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#46
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I've thought about that before. I think she thinks it looks "dramatic" or something, but I've always felt like it looked like she has 2 eyebrows on each eye. I think it would work for wide open eyes, but not for half closed eyes.
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CHRIS M. |
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#47
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Hey Michele,
Seeing as you've been to other shows, how do you think last nights "Storms" compares? From the recordings I've heard, I thought it was the best yet. Agree? |
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#48
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There is a nice pix of Stevie in today's Calendar section: The Guide (Page E13) of the L.A. Times. The Times also has a review of last night's concert online at this link: http://latimesblogs.latimes.com/musi...da-center.html
Carol-Lynn SoCalGalNow ![]() |
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#49
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Thanks Michele for the awesome review and pictures!!! WOW
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__________ Arlene http://www.myspace.com/arlenelewis_sistaofthmoon There is magic all around you everytime you walk in the room..... |
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#50
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Great review! Yes, Stevie, your eye make-up IS dark and careless...please blend that dark shadow in the crease...better yet, go back to the Cover Girl eyeshadow trio you were using in the Mirage days. |
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#51
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Ha ha thats my head in the corner of the 2nd to the last pictures next to the hands holding the camera (those aren't mine). Too funny
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#52
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#53
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Liam, I definitely thought the Storms was better than any I'd seen live, but I know there are lots of videos of it on You Tube and I don't know how it compared to those. Arlene, it was a great come back for them, that's for sure. If people counted the band out after 3 cancelled shows, they counted wrong! Michele |
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#54
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Michele |
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#55
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Carol-Lynn,
Thanks for that L. A. Times review. I wouldn't necessarily call Lindsey's chest muscular! May 24, 2009 http://latimesblogs.latimes.com/musi...da-center.html Fleetwood Mac, the American-British powerhouse behind one of the bestselling albums of all time, is rock's greatest example of the good gained from ignoring every bit of sage advice known to humans about love and relationships. But thank the dysfunctional heavens they did: The Mac has emerged some 30 years later as a weather-worn but still gripping outfit, currently touring in its most potent configuration, minus the singer and songwriter of some of its most durable hits, the retired Christine McVie. For those needing a refresher course in popular rock scandal, the band forged ahead for 1977's blockbuster "Rumours" despite breakups between front couple Lindsey Buckingham and Stevie Nicks, and founding member John McVie and wife Christine. It's all ancient history now -- or is it? This latest greatest hits trek, titled "The Unleashed Tour," inevitably finds the band revisiting "Rumours" and its more challenging follow-up, the sprawling and fantastic "Tusk," but instead of shying away from its fractious history, Fleetwood Mac has woven it into the concert repertoire. In one of his song introductions at Anaheim's Honda Center on Saturday night, Buckingham explained that the first "Rumours" tune they recorded revealed his emotional temperature at that moment -- anger, bitterness, even a little humor, but "we had to reconcile . . . at least for a short time." The band then launched into one of its strongest performances of the night, a thrillingly muscular "Second Hand News." Buckingham often spoke with the measured tones of someone who's been in therapy. Other times, he would yowl, stamp his feet or thump his lean-muscled chest before pointing reverently at the crowd. He also dropped a big hint about the Mac's future: "There's no new album to promote yet" (his emphasis). Nicks occupied her side of the stage with an entirely different energy. Clutching a tambourine festooned with strips of fabric, her performance was sometimes too sedate, though not without breakthrough moments of fiery engagement. Maybe the gypsy queen was conserving her energy for the lengthy show (total time was 2 hours and 40 minutes), but her early performance of "Dreams" only spottily struck on the song's slumberous wisdom. Nicks' range has narrowed over the years, but by the middle of the set her voice seemed warmed up, her presence more keen. For "Gold Dust Woman," Nicks, wrapped in one of her many luminous shawls of the night, reveled in her favorite role of stage-bound shaman, her brown eyes finally blazing as she gave her most convincing vocal performance of the night. McVie and Fleetwood provided stellar rhythm support as she closed the song in a classic Nicks position -- draped arms out, back to the crowd, light pouring in around her figure. Despite her listlessness at times, Nicks is no less a treasure to behold, the rare rock 'n' roll frontwoman who's still inspiring to legions of young bands. Her sense of mystique provides an important counterpoint to Buckingham, who -- blistering guitar solos and all -- is familiarly situated in the rock god vein. But when Buckingham and Nicks hugged at the end of "Sara," an awkward but nevertheless moving gesture, they proved they have the ability to surprise the audience as well as each other. And so new depths of Fleetwood Mac will surely be plumbed for lovers everywhere, old and new. --Margaret Wappler |
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#56
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Love how Stevie gets into it at the end of Second Hand News in Anaheim, she is doing some great air drums and a nice kick as the song finishes off. Check it out:
http://www.youtube.com/watch?v=deh8kqfb_oI
__________________
CHRIS M. |
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#57
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#58
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LOL! Michele.
Lindsey's nips were hard though we did notice that. Anyway, I agree muscular it's not. Carol-Lynn SoCalGal |
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| greatdarkwing |
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#59
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My goodness Alex, it looks like Lindsey and Stevie are looking directly at you. Stevie is giving a big grin into the camera and Lindsey is making one of his patented silly faces. Those are great photos.
Michele |
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#60
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Love these pics! I'm so glad I get to live vicariously through everyone. The concert I went to in Fort Lauderdale already seems like eons ago.
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| greatdarkwing |
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This message has been deleted by greatdarkwing.
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