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#46
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Nice to meet both you and Tod. Hope you are enjoying New York City (and spending your loonies wisely).Quote:
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Oh, and even Michael Grimm is a munchkin. Al, Waddy, Carlos- her entire front line- are probably 5'7" or under; I suspect Lenny and Jimmy are also in the same league. Next thing we know, Stevie will be moving her base of operations to Cornwall, England. Aw... Well, hopefully you'll be able to try it some time. And FWIW is a surprisingly apt road song! Quote:
I didn't know this! Very interesting. Imagine how many more CDs she would sell if she actually came out to the merchandise booth and signed them in person like Michael Grimm. |
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#47
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Wow- the stage is really low there! You could give Stevie a shoe shine!
It seems Stevies energy feeds off the crowds and vice versa, which explains the difference between this show and Boston. Jamie
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#48
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hahaha shoe shine.but the setup sucked.very limited.The pit section was barred in.As I remeber I did not see the option on livenation for pit only.
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Skip R........ the Wildheart at Edge of Seventeen and the Gypsy..... My sweet Buttons .I love you. RIP 2009 to 08/24/2016 |
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#49
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that's so awesome that i got you! sorry i didn't wait for your handshake moment, but she was getting really close to me then.. ![]() pm me your facebook page and i'll tag you in those pics are you going tonight? we are in sec 104, rows C&D |
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#50
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#51
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that's so awesome! sorry i didn't know to say hi
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#52
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Yup,i was right next to Snicksed for the Edge walk..(after i folded up the folding chair in front of me and moved it so Melody,Tod and I could scoot up haha) and Lori(StevieRox81? pretty sure i forgot what her username is on here lol) was right next to me
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-Sarah Beth- |
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#53
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Did anyone get any video or recording?
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#54
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Nippertown
http://www.nippertown.com/2011/09/08...ks-spac-83011/ ![]() Decades-old Stevie Nicks songs have been given new life on club dance floors in recent years, with remixes of her songs by New York City DJ Eli Escobar, Australia’s Young Edits and many others serving as staples in sets by disco-oriented DJs. She’s an icon, whether on the dance floor or in the pantheon of rock lore, one with a singular raspy voice and the rare gift of being able to set a crowd aflame with her wardrobe-based stage moves alone: one twirl of a cape or swirl of a shawl, and everybody loses it. When Nicks came onstage at SPAC with her nine-piece band last Tuesday (after the PA pumped out the nearly-lost but still awesome new wave song “Destination Unknown” by Missing Persons), she launched right into the dance floor-burner “Stand Back,” which got the crowd out of their seats and moving. “I’m so glad the weather’s beautiful, and you’re safe,” Nicks said in reference to the hurricane two days prior, after a brief wardrobe mishap required an assistant to join her onstage and un-snag a red glittery cloak from around her neck. The crowd stayed standing during “Secret Love,” an ethereal tune from Nicks’ latest album, ‘In Your Dreams,” produced by former-Eurythmic Dave Stewart. Released in May to positive reviews, the album provided nearly half of the tunes for Nicks’ SPAC set, interspersed in well-sequenced fashion among the hits. “C’mon we’re not kids, sit down!” yelled one crank behind me as the fans in the amphitheater were slow to return to their seats during the lesser-known number. (And there were primarily only fans in the amphitheater, as Nicks or her people refused to allow lawn tickets to be sold for this show.) She followed with the melancholy and disillusioned “Dreams,” shimmying her arms in a fairytale-princess dance. The song was the only hit by Nicks’ longtime band, Fleetwood Mac, to ever reach number-one on U.S. charts, somewhat unbelievably given the extent of the band’s catalogue. “I have the hit record on my wall; it’s only on mine,” Nicks said, embracing the embitterment. (She wrote the song alone, as she and Fleetwood Mac guitarist Lindsay Buckingham were ending their eight-year romantic relationship). Her new material had plenty to offer, from the stormy ballad “Moonlight (A Vampire’s Dream)” to the album single “For What It’s Worth,” which Nicks accompanied with an amusing tale about filming the video for the song at a desert lake in Nevada, which turned out to be a mirage, against her better judgment but at Stewart’s urging. You got the sense that not many people could get Nicks to do something she didn’t want to do. The singer’s forceful personality infused hits like “Gold Dust Woman,” “Rhiannon” and “Landslide” with a dramatic power. On the former, she waved her golden shawl like a pair of bat wings as she twirled around her longtime guitarist and musical director Carlos Rios, egging on his solo, her clothing serving as both conductor’s wand and stand-in for an unseen dance partner. Review by Kirsten Ferguson Photographs by Andrzej Pilarczyk |
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#55
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audio
![]() needs editing like the other 4. someone will with more skill than i will be working on it eventually... stay tuned kitten |
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#56
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too many obstacles to stevie these days...kitten |
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#57
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Thanks Kitten!
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