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#1
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#2
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![]() Quote:
Last edited by aleuzzi; 03-07-2022 at 09:52 PM.. |
#3
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#4
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![]() This would be the Heroes tour?
Timestamp: 2 months before the famous studio live concert? and just a little longer before the famous Texas Taco margarita night ![]()
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#5
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![]() Agreed. And the Sausalito “Believe Me” kills in comparison to that version played live in 76 or 77.
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#6
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![]() Oh, God yes. Even her Spare Me's are better in the Welch era. Hypnotized Too! Much prefer Welch/McVie.
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#7
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![]() The live music from the Welch Mc Vie era that has surfaced including the remastered CD with the box set, is a testament to how great these two were together. the music and performances are simply outstanding. It is at least on par with Mc Vie's collaborations with Lindsey.
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#8
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#9
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I love this era, album wise and live. Too bad they cut Christine's solo from the Bermuda Triangle live re-master. I have the bootleg and will never listen to that cut ever again. What an insult.
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#10
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![]() They shortened those live cuts?! I don’t go for that crap. Why did they do that?
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moviekinks.blogspot.com |
#11
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It’s so effing ludicrous. |
#12
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As with "Spare Me A Little," I thought the BN version got a little...Melrose Place? If that makes sense. Like, too safe, bordering on bland, but not altogether bad. The BN version of "Believe Me" was horrible. It just plodded along, making me wish it was over. The best was the Record Plant version, which blows away every other version, followed by the Midnight Special version. The Record Plant version is a power pop classic, or at least should have been. I always put it on my power pop comps and people are blown away when they find out who it was.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#13
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![]() Quote:
Last edited by aleuzzi; 03-09-2022 at 09:25 AM.. |
#14
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I believe you on the high harmony because I felt it didn't sound like Welch.
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#15
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Martin Birch is the same producer that made “Smoke On The Water” and “Highway Star” around the same time, and Zep IV (Rock & Roll, Stairway To Heaven) was recorded on the Rolling Stone Mobile Unit.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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