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#91
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that without concentrating on the lyrics there is something to connect to with the driving beat and overall feel of the instrumentation. agreed. |
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#92
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![]() All I have are dozens of quotes of her saying how good he thinks the album is. And according to her they listened to it together. Here's another one... “I think that my cohort in crime Lindsey Buckingham thinks that my album is really good, or so he told me. He told me that this is the best thing that I have ever done, and he said it with a look on his face that I believed him. |
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#93
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But yes I know she did dozens of interviews saying they listened to it together and she described how he looked at her and said, "this song is about me" and she teased him and said "aren't you flattered" and all that good stuff. She talked about that as much as she talked about him putting his hand on her knee when he first heard Illume! Michele |
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#94
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When I do get into the lyrics, I tend to focus on different parts over the years. How Still My Love has sounded so incredible these last couple of years that it induces faintness. So, when EO17 comes around, I am drawn into the link between the 2 songs and that "some time in the middle of the night I still think about you" part gets to me. I mean, it's this whole thing of being alone at night when your defenses and denials are down and you realize that you still miss someone and still remember your love for them. In one song she's saying, "it's only me that's talking to you" and then in the other song, we actually hear what she's saying in the still of the night. I don't know . . . as the years past, different parts of the song become my favorite focus and even if the lyrics only change slightly that change brings new meaning. Michele |
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#95
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Just another thing that came to mind reading this article with regards to Stevie making a lotta money on Landslide. We've all read Stevie gave the rights to the song "Silver Springs" to her mother, Barbara Nicks long ago. I've been re-reading the Vare/Ochs book, "Everything You Want To Know About Stevie Nicks" (1984). It says this on page 112 (in talking with Glen Parrish and another acquaintance about her generosity among her friends):
"Naturally, there is going to be a down side to such exhuberant generosity. Some people will take advantage. Stevie has given to friends and family the royalties from her songs-- not unpublished works, but best sellers like "Sara" and "Rhiannon" with five figure incomes. She is said, in fact, to have signed over the publishing rights to "Rhiannon" to a former boyfriend who wanted to open a recording studio in South America. The project failed. Not long ago Stevie was approached by a young woman who (perhaps had heard about Robin Anderson) claimed to have leukemia and asked for help. The young woman- healthy as a horse, in reality- was welcomed by Stevie with open arms and sympathetic tears, and proceeded to spend a great deal of that "just us girls" money before being found out. "There are people in her life who have taken advantage of her," Parrish acknowledged, "but I don't want to dwell on that. You're always going to have that when you're a celebrity. You can't help feeling a little guilty about having so much more than they do. Stevie will help because she's a sensitive person, and she will sometimes get hurt." The books goes on to say she's gotten tougher and learned a little more, and the people around her look out for her, etc. Hopefully Landslide will continue to get some mileage. It's pathetic knowing how much waste went on in all their lives (maybe to some extent, it still does?). Mick- bankrupt twice! While Stevie may have gotten "tougher" she still seems sympathetic to Mick and John. She said she doesn't want to tour without Christine, she says she's been unhappy with Lindsey's attitude towards her- but in the end will she do it for Mick and John? Fleetwood Mac will make more money than Lindsey touring solo or Stevie touring solo. Will that loyalty drag her back for another round? |
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#96
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Oh, yeah. I bet Trouble in Shangri-La (or Bella Donna or Rock a Little or Enchanted) gets frequent airplay at the Buckingham household--probaby just as much airplay as Law & Order gets in the Nicks household. Incidentally, I remember one comment Stevie made about Lindsey's solo work. It was back in 1981, in BAM, I think. She said, very kindly, that there was a great song (probably referring to Trouble) on his album. She added, also very kindly, that "some" of the album wasn't exactly her cup of tea, but that she wanted it to succeed so that Lindsey would be gratified & happy. Has she said anything about LB solo stuff since then? Did he give her a copy of Under the Skin? Is it on her workout playlist on the iPod, ya think? Stating what I should think was obvious by now: These two have different tastes in music. I would never expect them to like each other's work outside the band. (They may not even like each other's work much inside the band.)
__________________
moviekinks.blogspot.com |
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#97
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#98
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That's true and I see it as a human thing, more than a bad thing. Having to constantly be around something just breeds contempt. I know there was one interview where I think Stevie said she was just a little bit angry with The Beatles, because Lindsey never shut up about them when he was trying to teach her music. And I would think that same type of tedium applies to each other's songs that they have not only performed for decades, but also had to fight about and hammer out in the studio to begin with. Lindsey said his kids were tired of Under the Skin before it was released and I'm sure the FM members got tired of each other's music a long time ago, even if they liked it in the first place. That Us Weekly article I was talking about is on nicksfix.com for June 2001 and it says: Quote:
Stevie has said that Lindsey's instrumentation is layered and beautiful, but she doesn't like his angry words. Now, I don't agree with her about his lyrics, but whatever. To me, Miranda sounds almost like something she'd do and I'd love to know if she likes that song. Then, I think UTS contains some beautiful, non-angry lyrics about her and I'd give anything to know what she thinks of them too. But I also realize that these people don't see each other clearly. They are too close and they aren't going to have objective opinions and even if they did like something the other one did, they probably wouldn't want to admit it 85% of the time. You have to sneak up on them and catch them unawares. Stevie never said she likes Second Hand News, but I look at her performing it and I think she does. So much so that she never even bothered to complain about the lyrics, which is so unlike her. Even more importantly, I would bet money that she hates Red Rover, but there's something supportive about the way she stands up there and sings it attentively with Lindsey and claps for him after it's over that has her saying to me: "Man that song stinks, but he's my bandmate and I love him anyway." Even if they did really like each other's music, you'd get tired of it eventually. With Christine gone, Stevie is stuck standing up there singing with him on ISA again and I feel sorry for the poor thing. When her harmonies are over, it's a wonder she doesn't kick up her heels and run off the stage. Instead, she very slowly strolls off, moving in time to the music. Heck, it's been almost 35 years, if he's not tired of Rhiannon and she's not tired of ISA, they are both saints. Michele |
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#99
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As for their musical tastes, I loved that diary entry of Cory's where she said Stevie started singing Southern Nights and Lindsey joined in with her. Even today, their preferences just have to overlap in some narrow respects. Of course, Lindsey may like a lot of things that he is not content to record. He may be reaching for more experimentation in the songs he actually releases, while the standards for what he listens to when he's relaxing at home are quite different. Michele |
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#100
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Last edited by danax6; 10-02-2007 at 03:02 PM.. |
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#101
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To be sure, they have their own songs that they don't like and, consequently, don't sing. But of the ones they keep singing over and over, I'm sure they're more tired of the other person's. Quote:
In the Scotsman she talked about Lindsey complaining and she mentioned that in the Telegraph article too, that he is jealous of her because he never got the career that he wanted. Well, one of Lindsey's biggest complaints with FM is that they made it clear they would not support another Tusk. Lindsey just started saying that Stevie said Tusk was her favorite album in the last year. Based on his Tusk comments and her complaint comments, I'd say these two have probably had Tusk discussions in their last conversations and, yes, it's more than conceivable to me that she told him she liked the album just to placate him once and for all. While she was at it, I hope the band all apologized to Lindsey for asking him to play with a guitar pick back in 1906 too, because then maybe he'd be quiet about that. I was kidding about Tusk being her method of seducing him. But I am serious about them all knowing that he still cares very much about that album and that their reaction to the album still gets, um, under his skin. For instance, when Christine was doing Meantime promotion and she sang the lyrics to Tusk and asked what did that even mean, I think she was having fun. She has always performed so exuberantly on Tusk that I think she does like the song. But I do think she picked that particular song from that particular album because she knows it's Lindsey's baby and she wanted to needle him back a little. As for Stevie, even when Stevie said she listened to Tusk and now appreciated the tribal thread or beat that went on throughout the album and is glad that they made it, she never said she liked any of the songs that she had complained about when the album first came out. She was never like, "'That's all for Everyone' is so profound. I really love it now, even though I hated it before." And when asked about her favorite song of Lindsey's she had to go all the way back to Stephanie, which doesn't mean that's the only song of his she likes, but she didn't have songs just tumbling out of her head either. It's not like she was going, "oh there are so many to choose from. Let me think . . . " Michele |
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#102
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plus, hasn't Stevie made it public that she wasn't quite sure what to make of Tusk? remember the whole "I, Stevie Nicks, and Christine McVie had nothing to do with the making of this album" - or something along those lines. not that she didn't like the album, but didn't get it...at the time. |
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#103
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Yes, I realize that last part was probably tongue-in-cheek, but I don't think it has anything to do with any of that. I've said it before and I'll say it again, there's been very little complaining coming from Lindsey except for the fact that he didn't want to play the lead in the McDays of Our Lives again. He brought up that certain people found it necessary to put Stevie's and Lindsey's mics closer together so they could look into each other's eyes better. I don't know about you, but I'd complain about that also. I think that's where the struggles are right now, it has nothing to do with the music itself or anything else. Heck, they aren't even going to work on another album, so why would he complain? I will agree with you that they say stuff to placate each other, Lindsey keeping his mouth shut when Stevie was comparing herself to Bob Dylan is people's exhibit A, but I don't see why she wouldn't be sincere in telling Lindsey that Tusk is her favorite album. I see no reason for her to lie about that. Last edited by danax6; 10-02-2007 at 04:51 PM.. |
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#104
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can you point me to your factual basis for this assertion? I may have overlooked it. Quote:
Last edited by JazmenFlowers; 10-02-2007 at 04:36 PM.. |
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#105
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