#286
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It is on the 50 Years Don't Stop compilation.
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#287
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It was released as a single, hence it’s inclusion.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#288
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It made me sad that when I saw your post, my mind automatically said “would have made my life.”
Of the three Rumours singers, Christine was the only one whose later material was as good, and in some case even better than her earlier stuff. I noticed you mentioned Heart of Stone, which was a song recorded much later, and Straight Back, which was recorded 10 years earlier. As Long As You Follow, Love Shines, Heart of Stone, Save Me, Behind the Mask, Skies the Limit, Carnival Begin, Game of Pretend, heck even I Do were incredible songs, any of which I would have loved to have heard live; yet ironically except for Save Me, they didn’t perform any of those songs Neither Lindsey or Stevie were consistently fantastic after Tango (or even Mirage, if I’m being honest) like Christine was. |
#289
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#290
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Thanks for the correction! |
#291
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Compare the above to Lindsey's contributions to SYW, Extended Play, Buckingham McVie, his rejected '95 album (some of which is on YT), OOTC, and his 2006-present solo albums. Lindsey is the only one with consistent post-Tango output at all, much less the only one with post-Tango output that is consistently good (not fantastic, but solidly good). As for Christine's post '70's material being better than her '70s songs? Again I'm sorry, but I find the suggestion absurd. I love "Little Lies" and can appreciate why others love "Everywhere." But compared to "Over My Head" "Say You Love Me" "Songbird" and "You Make Loving Fun"? Not even close. And the idea that any of her post-'87 material (including that on BM, and yes I think "CB" is great) is as good or better than her material from 1975-79 such as the four songs referenced above? Again, I find such a suggestion absurd. Last edited by cbBen; 01-07-2023 at 08:46 PM.. |
#292
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Other Side of The Mirror, TimeSpace Songs, Street Angel, Trouble in Shangri-La, Say You Will, In Your Dreams, 24 Karat Gold, and Show Them the Way |
#293
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Except for Temporary One- ugh, that was a dud. |
#294
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I like Christine’s earlier material, but there is a growth in her songwriting that I think is lacking in the other two songwriters. |
#295
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#296
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Are we talking about that dreadful plink plonk plink plonk thing she did at the piano?
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#297
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Yes, that’s the one I was referring to. But apparently some people like it
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#298
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Oh the Facebook comments when that monotonous mess gets posted are always top of the line. “My queen slayyyyying this one!!” Please, slaughtering is more applicable.
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#299
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What three songs post Rock A Little would you say for Stevie are better than Christine's post Tango songs? Show Them The Way, Blue Denim, and Trouble in Shangri-La? I love Temporary One. It's so fast and the harmonies are wonderful, though I think Sweet Girl has the best FM harmonies. |
#300
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For me, in terms of the songs themselves, Stevie’s material got worse as time went on; Lindsey’s material was pretty much the same, i.e. consistent but little growth; and Christine’s material matured. From her early pre-Buckingham Nicks material through FM itself, through her last album, her songwriting matured in a way that I really enjoyed. Comparing Save Me and As Long As You Follow to Over My Head and Spare Me a Little, I see a growth that appeals to me. I love a lot of her early stuff- I just also love a lot of her later stuff just as much, which I can’t say about Stevie. |
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