pop songwriter and it is for a good cause so I paid to download it. Stevie needs to retire .She can no longer sing and she is starting to remind me more and more of Baby Jane Hudson or Mae West in her dotage.
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Children of the world the forgotten chimpanzee..in the eyes of the world you have done so much for me. ..SLN. |
#3
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yeah she's said in interviews that a doctor told her he could put a mesh thing in her nose where the hole is to replace the missing cartilage, but that she told him "no I can't do that because what if it changes how I sound?" She might want to revisit that decision.
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#4
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Having just watched Normal People...(twice)..yes I’m sad, I know!
I found the lyrics of this song quite moving, but that’s maybe just my mood at the moment. Stevie’s voice however.. If she would quieten down a little, sing less in your face sort of, she wouldn’t sound so strident and flat. I think her voice coach has a lot to answer for.... |
#5
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If Christine was helping out, why not give her a decent spotlight? Her contribution at the end is barely noticeable. Yet another frustration when it comes to getting any new music from her.
I’d like to know what the song that didn’t make LB/CM album sounds like. It was hers and she “had high hopes” for it. LB said “save it for next time” but there won’t likely be a next time and the song sits languishing in a can. |
#6
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Stevie sounds awful. They need the vocal filter from Prove Me Wrong.
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#7
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Quote:
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#8
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Quote:
https://youtu.be/3P3emYkPdhk
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#9
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This song is nice. Very pretty and it's a nice surprise hearing this. Stevie's vocal is very good here and Christine sounds great.
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#10
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Quote:
You call me up on the telephone, baby You said you didn't want to talk to me I ask you why and you said you'd tell me later I guess you wanted to forget about me First....the changing verb tenses thing. But, ok, Bob Dylan. Then, just the logic of the whole story is wack. Why would someone call you on the phone to tell you they didn't want to talk to you? Wouldn't they have to talk to you on the phone to tell you they don't want to talk to you? Why wouldn't they just stop talking to you, period?? Then, you ask them why they don't want to talk to you, and they say they'll tell you later. What? If they don't want to talk to you, why would they plan to talk to you in the future.....to tell you why they don't want to talk to you... If they wanted to forget about you, and not talk to you, why would they talk to you later, which would mean they'd have to remember, not forget, you??
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#11
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This is a great listen and I think the voices work really well. As for Stevie, that is how she has sounded for many years now. The production and mix here help soften her a bit. I would gladly buy an album of this, a new FM album.
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"...every time, you don't come..." "my little demon..." oh dear... |
#12
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Stevie’s voice however..
If she would quieten down a little, sing less in your face sort of, she wouldn’t sound so strident and flat. Spot on: She needs to pull back her voice and soften it up. To nasal and in your face |
#13
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That’s been the case since like 1986.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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