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#61
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Quote:
- Jake
__________________
“The hair went from perm to growing out perm to really bad growing out perm to almost straight to good straight to long straight to beautiful straight to a lot of work straight back to the perm.” |
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#62
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Amber |
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#63
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But that's what makes us all so unique and speshul..... ![]() ![]() |
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#64
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"Another lady, another time Another heartbroken state of mind Alone in her chamber she dreams of her home Outside! She's got a movie star view....." ![]() |
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#65
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Quote:
- Jake
__________________
“The hair went from perm to growing out perm to really bad growing out perm to almost straight to good straight to long straight to beautiful straight to a lot of work straight back to the perm.” |
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#66
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Quote:
- Jake
__________________
“The hair went from perm to growing out perm to really bad growing out perm to almost straight to good straight to long straight to beautiful straight to a lot of work straight back to the perm.” |
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#67
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Exactly. ![]() |
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#68
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)I love the way she sings that line! |
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#69
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Dear Dissention:
I don't think it's career suicide for an artist to record other people's songs, everyone does from time to time. Also, Stevie recorded MANY of her own songs during this period also. I love Debbie Harry more than most people, but she had years where she was inactive musically and turned mostly to acting and she NEVER has toured as much as Stevie. Tina Turner is a great performer but she has never written a song in her life. Patti Labelle is not a rocker, she and Stevie inhabit totally different worlds of entertainment. Comparing Cher, foremost a personality and certainly not a rocker, is like comparing apples to oranges. Her shows are not rock shows. Stevie can only bow to Joni Mitchell (who she has acknowledged) and who is THE original female singer/songwriter, but even JOni never did rock shows--it's always been either her and her guitar or her with a "jazzy" ensemble. And Janis Joplin--who had a very short career and who didn't write many songs. Stevie has always and still does rock more than any woman and more than most men, despite a few years of semi-mediocrity. Give the woman a break. |
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#70
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Quote:
Hey, I broke up with someone less than two weeks ago over spending money on the Houston show. (She thought it was a "waste" but still expected to go. B'bye. )- Jake
__________________
“The hair went from perm to growing out perm to really bad growing out perm to almost straight to good straight to long straight to beautiful straight to a lot of work straight back to the perm.” |
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#71
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Quote:
- Jake - Jake
__________________
“The hair went from perm to growing out perm to really bad growing out perm to almost straight to good straight to long straight to beautiful straight to a lot of work straight back to the perm.” |
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#72
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Now that's my kinda man! I love it! |
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#73
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Personally, I really enjoy Stevie's solo outings and you'll find me much more often listening to a Stevie Nicks album then a FM album. what does production really mean anyway...an albums sound is based on a variety of factors such as place, time, where the artists head is at, where the producers head is at and the bridge between them. So production ends up being a very subjective thing...and I like the production on most of Stevie's albums except TOSOTM but despite the "sound", it's still one of my favorite albums.
as for Stevie's relevance to the rock and roll community, even prior to the Dance, Enchanted, TISL, Behind the Music, the upswing in tour attendance for Enchanted and TISL...Stevie's industry image was already being turned around by references made by some young hot musicians at the time which include Sheryl Crow, Courtney Love and Billy Corgan. both Courtney and Bill covered Stevie's FM tunes prior to her "comeback". and yes, the Dance did quite successfully bring Stevie back to the stardom elevation she had previously enjoyed. it was a smart move for her careerwise, after all she is one of the few solo artists with a concurrent successful band career as well. and there is nothing wrong with a comeback, Cher has been doing it for years...Tina is on hiatus (or has she retired?), Patti has not had a record on the charts in decades but still packs them in (Stevie may not chart high any longer but Sorcerer was on the charts and POTU was #1 on the Dance Charts for a week...not bad for a hasbeen and let's mention Dixie Chick's Landslide and Beyonce's Bootylicious) and Debbie Harry, god bless her, keeps rocking on but her career has very much pararalled Stevie's with it's highs and lows. and let's not forget Pat Benatar, Heart and Chrissie Hynde who also keep going despite the "hasbeen, she's finished" moniker and thanks to a new generation of female (and the male too!!) artists who acknowledge a debt of gratitude to these pioneers of women's rock...and thanks to us longtime fans (the fans who stuck it out during the klonopin years, Street Angel, Sometimes it's a Bitch, bad concerts, the twinkie years and even in those years were able to love her songs) who do not forget how much Stevie's music means to our lives, she continues to enjoy renewed and deserved success... will she or her music make it into history, perhaps at most as a mention or footnote but frankly I don't care because I won't be around, I can only enjoy her music now (especially the stuff that won't ever have commercial success, it's like having a special secret that no one else gets except us Ledgies)...and speaking of musical history, two of the biggest comebacks of the hasbeen were Elvis and his 68/69?? television special and John Lennon with Double Fantasy after a five year hiatus. wow, this is the most I've written in months ![]()
__________________
I remember a man when he said to me He said, "What do you do?" I sing... S. Nicks ![]() www.myspace.com/bellafigura64 Last edited by Bella Figura; 06-25-2004 at 02:11 PM.. |
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#74
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Quote:
Family Man has terrible lyrics and the distorted vocals are a bit much (can we say Popeye?), but the music rocks.
__________________
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#75
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Quote:
Quote:
I became a Nicks fan because of songs like Sable On Blonde and Storms and Gold Dust Woman. Surely you can understand my dismay at her nineties output, it doesn't hold a candle to her other stuff. What were once thoughtful and emotionally stirring lyrics became cliched and ridiculous, and more than half of the songs she recorded during this time weren't even written from her pen. I just do not understand why some (not necessarily you) can't understand why I think those nineties songs are garbage. It may be Stevie Nicks singing them, but it isn't Stevie Nicks to me. Just as those songs pull at your heartstrings, they don't pull at mine because I don't hear the emotion in her lyrics, or even her voice. When I put on a Stevie Nicks song, I do it because I feel as if she's speaking my language and there is a person out there who I feel writes songs for me. That wasn't there at that time. She was at a time where her life, in general, was in a bad state and she recorded a lot of that music in the same state of mind; it wasn't as satisfying as it was back in the day because all of her creativity was sapped. That, in turn, sapped her enthusiasm and high spirits and we were given a lot of lackluster songs that reflected her own disappointment with her music. Quote:
As for the vocals, she had some great ones, but for every great one, there was a stinker like "Kick It." When it comes to Timespace, she could've added more new songs to satisfy herself. but she didn't, probably because she didn't have anything worthwhile. Quote:
As I've said before numerous times, her and her songs would not be forgotten by people, especially us fans, she just would not have been a viable or bankable solo artist. We can call it a "what if" situation, but other saying that she would have bounced back without The Dance are using the same "what if" arguments. Just my thoughts. ![]()
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