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#31
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Lindsey's great production is responsible for a lot of those hits.
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#32
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If someone left and they were all right with their leaving, like if someone left for health reasons, then neither would make comments like that. Quote:
Michele |
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#33
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talking about hits, i was [pleasantly] surprised that Gold Dust Woman and Landslide seem to be 2 SN songs that got by far the biggest recognition reaction as they started during these shows. and GDW was never a single or a "legitimate" hit right? kinda like The Chain or SHN.
it's almost like many of the songs that were not released as singles when the albums first came out were actually better and had more staying power than many that were.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
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#34
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Oh, looking at the comments, she actually credited Lindsey with two hits:
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#35
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Last edited by johnnystorms; 05-07-2013 at 10:16 PM.. Reason: punctuation |
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#36
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Hits on the Billboard 100 for the Rumours lineup divide up like this: Christine Everywhere -14 Little Lies - 4 Love In Store - 22 Hold Me - 4 Think About Me - 20 You Make Loving Fun - 9 Don't Stop - 3 Say You Love Me - 11 Over My Head - 20 Stevie Seven Wonders - 19 Gypsy - 12 Fireflies - 60 Sisters of the Moon - 86 Sara - 7 Dreams - 1 Rhiannon - 11 Lindsey Go Your Own Way - 10 Tusk - 8 Big Love - 5 Family Man - 90 So, looking at the top 20 for example - Chris has 8, Stevie has 5, and Lindsey has 3. Lindsey actually has more top 10 hits than Stevie, by one.
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Last edited by WildHearted; 05-07-2013 at 11:14 PM.. |
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#37
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Children of the world the forgotten chimpanzee..in the eyes of the world you have done so much for me. ..SLN. |
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#38
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Right, but I was talking Rumours line-up. That wasn't with the Rumours line-up.
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#39
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I agree, it's hard to distinguish what exactly we consider a hit. In my mind, it's purely performance on the U.S. Billboard Hot 100 Chart (though interestingly the band has seen slightly different results in the U.K., one example being Isn't It Midnight). I think it's very clear that Lindsey wrote three hit songs (Christine forgot Tusk in her interview response, though that could have been intentional). It's also clear that the majority of Fleetwood Mac's hits came from Christine, who was the primary force for the pop sound of the band, beginning with Over My Head. That being said, to Stevie's credit, when her solo material is taken account of in addition to her Fleetwood Mac hits (including the band's only number one), she's clearly the most successful and visible of the writers. And arguably, it is her songs that are the most iconic, again fitting the most dominant personality of the band--a position that gave Stevie more power following Rumours and Tusk. Had Silver Springs been written later on, it would've never been dropped.
And speaking of Silver Springs, that one and the now omnipresent Landslide became hits over time and are probably the most played of Fleetwood Mac's songs today (along with Go Your Own Way, Dreams, and Rhiannon, and Say You Love Me and You Make Loving Fun from Christine). So I'd point those two out, as I feel they lie slightly in the middle, as they were eventually released as singles and weren't hits when they were first written. As for other songs, there are certainly perceived 'hits', or what the band would call must-play songs that weren't singles. There's the band's total effort The Chain. Lindsey's are Secondhand News and Never Going Back Again. Slightly behind those two is I'm So Afraid, which, please correct me if I'm wrong, is much more recognized as a concert performance than its studio recording. Stevie has Gold Dust Woman, which actually does get radio time. And probably the only other Christine song not mentioned already, Songbird. I'm actually surprised that one isn't really played on the radio, especially by the Adult Contemporary stations. But maybe I'm a little unclear of whether radios can play non-singles or what the procedure is. I could see quite a few nightly programs eating up Songbird if it was ever requested. Last edited by bethelblues; 05-08-2013 at 12:57 AM.. |
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#40
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Michele |
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#41
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Michele |
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#42
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Stevie gets extra points because Landslide is their most popular song and soon to be their only platinum song.
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#43
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They are a balanced trio: Christine = pop relevancy. Lindsey = sound and direction of the group. Stevie = the most talented songwriter, and I'd argue the writer of their most lasting and uniquely Fleetwood Mac songs. Yes, that's how I read it from my other post, and probably how the band sees it: Number One Hit = Dreams, I bet it burned Lindsey that Stevie got the one and only number one. But in the long-term, obviously, a number-one hit doesn't mean your song will hold up. How many pop acts fade into obscurity? Even Mariah Carey with her 18 number-ones has had trouble selling concert tickets and has struggled to stay relevant. I'm just glad Fleetwood Mac was able to get one. Hits = Top 20 on U.S. Billboard Hot 100 Chart Gradual Hits over Time, eventually singles = Landslide, Silver Springs 'Perceived Hits'/Non-singles = I still wonder about Songbird---does anyone hear that song on the radio??? It seems like perfect Adult Contemporary material. I'm not sure if non-singles cannot be played, but then Gold Dust Woman appears on classic rock stations. Last edited by bethelblues; 05-08-2013 at 01:16 AM.. |
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#44
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#45
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Dreams was NOT #1 in my country. But Go Your Own Way was. (As was Oh Well in 1969). Who gets that compensation?
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