The Ledge

Go Back   The Ledge > Main Forums > Present Band
User Name
Password
Register FAQ Members List Calendar Mark Forums Read


Make the Ads Go Away! Click here.
 
 
Thread Tools Display Modes
Prev Previous Post   Next Post Next
  #11  
Old 02-06-2021, 01:17 PM
SteveMacD's Avatar
SteveMacD SteveMacD is offline
Addicted Ledgie
 
Join Date: Jan 2004
Location: The Buckeye State
Posts: 7,444
Default

Quote:
Originally Posted by BigAl84 View Post
I don’t get it. Yesterday you were comparing how a Stevie single charted just as poorly as Lindsey’s Go Insane to show they were both in a similar state of decline...
Again, for the second time, I was talking about ALBUMS not singles.

And that wasn’t my point. I was simply pointing out the hypocrisy that Lindsey made an album that peaked at #45 and nobody acts like he needed Fleetwood Mac to bail him out, but Stevie hits #45 and her career is in the gutter? Stevie didn’t need The Dance any more than Lindsey needed TITN.

Quote:
But now you’re siding with the artistic merit of Behind The Mask and Time over the completely obvious fact that Tango was a blockbuster because it involved the original 5.
I have never argued against the classic lineup being a blockbuster band. But, they were all essential contributors and beneficiaries of that lineup. You are absolutely right when you say that TITN was a blockbuster because it involved all five.

And, no, I wasn’t siding with the artistic merit of Behind The Mask and Time over anything else, I was siding with the artistic merit of the core three, especially the songs Christine contributed during those years. I’d put “As Long As You Follow,” “Save Me,” “Behind the Mask,” “Love Shines, “I Do,” “Nights In Estoril,” and “All Over Again” up against anything she ever did during Lindsey’s tenure. They had the songs, the playing chops, and, with Time, the right producer. While those albums are both inconsistent when taken as a whole, the core three were just as creatively on solid ground as ever (weirdly also true of the Welch-era albums).

So, when people say that Lindsey bailed them (Mick, John, and Christine) out, I’m genuinely curious as to how, because those three weren’t drowning creatively and Lindsey’s name and talents as a singer, songwriter, and producer weren’t enough to make him a viable solo artist. Even with heavy promotion, music videos, rave reviews, and a tour, OOTC didn’t do much better than Time (which, reminder, was DOA when it was released). This is why I think the messiah Buckingham thing is so ridiculous.

Quote:
When you want to attack Lindsey you dive right into sales. When you’re defending Stevie or Chris it’s all about art suddenly.
LOL!!! When have I ever defended Stevie’s art beyond being a brilliant harmony vocalist? The nicest thing I say about her music, especially during this time, is that her songs were hit or mostly miss after 1984.

Last edited by SteveMacD; 02-06-2021 at 01:20 PM..
Reply With Quote
 

Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump


Bob Brunning Sound Trackers 1970s Pop Hardcover Book Import picture

Bob Brunning Sound Trackers 1970s Pop Hardcover Book Import

$19.99



Reggae by Bob Brunning picture

Reggae by Bob Brunning

$6.76



Heavy Metal Hardcover Bob Brunning picture

Heavy Metal Hardcover Bob Brunning

$9.73



Sound Trackers Soul By Bob Brunning picture

Sound Trackers Soul By Bob Brunning

$16.23



Heavy Metal by Bob Brunning picture

Heavy Metal by Bob Brunning

$8.93




All times are GMT -5. The time now is 03:55 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2021, vBulletin Solutions Inc.
© 1995-2003 Martin and Lisa Adelson, All Rights Reserved