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![]() The one thing I remember is being more excited about the music in this doc. than what actuallY ended up on the album.
I also remember Lindsey trying so hard to keep the project together. He had a vision and did everything possible to try and get that vision out. The rest of them didn't seem to care about anything but the commerce of it. I see both sides of this. But, mostly thought LIndsey was treated a bit unfairly at times. I however just don't think his music is anywhere near cutting edge on this vs. Go Insane album or even Tusk/Law and Order etc. The production also seemed a bit generic to me. This album was kind of a mess, in my opinion. I also thought it was a lost opportunity for B/N to really collaborate. She's on a different planet with her career compared to where he is. He wants to create and she wants mgmt to maintain her superstar status. PERIOD
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#2
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![]() Quote:
![]() ![]() he was at his musical peak at the time. I will never ever get over that fact that the amazing most fantastic album ever by a FM member that was gonna be original Gift of Screws got watered down and drawn in the mess that's Say You Will. it's such a shame. i did think it was interesting that she already then didn't want to join and they were thinking will she or won't she. guess nothing really changed since, just became a downward spiral. even then she was focused on solely her name and how to become a legend in capital letters that she now 20 years later finally seems to have accomplished, while the rest of them were all band first.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#3
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![]() Quote:
![]() Also, I too wish this cutting edge music would have been on GOS. I disagree that he was peaking with cutting edge material. Out of The Cradle was the peak for my "voided" opinion. He thinks playing to a machine is cutting edge. Or, having someone push buttons for samples (on stage) of his guitar licks. Christine pretending to play keys is the new cutting edge. Stevie screeching into a mic on Outside the Rain last weekend is also cutting edge. Maybe it is me. ![]() But most importantly, LOVE YOU ELLE!! (and that wasn't sarcasm)
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Last edited by jbrownsjr; 05-11-2022 at 09:53 AM.. |
#4
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![]() I never read about whose idea was it, but after all his books, the MF story DVD, etc., I always thought DR was Mick's idea.
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#5
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![]() Even though a lot of Lindsey's material was essentially "In the can" I have a hard time believing that there wasn't some level of adjustments/tweaking that took place in 2002.
20 years later and I'm still itching to hear whatever that awesome uptempo dobro track that Lindsey and Mick were jamming on at the beginning of the documentary.
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#6
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![]() Quote:
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#7
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![]() Quote:
i do love that guitar, and also their jamming at the opening of the doc.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#8
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![]() Quote:
https://www.ebay.com/itm/12520500236...ampid%3APL_CLK
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#9
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![]() Quote:
![]() But he later called them and offered it to them. It would be interesting to know how the discussions/negotiations with the other band members went over it. Although they've filmed themselves recording other projects so that wouldn't have been a new idea.
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#10
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![]() Quote:
![]() anyway - i hate WTWCT from SYW and I Don't Mind from Lindsey Buckingham is the song that has everything i dislike about Lindsey's music making (while song like On The Wrong Side has everything i love about Lindsey's music making!). i don't think OOTC is edgy. i think Come / Murrow / Red Rover were different and interesting, and definitely edgier than general middle of the road soft rock Mac music. i don't see any of the Mac members music as edgy, but LB is more towards that end in some periods than other writers. and i am not saying 90s / original Gift of Screws period is Lindsey's "edgiest" period. i'm saying that he was at his creative peak at the time. Steal Your Heart Away and Bleed to Love Her are not edgy or up-tempo songs.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#11
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![]() As I'm thinking about SYW more...perhaps what I crave the most when listening to it is simplicity. A reprieve. That touch of simplicity really only occurs during Say Goodbye and Goodbye Baby.
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