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#1
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I keep listening over and over and for the life of me I can't hear that whisper on the album version of "24 Karat Gold" - I was also the guy who never saw the "hidden picture" in those weird paintings back in the 90s lol. Where exactly in the song is this whisper? I've tried like 5 times with no luck!
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#2
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Quote:
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#3
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Quote:
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"...every time, you don't come..." "my little demon..." oh dear... |
#4
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Quote:
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#5
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With the absence of representation from 24 Karat Gold in Stevie's 2023 Tour setlist, I gave this record a listen.
I can't pick up a theme from this record like I could on IYD, which was magical love, loss, and death. I think All The Beautiful Worlds is the best song on this album. I'm shocked she never performed the title track live. Stevie only played 3 songs live from this album. One of those had very good lyrics. Starshine is great instrumentally but the lyrics aren't worthy of applause. Belle Fleur is repetitive lyrically but the music is so good I think it was worthy of a live debut. I don't think Stevie is as proud of this record as she is of In Your Dreams or Trouble in Shangri-La. |
#6
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Is she really “proud” of any album outside of BD and WH? Other than a select few tunes, she avoids digging too deep on any of her other ones including ignoring relatively popular hits.
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#7
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That's a good point. She does more Fleetwood Mac songs than songs off of one Stevie album. I.E. she does Wild Heart, If Anyone Falls, Enchanted and Stand Back but for FM songs she does six!
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#8
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Yep, exactly. She’s so locked in to the same set. I’ll give her some credit for pulling something obscure out like I Sing For the Things but if she’s going to devote 6 slots to FM, pull out something different. Sisters, Angel, That’s Alright, Seven Wonders, would all be preferable to Gypsy or the dull fest Rhiannon has been for decades.
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#9
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I think it's only a treat for fans that want perhaps, cleaner versions of demos that have been circulating for decades. IMO, the album doesn't really offer anything beyond that. It's pretty evident that she instructed the team of Nashville studio musicians to stick very closely to her original demos. Vocally, it's definitely an all time low.
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#10
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I do like this album.
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