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#16
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I absolutely love this song live, too. My fave is the one from the Cloak & Dagger cd. I've tried to listen others but none compares. None!
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Let yourself lay back within your dreams ... |
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#17
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Quote:
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Never Dance with the Devil He Will Burn You Down |
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#18
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#19
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"If it wasn't for you, I would not be standing here. You, in my opinion, are the greatest singer-songwriter ever." -Stevie Nicks to Joni Mitchell
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#20
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By the way, it's actually from Poplar Creek June 21, 1986. The bootleggers gave it a weird name redolent of movie thrillers & espionage. A bunch of "How Still My Love" performances from 1986 (not the best year for the song) outrank this one for energy/passion, like Madison Square Garden 8.05.86 & Jones Beach 6.08.86. If nobody posts the Poplar Creek one by tonight when I get back, I will.
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moviekinks.blogspot.com |
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#21
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How would you rate the 4/15/86 How Still My Love amongst How Still My Love's that tour. I personally think those RAL HSML's are far superior to the WH HSML's. Of course the only HSML's i've heard from that tour are US Festival and the show Tom Petty was at none of the others.
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Never Dance with the Devil He Will Burn You Down |
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#22
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Wantaugh is my FAVE version of the handful I have heard. and i agree with the HSMLs being the best on the RAL tour...they can't compare with any other incarnation, but one or 2 versions from the Vegas shows were pretty good. But I don't think even they were anywhere near as good as anything on the RAL tour
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she thought she was out there...but nobody saw...
Last edited by StreetAngel86; 06-03-2006 at 09:52 PM.. |
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#23
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I haven't heard every incarnation of 'How Still' but the one at her RAL Jones Beach tour stop is incredible, as David rightly mentions.
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#24
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http://www.yousendit.com/transfer.ph...8CBB7E43DACA01 And in 1986, often, when she did try to do this, all she could do was just emit a gutteral sort of Mercedes McCambridgelike growl, like an "Exorcist" vocal outtake, or sometimes just go silent entirely. It was definitely a physical or technical difference from one tour to the next: the voice had lost some of its upper range as well as a certain amount of solid projection. A change in technique like that also creates a change in style, too, & sure enough, HSML on the earlier tour had a stateliness that the version on the later tour didn't have: the '86 performances sort of drove forward like a steamroller more. Of course, when you're sitting in an arena listening to a performance, a lot depends on the band, & in 1986 the band wasn't as clean as it was in 1983; Marotta was a "dirtier" drummer than Kunkel, & I think in many ways his style didn't suitably complement Stevie's vocal effect that year. At the San Diego Sports Arena, for example, I remember her vocal mix & the drum mix basically fighting it out for preeminence in this arena, where sound waves ricocheted off walls with bad echo. So her singing on that date essentially had no choice but to turn into a sort of sludgy, tube guitar amp wall of noize. You're familiar with that constant tintinabulatory ringing in your ears after a rock concert? (You can hear it best when you go home & try to sleep.) Well, that's what Stevie's singing sounded like DURING the performance. Quote:
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moviekinks.blogspot.com Last edited by David; 06-04-2006 at 12:39 PM.. |
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#25
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http://www.yousendit.com/transfer.ph...0791A001801698
Inglewood Forum 1983
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~She wonders how many more hours her heart will feel broken~ |
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#26
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Sorry, I think im the only one on the planet who cant do yousendit. Could you post the Inglewood HSML in a different manner.
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Never Dance with the Devil He Will Burn You Down |
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#27
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Quote:
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~She wonders how many more hours her heart will feel broken~ |
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#28
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ahhh, that's the one. I could listen to this clip all day, haha. What can I say? It's awesome. And almost completely inimitable. C'est Stevie..
__________________
"If it wasn't for you, I would not be standing here. You, in my opinion, are the greatest singer-songwriter ever." -Stevie Nicks to Joni Mitchell
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#29
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#30
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This is my favorite song off "Bella Donna" but I have never heard it live. |
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