#46
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That would be cool to see. If there is such a thing.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#47
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Not Make Believe and Love Minus Zero were included on the limited edition version as bonus tracks.
Not make believe always sounded unfinished to me, I was surprised they let it out the door as bonus material. Those two tracks would have made a total of 20 tracks. It’s unknown what else was completed.
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#48
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Quote:
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#49
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#50
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#51
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It seems like the majority of material they had to extend the album into a double album was mostly Lindsey's and not an equal split between he and Stevie. I wonder how much of that influenced the decision in addition to the business and financial factors.
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#52
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Someone's ripped the audio of that...
https://www.youtube.com/watch?v=2zFDBiDJkhg |
#53
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It was one of the tracks Lindsey had already recorded, and one of the ones that as he says in the documentary "we'll get Stevie's presence on some of my songs". The ripped audio includes some of the vocal arranging he worked on with her and then her actually recording her part.
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#54
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As per the documentary, Lindsey decidedly didn't want it to sound like Fleetwood Mac. Something like "reinvent ourselves in the most credible possible way" is how he worded it – which in effect means "do something different."
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#55
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2018 Tour had nothing but 2 old shawls. |
#56
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Say You Will was the album that introduced the band to me. I was a fresh-faced 17-year-old following a band from the '70s wasn't really a vibe in 2003.
I ate this album up every moment of it upon its release, and I still do. The highlights have been covered and we all tend to agree; it's bloated in parts, drags in the middle and is missing Chris. However, the production that was so maligned at the time both on this board and by Stevie has held up. I say this as an unabashed Lindsey fan, the style of production hasn't dated in the same way other music from that period has, look at TISL for evidence. There are enough interesting things happening sonically that your interest as a listener is maintained, this has always been Lindsey's strength as a producer. As fans, we are gifted 18 tracks in a very limited discography in the grand scope of the band's life. Lastly, we have SYHA and BTLH the last official 5-member Fleetwood Mac recordings, and I adore them.
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"Leisure line to heaven, puttin' on the hits, here we have another, another piece of glitz" |
#57
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Here's a transcription of the Guitar World Acoustic interview http://www.fleetwoodmac-uk.com/artic...06-10_016.html Last edited by WalkAThinLine.; 04-19-2023 at 10:27 PM.. |
#58
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What a great post. I agree with every word.
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There were reasons to be crazy. - Stevie Nicks, “Real Tears” |
#59
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I agree, while I wish the mix had more air to it, a little less condensed..It's aged far better than a lot of songs on TISL.
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Last edited by BigAl84; 04-20-2023 at 12:00 PM.. |
#60
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In addition to making a record that was artistically challenging and not pure fluff, I think he envisioned that whole period for the band as a new productive phase that would include multiple albums and tours. A stark difference from other boomer bands falling back on the greatest hits touring model. He mentioned in Destiny Rules the attempt to "string a couple of years together" I He later revealed in other interviews down the road that he had hoped for at least one follow up album to happen in relatively quickly after SYW.
Unfortunately what really happened was a constant uphill battle to get Stevie onboard to do anything in the studio from 2004 onward. The ice cracked a little bit for the 2013 EP, but quickly turned into the stalemate situation. Luckily it gave us Buckingham McVie which is arguably stronger without Stevie (and personally, it's my theory that's what really led to the 2018 friction. Being upstaged)
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