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#1
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YMLF acapella
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#2
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__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#3
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Isn’t it! Hearing that choral backing is just phenomenal. The three voices sound great together—
but it must be said that the thick vocal layering is not that different than the backing vocals on the title track to Heroes. Christine and Bob had already figured out how to create swelling textures. I’m just glad Christine was front and center in both cases. She did it again on “Bad Journey” decades later. |
#4
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Welch/McVie Buck/McVie Nicks/McVie Kirwan/McVie Burnette/McVie Winwood/McVie McVie/McVie (I love hearing her with herself). *Like Bad Journey I want more!! And I'm still waiting for that blues album. Maybe she did it without telling us.
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#5
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That’s why it always drives me crazy when people say that Lindsey and Stevie radically changed Fleetwood Mac’s style. Christine’s songwriting didn’t change. Most of her 1970-74 songs had harmonies. The biggest difference was having two full pop writers who complimented her works, making for more consistent pop albums. I love Bob and find that era the most rewarding, but going from “Bermuda Triangle” to “Come A Little Bit Closer” is a bit of a leap.
__________________
On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#6
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The trio vocal blend with Stevie and Lindsey is so fascinating BECAUSE of Christine. If you hear the a capella version of “Rhiannon” on YouTube it’s the high, aching Christine notes that give me the chills...same with “The Chain.” |
#7
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https://www.youtube.com/watch?v=Gz6S...EzQVg&index=35 |
#8
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