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#76
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![]() I did say I was blessed to have heard Christine play Sara. And I'll add the opening to Sara.
Fleetwood Mac was FM to me during the Say You Will and Extended Play years too. I went to four 2018 Tour shows however to me FM at that show was Mick, John, Chris, and Stevie because Mike and Neil weren't playing new music. What I meant by marking the end was that I see Stevie adding Sara to her solo set a sign that Stevie, Mick, John, even Lindsey will never be on stage together again as Fleetwood Mac. |
#77
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![]() As for the tribute - you’re exactly right in that it’s obvious nothing was going to change and anything interesting would be too much change. I strongly believe a rollicking Don’t Stop played with Billy instead of the traditional L&L or SDMHA duet would have been a hell of a lot better tribute to the life and legacy of Christine than a dedication of Landslide ending the show in tears. I don’t begrudge her or anyone crying and being devastated at Chris’s death but to me this is/was an opportunity to celebrate her supposed bff’s legacy. Don’t Stop is designed for two singers, Stevie and her band can and have done the song justice before, Billy Joel playing the keys, honoring the legendary Christine F**king McVie by playing her signature tune - IMO, would’ve been a lot better than what she did. But at least she’s still trudging out that tired and boring version of Free Fallin’ to honor Tom. |
#78
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#79
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![]() I have to say, Billy singing stop dragging is way better than waddy’s vocal.
OF COURSE landslide is a photo montage tribute to Christine. She did the same thing when her dad passed away…why would she possibly do anything different lmao. Im afraid to hear her 2023 version of FFG…it was on the decline the last time she had it in her set. The Blockbuster awards performance was amazing and probably the best live performance of it. Her voice is the square peg and the set list choices are the round hole. I really wish she would become innovative and find different arrangements that would use her limited range in a flattering way that fits the material.
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#80
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#81
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![]() Even Billy's fans call this the dud of the night. Calling it the "bathroom break" and her voice adds nothing but an irritation to the song. Some things sound good on paper but execution fails. This maybe could have been a small theater performance but a large stadium it fails. Stevie used to be able to wrap her voice around anyone's. She cant do that anymore. But IMHO this is Billy's fault, not hers. Its his song and it was not meant for this.
https://www.youtube.com/watch?v=BqIoebNGfls
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#82
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#83
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#84
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![]() It doesn’t work well because she doesn’t have any softness or elasticity left in her voice. It’s either zero or 100, nothing in between.
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#85
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Than the strident almost tuneless voice she uses these days..it must be easier on her vocal chords too. |
#86
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Billy actually worked on SDMHA. But Stevie sounded like a cat trapped in a microwave during Billy's ballad. Its not her fault. Billy has no duets and tried to make her fit somewhere. It just does not work. Both look uncomfortable. While Billy was having fun during SDMHA he still had a look of unease. But at least he did walk on her stage unlike the douche Rod Stewart. The worst part of all of this is all the great songs Stevie ignores on her tours and we get this instead. She does not have many tours left in her and we're still getting Free Falling and Petty tributes. Sad ![]() Poor Billy. It sort of reminds of that Laverne and Shirley episode where during the Shotz talent show they had to find something for the boss's son to do in someone else's act. Maybe We Didn't Start The Fire could have used some cowbell or something?
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Last edited by Macfan4life; 03-12-2023 at 09:46 AM.. |
#87
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#88
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![]() I can't believe the newest song in her setlist is 21 years old. I know Billy's is probably 30 years old but Billy's said for 25 years that he's done writing. Stevie always says she wants to make another album.
Hopefully at her Seattle show this week she'll add either a new single or at least Starshine and Belle Fleur. Heck even If You Were My Love and it's depressing flow. For What It's Worth and Free Falling have no place in her set. I still am dumbfounded that she said Show Them The Way was her third best song and she never performed it. |
#89
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![]() Because even the queen of narcissism knows that is pure BS to say that and if she did play that droning pile of horse pucky it would immediately get launched to Siberia never to be heard from again before the next show. It’s not worth rehearsing it and prepping it for the set and she knows it.
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#90
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She’s in the bonus years here and instead of digging into her own catalog of solo hits and album tracks not to mention Fleetwood Mac songs outside of the main 5, she remains stuck on duds like If Anyone Falls, boring cover songs, and lethargic versions of Gypsy and Rhiannon. Although from what I see, the people who go see her would be content to hear her read the 1992 yellow pages and wax poetic about 1968 San Francisco so I guess she knows her audience. |
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