Adelaide 10/28th 2015

[StreetAngel86]

Originally Posted by nicole21290

Ha! I'm just playing. No need to be embarrassed! The sound is great and I'm just grateful to have SOME footage.

She seems to laugh after he spoke to her, so it can't have been too bad, lol.

yah i meant in a playful kind of way lol
but i def think he said something good
i forgot what else i meant to say. ooops


oooh i remember. Michele ... i have seen BADMOOD!Stevie on the SYW tour ... they are NOTHING like that atm i assure you lol

Originally Posted by michelej1

I take video of myself that doesn't look that good and I have better access to myself than I do to Fleetwood Mac.

Michele

you sweet angel


Bleed to Love Her:
https://youtu.be/TNl-VfYQEFo

GDW crack!dance
https://youtu.be/Jr8NqBE6fjg

[cactusjack]

yeah, I watching and she was laughing and smiling at whatever he said

[nicole21290]

Someone else generously uploaded, so we have a slightly better view.

[StreetAngel86]

Originally Posted by nicole21290

he looks like he's rubbing his face against the side of her head
like he's a cat
or licking her neck
HELP

this view is excellent and no way could i have seen any of this.

have some of my Landslide to end the night on.anyway
https://youtu.be/Sg6EEA5L9BQ

[michelej1]

REVIEW: FLEETWOOD MAC AT COOPERS STADIUM

http://ripitup.com.au/music/review-f...m#.VjLNxrerRhE

Words by David Knight October 30, 2015, Rip It Up

Recalling the sports stadium vibe of Fleetwood Mac’s Tusk video, Coopers Stadium was an apt setting for one of the last true stadium bands (who surprisingly admitted they rarely play outdoor concerts).

On what could be their last tour, the classic line-up (sorry Peter Green fans) was in fine form in front of a diverse crowd that ranged from baby boomers to 30-somethings raised on their parents’ Fleetwood Mac albums and 20-something women dressed in their best Stevie Nicks-inspired gear. The post-1975 Fleetwood Mac era is one that has it detractors but the all-ages crowd proved how the Nicks/Buckingham era of the band has only become more influential as the years have progressed; excellent songwriting lasts as fashion fades.

Angus & Julia Stone seemed an odd opening choice but they represented a large percentage of the crowd, the children of the original fans. With four back-up musicians, the Stone siblings showed why they were a much better choice than the kinds of acts that usually get picked for these sort of tours (such as Jimmy Barnes or, god forbid, John Farnham), as their Nicks-influenced Gypsy mysticism was prevalent during their largely rock/blues set. The siblings also seemed humbled by the occasion; paying tribute to the headline act once they finished.

I’ve never described a concert as sweet before but the reunited transatlantic group was just that, as former partners Nicks and Lindsey Buckingham walked to the stage hand-in-hand, and Nicks blew kisses to long-time absentee Christine McVie (who has been living the quiet life in her English castle for the past 16 years). The dysfunction behind some of pop and rock’s greatest moments seemed to be all but forgotten. Beginning with The Chain, McVie’s brilliant You Make Loving Fun showed why she is the secret cog in the Fleetwood Mac machine. As one of the most underrated pop hit makers of the ‘70s and ‘80s, McVie’s collection of earnest pop (Little Lies, Everywhere, Think About Me and Say You Love Me) were some of the highlights of a greatest hits concert few bands could match.

Nicks’ Rhiannon was an early crowd-pleaser, as the audience up front temporarily got off their seats for the early Nicks/Buckingham Mac era classic. The light rig lowered for Buckingham’s experimental pop masterpiece Tusk, with the energetic visionary of the band (who looks extremely fit at 66 years of age) excited by the rousing performance of Tusk, jumping up and down at the completion of the marching band classic.

The middle of the show largely showcased Nicks and Buckingham, who proved to be one of the greatest ring-ins in music history when Mick Fleetwood recruited the struggling duo and they helped to turn his blues outfit into a stadium rock/pop behemoth in the mid-‘70s. Buckingham performed a rousing solo rendition of Big Love while Nicks’ Landside showed that famous husky voice has lost none of its enigma even though Nicks doesn’t twirl with as much as ease as she once did. Gold Dust Woman was pure magic before Go Your Own Way closed proceedings.

Despite some cheesy moments (drum solos and ‘inspiring’ anecdotes in-between tracks), you could feel the love between the band, who had to cancel their 2013 Australian tour due to John McVie’s (who played his bass unceremoniously in the background) cancer scare.

From a selfish music lover’s point of view, the positive to take from the 2013 cancellation is that the 2015 tour saw Adelaide witness the full classic line-up, complete with John McVie’s former wife, Christine, who drove home her influence with two of the encore’s highlights: Don’t Stop and a beautiful rendition of Songbird.

A brilliant night for young and old.