#91
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Yes! It was uptempo with Mick on drums.
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#92
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There was also that sparring hug fight thing S&L did at the end of Tusk on that tour. I don’t think I can make it nearly as interesting sounding as “Lindsey’s Come finger” |
#93
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Yep. All 4 of them on stage. It had a nice feel and wasn’t anything like the slow dirge that it became later.
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#94
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it's not really a band vs no band or band vs solo question, just whether he does slow or regular version makes all the difference. and in most cases he would do different versions solo first, and then just take them to FM tour. like the acoustic Big Love and Go Insane that he was doing solo first years before bringing it to The Dance FM tour. i don't think his fingers can physically play too many fast acoustic intricate songs in a single night anymore. so i don't see us ever getting regular tempo NGBA live again. which is fine, i'd rather see his newer songs with intricate guitar work actually played live, like Rock Away Blind or Love Is Here To Stay. that's a current-day treat, NGBA is history.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#95
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Also, release a new song Lindsey! |
#96
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i agree on NGBA and Trouble, but i don't think that will ever happen. even slowed down NGBA gets rousing response from casual / FM fans who go to LB solo shows only knowing FM stuff and Trouble (also Holiday Road, which he skips on most tours and it's always a huge crowd pleaser!). he almost skipped Trouble at several solo tours and always added it back in the last moment. that was another great thing about BuckVie tour - the songs they did were great versions, they were rocking, setlist was flowing and they had funny little banter in between. and they dared to skip hits like Don't Stop, Second Hand News, Songbird, The Chain, and Big Love, normal mainstays of their/'FM setlists, in favor of new songs.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#97
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#98
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It should have been obvious that releasing and touring that album as an offshoot was the only way that material was going to get any momentum from The Dance. Tours of Europe and Oceana/Japan should have been booked right after Christine called it quits (serving as de facto Fleetwood Mac tours) and the album should have been released around the HoF ceremony. But, as Elle has pointed out, they have terrible business sense.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins Last edited by SteveMacD; 04-22-2023 at 09:31 PM.. |
#99
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They were masters at pissing an entire decade away between projects. If only they could have had a run of new material like Lindsey did from 2006-2011. Lindsey sure tried.
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#100
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Then in 2016 she decided to tour that album and barely played any songs from it. And now what has Stevie done since that 24 Karat Gold Tour, basically tours in the spirit of the 2005-2010 Tours. It stinks as a hardcore fan of her. Last edited by UnwindedDreams; 04-23-2023 at 08:27 AM.. |
#101
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Not to go off topic but...I'm still curious about the details around the 24k Gold album and her allegation that it was a contractual obligation that forced her hand into getting it done via two weeks in Nashville. I have a really hard time believing that her management and lawyers somehow forgot about an album on the books amongst the planning of two massive Fleetwood Mac tours (2013 & 2014) Something really doesn't add up, IMO. Did her team think that would be fulfilled by participating in a new Fleetwood Mac album with Christine and realized she was dead set on not participating? Or was it just an ego driven revenge move when she caught wind of Buckingham McVie moving forward without her, the contractual obligation part being totally made up.
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Last edited by BigAl84; 04-24-2023 at 09:35 AM.. |
#102
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I always assumed she did the EP to placate Lindsey and get him to agree to a Fleetwood Mac tour. In those pre-Christine returning days, she didn’t have the power she got once Chris was back and her star had regained a following with AHS. I feel like Lindsey wasn’t going to tour without something new in the set and was demanding a new album and she placated him with the EP. She needed him to agree then and he was probably content to wait her out and do more solo work. Her solo career was just coming off of that nonsense thing she did with Rod Stewart which she appeared to hate.
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#103
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I think her participation in the EP was actually one of the most organic, non-business driven decisions she had made in a long time. She asked Lindsey to work on Soldiers Angel which got them working together in the first place. She spoke about hanging out at Lindsey's house and having a great time, he also hung out at her house to record SA.
For a minute in 2013 it really looked like a Buckingham Nicks reissue package was on the table that would include the newly reworked "Without You" If my memory is correct, there was some sort of difference in opinion between releasing it with original demos or reworked demos. I don't remember who was onboard for what. It all fizzled out by the time the tour got underway and it was never talked about again. Shocking!
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#104
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#105
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That’s the thing, though. Outside of “Lady,” she didn’t have any new material.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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