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#31
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She's my deepest respect, so Congratulations to Joni!
And when you're all quoting songlyrics, here's one of my favorites (from Miles of Aisles (live) and Court & Spark) ![]() People's Parties All the people at this party They’ve got a lot of style They’ve got stamps of many countries They’ve got passport smiles Some are friendly Some are cutting Some are watching it from the wings Some are standing in the centre Giving to get something Photo beauty gets attention Then her eye paint’s running down She’s got a rose in her teeth And a iampshade crown One minute she’s so happy Then she’s crying on someone’s knee Saying laughing and crying You know it’s the same release I told you when I met you I was crazy Cry for us all beauty Cry for eddie in the corner Thinking he’s nobody And jack behind his joker And stone-cold grace behind her fan And me in my frightened silence Thinking I don’t understand I feel like I’m sleeping Can you wake me You seem to have a broader sensibility I’m just living on nerves and feelings With a weak and a lazy mind And coming to peoples parties Fumbling deaf dumb and blind I wish I had more sense ot humor Keeping the sadness at bay Throwing the lightness on these things Laughing it all away Laughing it all away Laughing it all away |
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#32
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On edit - this song could be an hour and not be long enough. Last edited by sparky; 11-08-2005 at 03:52 AM.. |
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#33
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__________________
"Me sing pretty one day" http://www.esnips.com/web/StoreboughtBands http://www.esnips.com/web/9hazels-Covers http://www.singsnap.com/snap/profile/recordings/a729e32 |
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#34
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she is sooooooo awesome, happy birthday joni!!!~ "big yelloe taxi" has always been 1 of my FAVS!!!~
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#35
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Ah, Joni......
She is the most lyrically expressive songwriter ever. No one will ever be able to match her. There are so many different examples of her expansive imagery. She really brings you into her space- her world. Here's an example of her raw, heart-breaking honesty ("Little Green"). "Born with the moon in Cancer Choose her a name she will answer to Call her green and the winters cannot fade her Call her green for the children who've made her Little green, be a gypsy dancer... He went to California Hearing that everything's warmer there So you write him a letter and say, 'Her eyes are blue.' He sends you a poem and she's lost to you Little green, he's a non-conformer Just a little green Like the color when the spring is born There'll be crocuses to bring to school tomorrow Just a little green Like the nights when the Northern lights perform There'll be icicles and birthday clothes And sometimes there'll be sorrow... Child with a child pretending Weary of lies you are sending home So you sign all the papers in the family name You're sad and you're sorry, but you're not ashamed Little green, have a happy ending Just a little green Like the color when the spring is born There'll be crocuses to bring to school tomorrow Just a little green Like the nights when the Northern lights perform There'll be icicles and birthday clothes And sometimes there'll be sorrow..." And then my favorite, most biting bitterness- "For The Roses". James Taylor dumps her, so she leaves town and lives in a cabin in remote British Columbia with no electricity for a year and writes the ultimate kiss-off song (the entire song is a complete masterpiece, but I've highlighted my favorite "knife sticklers" in bold). "I heard it in the wind last night It sounded like applause Did you get a round resounding for you Way up here It seems like many dim years ago Since I heard that face to face Or seen you face to face Though tonight I can feel you here I get these notes On butterflies and lilac sprays From girls who just have to tell me They saw you somewhere In some office sits a poet And he trembles as he sings And he asks some guy To circulate his soul around On your mark red ribbon runner The caressing rev of motors Finely tuned like fancy women In thirties evening gowns Up the charts Off to the airport- Your name's in the news Everything's first class- The lights go down- And it's just you up there Getting them to feel like that... Remember the days when you used to sit And make up your tunes for love And pour your simple sorrow To the soundhole and your knee And now you're seen On giant screens And at parties for the press And for people who have slices of you From the company They toss around your latest golden egg Speculation-well, who's to know If the next one in the nest Will glitter for them so I guess I seem ungrateful With my teeth sunk in the hand That brings me things I really can't give up just yet Now I sit up here The critic! And they introduce some band But they seem so much confetti Looking at them on my TV set Oh the power and the glory Just when you're getting a taste for worship They start bringing out the hammers And the boards And the nails I heard it in the wind last night It sounded like applause Chilly now- End of summer No more shiny hot nights It was just the arbutus rustling And the bumping of the logs And the moon swept down black water Like an empty spotlight..." Marky already mentioned it, but "Refuge of the Roads" is just sublime. The entire album Hejira is jam-packed with imagery and mood. Here's my favorite snippet from this song. "I met a friend of spirit He drank and womanized And I sat before his sanity I was holding back from crying... He saw my complications And he mirrored me back simplified And we laughed how our perfection Would always be denied 'Heart and humor and humility' He said, 'Will lighten up your heavy load' I left him for the refuge of the roads..." |
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#36
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Happy Belated Birthday, Joni! I'm proud to share my birthday with you.
My favorite Joni album is Blue, not a bad song on it.
__________________
~~Don't compromise yourself. You're all you've got.~~ Janis Joplin Last edited by golddustwoman77; 11-08-2005 at 12:10 PM.. |
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#37
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Quote:
http://rapidshare.de/files/7364182/J...ieHat.mp3.html I hope it works OK - I've never RapidShare(d) before... And, one last thing: ![]() |
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#38
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But oh my. I mean, I guess it's not absolutely terrible. But I just keep asking myself, why? Why the uninspired, flat singing? Why the obvious, belabored race relations lyrics? Why that awful synth bass line on a cover of a Mingus song? What's the point of this cover? The original is just heartbreakingly beautiful, and this version not only doesn't add anything to it, it seems to take away from the force of the song. It's all right, Joni. I'll forgive you this one. And Charlie? Well, you weren't really in your right mind at the time anyway; it's not your fault. |
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#39
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