#256
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Steve... just curious and hoped to ask you:
Did Lindsey earn anything on his own throughout his life? |
#257
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Now going into my opinion... I think this is why she remained/remains in FM. She couldve gone off and made millions, but she wouldn't want to feel like she's missing anything. Like why would she return after SYW to do Unleashed and Live 2013 is what I ask |
#258
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Quote:
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#259
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I love you.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#260
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Without Peter Bardens, there wouldn’t have been Mick Fleetwood. Bardens also brought Peter Green into the band. Without John Mayall, there wouldn’t have been John McVie. Without Eric Clapton, the Bluesbreakers wouldn’t have become the hottest blues band in England, with EC single handedly revolutionizing the rock guitar sound and redefining what a guitar hero was. Without EC setting that bar so high before leaving, Peter Green replacing him and being nearly as critically acclaimed wouldn’t have set the stage for what became Fleetwood Mac. Without Stan Webb, there would be no Christine Perfect. Without Peter Green naming the band Fleetwood Mac, Mick and John wouldn’t have had a band that’s lasted nearly 55 years. All of them owe somebody. None of them did it on their own. What’s tricky for Lindsey is that he and Stevie started out together and their relationship was a synergetic one. She was the ambitious singer-songwriter who had amazing stage presence and an amazing sense of harmony. He was the introverted musical genius. He worked wonders on her songs, on their songs, and became an amazing acoustic guitarist in his own right, while she seemed to call shots he might have gone against his instincts and made him uncomfortable, but were ultimately in their best professional interests. They pushed each other in ways that made them what they became. The fact is Lindsey joined an established band with a long standing on a major label with his girlfriend and musical partner with whom his career began just after high school and made an album a few years later. That said, Lindsey’s talents as a guitarist and producer are all his own.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#261
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#262
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I loved how they didn't open with The Chain. Stand On The Rock was solid. I heard this tour kind of Peter'd out at the end. But, the crowd in Cleveland went completely nuts for them. One of my favorite shows in memory. Extreme high energy.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" Last edited by jbrownsjr; 02-04-2021 at 02:59 PM.. |
#263
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As for 2009 and 2013, I think she probably saturated her solo gigs as much as she could and had Fleetwood Mac as another way to get a big bag of money on tour.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#264
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I think like Stevie needed Lindsey for her songs to come alive, Lindsey needed Mick to give his stuff a shot in the arm too... which is why i think there is an unbreakable bond Lindsey has with Mick too. I remember watching Mick sitting directly behind Lindsey at Musicares. Touching Lindsey on the back, probably talking to him about how great life is to have these performers pay tribute. |
#265
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Has my memory let me down? In 1996 she played AHI (private show), St. Petersburg, Columbus, and Boston.
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moviekinks.blogspot.com |
#266
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Here’s my 1995–96 recollection. There was a lot happening in Stevieland. The internet was driving a Stevie revival in the fan base. The music mags were starting to talk about her in more positive terms — just a year or two before, rock writers were lampooning her as an embarrassing child-woman who never grew up (with comparisons to literary characters in Dickens), but their tone changed and you saw more articles about Stevie being an influence to a new generation. You see these articles begin to appear in 1994–95. Lifetime cable channel started negotiations with the Stevie camp to film a documentary and concert. She booked appearances in 1996 in public, and her fans went nuts, videotaping all of them and circulating them on the net. Fanzines about Stevie kicked up (one of the dozens of them was called “Mirror Mirror,” created by Mike Bise). Trading in Goldmine ramped up, too, for concert tapes and pictures and tourbooks and other Stevie items. The modern fan base for her was regrouping and adding more and more to its ranks, again thanks largely to the internet. In the immediate years following her unhappy 1994 tour, the air was electrified, and Stevieness was accumulating power and speed, like a tsunami made of meat and chiffon!
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moviekinks.blogspot.com |
#267
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I didn’t see Columbus listed on setlists.fm, but yes to the other three.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#268
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I’m your setlists.fm.
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moviekinks.blogspot.com |
#269
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#270
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As to the Timespace tour. I saw it in Houston and she was amazing |
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