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#31
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This debate on how much Lindsey is playing is interesting to me. I don't know if he did anything differently from usual at Jones Beach, considering how far he was from the audience, but it seemed to me the pawing of the guitar by the audience happened only once and it was very brief. As far as what he plays when singing, I really didn't notice any difference from previous tours. For instance, when you watch the Mirage video, his playing is pretty minimalistic when he is singing. This is quite common actually, because playing leads and riffs while singing is incredibly difficult, and seriously, I marvel at people like Lindsey who can actually pull it off. As I said, I often looked back to the backup guitarists and the only times I noticed they were doing something more elaborate than chords and occasional riffs were during Stand Back, Come and Peacekeeper. Now, whenever there's one of those short solos that Lindsey likes to tuck in at the ends of songs, such as in IKINW and Peacekeeper, Lindsey was definitely playing those. |
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#32
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In Ear Monitor (IEM)-is the newest type of monitor that a band member uses compare to the ol' "on stage monitors". It makes it easier to hear one-selves in the output/PA mix with an IEM.
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"To acknowledge death is to accept freedom and responsibility." Last edited by estranged4life; 06-10-2004 at 10:14 AM.. |
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#33
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I can tell you the following with 100% certainty:
- During the "middle solo" of Go Your Own Way, the level of LB's guitar is not lowered at all from desk. What happens is exactly what Gaius suggested above, which is that Lindsey plays a riff, then holds the full chord at the end of that riff and lets the audience pick at some of the strings. Because he's holding the full correct chord, it's impossible for anybody to pick a bad note no matter how enthusiastically they pick at the strings. However, the reason why the resulting sound is a bit of a mess is not because people are hitting bad notes, but because there are many people hitting the same strings at the same time, so 90% of the attack is muted out by the person who hit that string 100th of second after you. The result is a flood of muted notes, but the odd note that does manage to get out, does sound right. (You can re-create this effect on any guitar easily: just palm mute over the bridge and start picking manically at the strings.) - On most songs, LB uses the cleaner channel of the Mesa/Boogie amp, and uses the SD-1 overdrive pedal to give him the necessary sound-change for the solos of songs like GYOW and Come. His guitar IS "on" during the rhythm parts of these songs and he IS playing, but firstly the channel is clean (and so less harsh), and secondly as anyone who's ever played through a valve amp knows, the harder you play, the louder/more distorted the sound is (and by definition you shouldn't play hard during rhythm parts). For ISA, Ray Lindsey switches the amp to the overdrive channel (you will notice the green light in front of Lindsey switch to red, and anybody standing in the front on Lindsey's side will notice that suddenly the sound becomes a lot more harsh and painful on the ears) and LB plays through this channel for the whole song. Because it's a very loud/thick sound (i.e. the typical "solo" sound), you can see that he's hardly putting any pressure on the strings when he's playing the rhythm chords during the verses (only on The Dance) and chorus. For the solo he turns on the delay with the DD-3 pedal. - LB plays all the lead parts for all the songs with two exceptions: firstly, after he's pretty much finished the end solo of GYOW and he's going crazy doing the guitar slapping routine/hitting Mick's cymbals with the guitar etc, it's Neale Heywood playing the "famous GYOW ending riff" over and over again at quite a low level (and the sound of Neale's strat is distinctively different from the M1). For the very last repeat, LB turns the volume on his guitar back up and plays it, and you can clearly hear the change in tone for that very last bar - the roar of the M1 is unique! Secondly, on Stand Back, LB's guitar is on, and if you look at his left hand he is playing the correct chords, but the level of his guitar is reduced to an almost inaudible one by the mixing desk, as Neale and Carlos are playing the lead and rhythm. LB could not be there and for all musical intents and purposes it would not make a difference to that song. Last edited by seteca; 06-10-2004 at 12:43 PM.. |
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#34
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I had the stereo blaring, loving life. Then Peacekeeper came on - WTF? Those creepy computer voices scared the sh*t out of me - actually, they still do & I skip this track whenever I listen to this boot. The background "oooooooohs" on Say Goodbye are programmed in too, but it's not nearly as noticeable as on Peacekeeper. paula |
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#35
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He went down on the little ledge on his side of the stage, then got up and walked to Stevie's side and let that part of the audience play.
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#36
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Yes, The background "ooooohs" on "Say Goodbye" are also very noticeable, But not as extreme as the b/g on "Peacekeeper". Sometimes I wonder what Linds' reaction would be if someone pulled out some wire cutters/pliers during his nightly "audience participation" during GYOW and cut his strings ![]() Brian "Vai? Are you hearin' me?" j.
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"To acknowledge death is to accept freedom and responsibility." |
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#37
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#38
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#39
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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#40
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"To acknowledge death is to accept freedom and responsibility." |
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#41
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Maybe he can get a gig on Stevie's next solo tour as one of her guitar players. |
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#42
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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| face of glass |
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This message has been deleted by face of glass.
Reason: wrong thread
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#43
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I was up against the stage for the Boston taping and I am 100% sure I heard the Rumours "...Yeah!" during the chorus. I was at the Hartford show this week and did not notice, but that could have been because I was on the lawn very far from the speakers.
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#44
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Chris
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CHRIS M. |
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#45
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I also disagree that his live singing on this tour is "bad," I happen to think he sounds the best on this tour than any other tour...He didn't sound that good on the Mirage tour, except for maybe the Dance tour which was more polished, he sounds great on this tour to me
Chris
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CHRIS M. |
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