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#16
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some of them are here on earth... lol
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" Last edited by jbrownsjr; 03-06-2019 at 04:10 PM.. |
#17
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There's no truth in my lies There's no light in my eyes And it's all I guess That I'll ever miss It's political in the best sense: a critique embedded in a good-natured, foursquare musical expression of conservatism. The widespread dismissal of the song has always puzzled me. Maybe everyone really has gone to the moon.
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moviekinks.blogspot.com |
#18
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I love both, actually. But the HAHTF Angel is appropriately disillusioned and mysterious, whereas the TUSK Angel is self-mythologizing and solipsistic (though VERY energetic and engaging). And the groove can just go on and on in a trance for as long as it needs to...
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#19
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Quote:
__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#20
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I guess, heartbreak of the moment that is not endless.
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#21
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HAHTF (the album) is a bit of a slow-burner to appreciate, I think, and it took me a long time to really get to grips with it. I'm glad I did although I don't think I will ever come to terms with Silver Heels. Christine turns into Bob on Bad Loser, Bob's She's changing me almost sounds like a precursor to Say you love me- try playing them back-to-back to catch my drift, and Bob channels Albatross for Safe Harbour. Coming Home feels liberatingly free-form and has a great bass line here and there so I'm glad others rate it too.
I'm not absolutely sure that my choices aren't perhaps my favourites rather than what I might feel are the best, but it's my reality. So Stevie's only on four of the tracks? That's her look out... Nothing Without You (OK,it's a cover, like Mission Bell,but hey..) works best for me as it's the most inclusive of all the band's then personnel-- Christine is very prominent, and Lindsey guests as well. I've played them in an order which makes about as much sense as I can make of them, and I'm cursing you-know-who for it not quite technically being a best of 18 album playlist. Big Love Behind the Mask Woman of 1000 years Closing my eyes Gold Dust Woman Hypnotized Brown Eyes I loved another woman Rhiannon Coming Home Did you ever love me Mission Bell Say Goodbye Love that burns Spare me a little of your love Love is here to stay Nothing without you Eyes of the World
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There's no use in crying, it's all over |
#22
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i love the lyrics, but melody and music is where it is for me in a song. and boring melody and music and performance and Nicks' nasal voice is making it drilling the holes in my ears and making them bleed. so while i LOVE slightly political Lindseylyrics (as opposed to all his regular love-whining), i can happily read it but i can't listen to this song. i mean Doing What I Can lyrics are as stupid and as lazy as they come right? but i adore the sound of the song and its tempo and its music.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#23
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$he was probably just gassy.
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#24
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Maybe you'd like to come away.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#25
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Baby, I can't come. I'm in my shawl vault.
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#26
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Ewwww don't step into the velvet of the morning, then.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#27
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Peter Green's Fleetwood Mac - I Loved Another Woman
Mr. Wonderful - Stop Messin' Around Then Play On - Before The Beginning (Oh Well is amazing but BTB is a stronger song all around. It's easily Peter's best work as a songwriter and one of the top Mac member written songs ever.) Fleetwood Mac In Chicago - Like It This Way Kiln House - One Together Future Games - Future Games Bare Trees - Dust Penguin - Night Watch (This song never gets the credit it deserves. Bob's lyrics and vocals are so bittersweet. Peter's guitar work compliments Bob's words too. Just amazing and intuitive playing.) Mystery To Me - Hypnotized/Why (I can't choose which is better. Why is a stronger written song but Hypnotized is wonderfully layered in its production.) Heroes Are Hard To Find - Bermuda Triangle Fleetwood Mac - Crystal (The song is the first real example of the infamous Fleetwood Mac sound. They were able to take a good song from the Buckingham Nicks album and make it even better.) Rumours - The Chain (This song exemplifies Fleetwood Mac even though nobody knew they were doing it at the time. The message from it, the piecing together of several songs into one, the vocals and instrumentation.) Tusk - Beautiful Child (Stevie's best writing for a Fleetwood Mac song. Lindsey's production pushes it even further.) Mirage - Gypsy (If I were to pick one song that Lindsey "put on his back" and took to a level that nobody else could have, it would be Gypsy. NOBODY would have been able to make that song as good as it is. It would not be a classic had it been a Stevie solo effort.) Tango In The Night - Little Lies (Based on the demos, Christine had a solid idea of what she wanted out of the song. Lindsey took it and did everything right to make it a hit and one of the band's most popular songs ever. I hope that one day somehow a true instrumental version finds it way to my ears.) Behind The Mask - Save Me Time - Winds Of Change Say You Will - Destiny Rules Extended Play - Sad Angel (An all-time great FM song that shouldn't have been Lindsey's last contribution with the band.) Buckingham McVie - Carnival Begin |
#28
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Of course I have my own list!! Not complete...
Fleetwood Mac (1968): Mr. Wonderful (1968): Then Play On (1969): Oh Well Kiln House (1970): Future Games (1971): Future Games Bare Trees (1972): Sunny Side Of Heaven Penguin (1973): Bright Fire, Caught In The Rain... Mystery to Me (1973): Emerald Eyes, Forever... Heroes Are Hard to Find (1974): Heroes Are Hard To Find Fleetwood Mac (1975): Monday Morning Rumours (1977): Second Hand News Tusk (1979): Brown Eyes Mirage (1982): Love In Store Tango in the Night (1987): Big Love Behind the Mask (1990): In The Back Of My Mind Time (1995): Say You Will (2003): Illume EP (2013): Buckingham McVie: On With The Show |
#29
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Quote:
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"I am just one small part of forever" -Think About It (The song that got me into Stevie Nicks) "The face of a pretty girl x1,000,000" -Isn't It Midnight (The song that got me into Christine McVie) "The sun is bright, but not too bright to see. When the darkness comes you've got to fly into the light." -Doing What I Can (The song that got me into Lindsey Buckingham) "I can still hear you saying you would never break the chain" -The Chain (The song that got me into Fleetwood Mac) |
#30
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Too indecisive and sometimes just like to be a bit different...
'Fleetwood Mac' (1968): I Loved Another Woman or Long Grey Mare 'Mr. Wonderful' (1968): Dust My Broom or If You Be My Baby 'Then Play On' (1969): Rattlesnake Shake or Without You 'Kiln House' (1970): Jewel Eyed Judy or One Together 'Future Games' (1971): Show Me a Smile or Future Games 'Bare Trees' (1972): Sentimental Lady or Sunny Side of Heaven 'Penguin' (1973): Did You Ever Love Me or Dissatisfied 'Mystery to Me' (1973): Why or Emerald Eyes 'Heroes Are Hard to Find' (1974): Come a Little Bit Closer or Silver Heels 'Fleetwood Mac' (1975): Rhiannon or Over My Head 'Rumours' (1977): Go Your Own Way or The Chain 'Tusk' (1979): Sara or Brown Eyes 'Mirage' (1982): Gypsy or Wish You Were Here 'Tango in the Night' (1987): Tango In the Night or Isn't it Midnight 'Behind the Mask' (1990): In the Back of My Mind or When it Comes to Love 'Time' (1995): Nothing Without You or Hollywood (Some Other Kind of Town) 'Say You Will' (2003): Bleed to Love Her or Steal Your Heart Away 'Lindsey Buckingham Christine McVie' (2017): On With the Show or Carnival Begin
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'Where words fail, music speaks' Mick Fleetwood |
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