#106
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Little Lies—I loved the catchiness of it, and the cynical edge. It’s a love song about disavowal, sung to an unforgettable melody. I remember hearing it and thinking “the band is back”—a feeling I did not get as intensely from the other three singles… |
#107
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#108
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It’s the one I can tell John McVie and Mick Fleetwood are definitely playing on.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#109
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The opening chords and Christine's keyboard parts give me goose bumps on Little Lies.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#110
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In my own case, apart from trying to find little romantic “clues” in the songs, I never cared much about the breakups or even thought the breakups made for a fascinating perspective on how the band could keep working together. But I did very much always glom on to the five people because I thought they were all very attractive and very odd, and I loved hearing them talk about things or the character-driven way they looked. There was charisma in the five of them splayed out on a page spread in a rock magazine. It can’t be articulated or quantified all that successfully. (It’s like the much older question of what made a movie star a star.) If I had hated their music in 1978, I still would have found them unusual and attractive in a magazine or onstage. I think lots of people had that reaction to Fleetwood Mac, too.
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moviekinks.blogspot.com |
#111
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One could argue Little Lies is the best song on Tango. Certainly, the best hit.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#112
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#113
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Stevie does that arm shuffle alternating back and forth. Christine does a kind of head shake.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#114
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I remember driving home from Century III Mall in West Mifflin, PA the day after Tango was released. I was driving home listening the cassette in the car. The first time I heard the song, I was puzzled why it was not the lead single from the album. In the mid to late 80s, the singles were always first track side two or one. It was given the prime location to spring from on the album. The band has always alternated the lead single from an album between Chris and Lindsey. Since Chris had the lead single off Mirage, it was Lindsey's turn. Since the creation of Tango was Tusk like with the bulk of work from Lindsey, I see why he got the lead off just like on Tusk.
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#115
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#116
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Macfan was doing a JohnL. The discussion was closed and wasn't talking about it anymore for 5 pages!!
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#117
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I don't think that's exactly what Steve said. He was merely saying it was logical for Lindsey's departure to have helped the album and single. At least that was my interpretation of his Blist/scrub/predisposition/minor/hit speakathon.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#118
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What I will say is this: It's pretty incredible for Christine to have the 3rd and 4th singles on Tango and have the album survive that long.
I hear Little Lies and Everywhere much more today on the radio, where I rarely hear Seven or Big Love.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" Last edited by jbrownsjr; 08-09-2022 at 02:41 PM.. |
#119
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If so, I get a kick out of him!
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#120
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I Got News for You - Audio CD By Bekka Bramlett - VERY GOOD
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