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#121
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#122
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#123
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#124
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#125
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I'm glad this info is coming through before I put a bunch of charges on my credit card.
Of course it's great that fans in Australia will get to see Stevie. It would be nice for her to take the Gold Dust Tour around the world and please her fans. But this orchestra thing is turning out to be nothing like I imagined. Which is my fault; I'm the eternal optimist. I thought I'd actually meet Stevie at the first AHI benefit when promised; I thought she was going to take chances in Vegas when she said the concert would be like nothing anyone's seen, etc. I first read about this Melbourne Symphony idea in the SF Chronicle. The way it was written, it seemed like Stevie was going to rework her classics with an orchestra for a special performance. That led me to think she would actually play in a theater that was created for orchestras and was planning something very unique and special. Instead, it is another arena tour with one concert offering a few songs with the symphony to make a DVD. And Stevie is now saying her typical "....you never know" when, as Neal has stated, we do know. I highly doubt she will even do At Last or Sunday Kind of Love. She'll probably do HAEWAFY, Landslide, Beauty and the Beast, and maybe Circle Dance and Rhiannon with the orchestra, and that's it. To me, the issue isn't about changing the setlist for this tour, it's why she won't go all out and make it something truly special: an elegant theater with quality of sound and an entire concert with all songs reworked to accomodate an orchestra. I'm happy to wait for the DVD, which will be rerecorded after everyone goes home anyway. |
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#126
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I understand that this sort of thing is expensive and time consuming. However, doing something on that scale says something about an artist. It says that they believe their work is worthy of such a treatment. If she did this kind of thing, a great example of which is Joni Mitchell's Travelogue, the kind of respect generated by it might be of a different sort than she has ever managed to attain. It is the type of Bob Dylan stature to which she has always aspired. I'm disappointed that it isn't going to be on that grand scale because I would love to go see it in person, no matter the cost. I am more disappointed however, that she doesn't seem to think that her catalogue is worthy of such a grand statement. That package, not TISL, would be her true "masterpiece". |
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#127
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I wonder if she'd be more inclined to do something on that level if there weren't such time limitations on these proposals. Instead of having to put something together for just a handful of nights in Vegas, or having the MSO available to her for only one performance, maybe if she were in a situation where she could stay in one place and perform for a few weeks at a time, it might be different. Then again, I also wonder if Stevie believes that she doesn't have enough wide-range appeal to successfully pull off something riskier than a standard classic rock shed tour with a setlist that will be automatically familiar to the audience.
__________________
"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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#128
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Time limitations ? Dude. It's November. February 18th is four months away. A professional orchestra can rehearse a full length symphony in a few weeks. I am sure an hour and a half of pop songs, in two keys tops, would be a five day rehearsal. Paul Buckmaster or some such contemporary could rustle up arrangements of 15-18 songs in a similar amount of time. A few weeks tops. I just think she can't be bothered at this point. That's what bugs me. Although she may be warming up to do just that. It would be easier to predict the rain patterns in Portland. |
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#129
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So what I was saying, is that maybe if they were multi-week engagements, without then having to adapt the show into something suitable for the sheds, she'd be more inclined to try something a little more different? I don't know. Just a thought. Quote:
__________________
"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 Last edited by Johnny Stew; 11-01-2005 at 12:39 AM.. |
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#130
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Though, even with the die hards she could sell enough copies of such an extravaganza to make money. I mean, who the hell else bought the box set ? |
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#131
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She's not just selling us short, she's selling her veryownself short.
__________________
"Do not be afraid! I am Esteban de la Sexface!" "In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice" Whehyll I can do EHYT!! Wehyll I can make it WAHN moh thihme! (wheyllit'sA reayllongwaytogooo! To say goodbhiiy!) - Last edited by amber; 11-01-2005 at 01:05 AM.. |
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#132
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But, she may be gearing up for real deal. ![]() |
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#133
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#134
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And is that...Jackie Suzanne, or Jackee? (from 227). Either way, pretty cool. I was very curvy tonight, too. (a la Jackee) I think my teacher almost asked me out... ![]()
__________________
"Do not be afraid! I am Esteban de la Sexface!" "In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice" Whehyll I can do EHYT!! Wehyll I can make it WAHN moh thihme! (wheyllit'sA reayllongwaytogooo! To say goodbhiiy!) - |
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#135
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This way she gets to retread the act again and sell another friggin dvd in five years or whenever. If one sells with six symphony songs, the next time she cuts a deal on an entire symphony dvd, she will have proof people will buy it and therefore be able to demand a bigger cut of the money. |
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