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#1
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I just posted a variation of this on the Stevie board. It seems we're always talking about favorites, the best of the best, what speaks to our hearts, etc. So let's dish some dirt now instead!
What's the worst Mac album to you, and why? I say we should include any album from 1975-present, including Behind the Mask and Time.To me, the title, tiara, and bouquet go to Mirage. The whole heaping mess just seems like an afterthought, filler, and half hearted. Lindsey's songs are all abominations, sans Eyes Of The World. The whole '50s pop throwback theme he was going for was just gross, and unimaginative. I realize he probably did it as a way to protest the band members wanting to go back to a more pop-commercial sound. Stevie's nod to country western, That's Alright, has no place on a Mac album. The only person who has consistently good material on this album is Christine. It's not all bad though. Stevie's songs Straight Back and Gypsy were the last really great Mac songs she ever recorded. Christine's material is predictably good, with Hold Me being one of my favorite Mac tunes of all time. It just makes me smile hugely, and ALWAYS puts me in the best mood when I hear it on the radio. As a whole though, the album just comes across as flat and soulless to me though. ![]() |
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#2
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Oh Diane.. What in the name of Lucifer was he thinking? It's the worst song ever. Not just the worst Fleetwood Mac song.. but EVER. Everynow and again I contemplate erasing it off itunes so it won't come on when shuffle is on.. only that I'm completely OCD and have to have the entire album it'd be gone in a flash. Mess of a song. Oh, and the only reason Eyes Of The World is so good is cos of the Pachelbel intro! ![]()
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"If you see somebody running down the street naked every single day, you stop looking up."- Stephanie Lynn Nicks Last edited by LikeAMagnet; 11-06-2009 at 01:45 PM.. |
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#3
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I like "Oh Diane."
Though Mirage would not be my choice for worst post-75 Mac album, I think it marked the end of the Mac as a unified force in their albums. Each individual song on Mirage is actually quite lovely (by all three artists), but I don't hear them communicating to each other or even really complimenting each other the way they do on Rumours -- which has a narrative -- and Tusk -- in which the intertwined/alternating voices are united by a shared artistic impulse, amounting to a social vision. The songs on Mirage seem connected only if you follow the abstract theme suggested by the album's title. Still, Lindsey's attempts to understand both his desires and his musical heritage (the language that allows him to articulate his desires) on tracks like "Oh Diane" and "Can't Go Back" are interesting, pretty, touching, and... catchy. His voice sounds great too. ("Talkin' bout Diane...")
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"They love each other so much, they think they hate each other." Imagine paying $1000 to hear "Don't Dream It's Over" instead of "Go Your Own Way" Fleetwood Mac helped me through a time of heartbreak. 12 years later, they broke my heart. |
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#4
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pre-75: The first 2 - Fleetwood Mac & Mr. Wonderful. Don't like them at all. Having said that, I'm not a blues fan. Rumours lineup - Tango In The Night. Some great songs, but in general I didn't like it. Stevie's absence was obvious, Lindsey's unhappiness and desire to break out was obvious, which left Christine and the boys to carry the album. She did it well as all her songs were fantastic. But Fleetwood Mac has never been about 1 person. Post-Rumours: Time. Never felt like a Fleetwood Mac album |
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#5
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I think it's hard if we compare different lineups, but since you asked for it, I'd say I never listen the TIME album, so that's my choice.
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#6
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For me it's Behind The Mask because it isn't Fleetwood Mac, the real Fleetwood Mac, because of that Lindsey left...so yeah, Behind The Mask.
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~I have been touched by an angel~ ![]() Stevie held my hand!!!!!!!!!! 10/10-2009 |
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#7
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So don't EVEN THINK about Fleetwood Mac not being "Fleetwood Mac" because there was no Lindsey Buckingham! ![]() ![]() ![]() ![]() The only "bogus" Fleetwood Mac was the one that attempted to finish out the Mystery To Me tour. Everything else is legitimate, Buckingham or no Buckingham. ![]() ![]() ![]() Quote:
![]() The list of Fleetwood Mac "stinkers" (in chronological order from oldest to newest): When You Say (I'm A) Roadrunner Not That Funny (studio version) Oh Diane Welcome To The Room...Sara The Second Time Running Through The Garden Silver Girl To me, that's about it. In 40+ years and all the songs they've released, that's a pretty good percentage of decent material to only have 8 "stinkers" in the bunch.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia Last edited by chiliD; 11-06-2009 at 07:29 PM.. |
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#8
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My own personal REAL Fleetwood Mac is the Rumours lineup.. Some others might consider the SYW lineup to be the REAL Fleetwood Mac.. its a subjective term really isn't it? Surely your REAL Fleetwood Mac mightn't be others REAL Fleetwood Mac. I do agree though, saying its not Fleetwood Mac due to the absence of one band member is, you can dress it up as much as you like but basically, ignorance.. ![]()
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"If you see somebody running down the street naked every single day, you stop looking up."- Stephanie Lynn Nicks |
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#9
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![]() Mirage has grown on me but I still don't think it's a great album at all. "That's Alright" and "Oh Diane" continually battle each other for "worst song on my itunes". |
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#10
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#11
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Using your logic, Stuart Sutcliffe is a REAL member of the Beatles, and Ringo Starr is not. Millions of Beatles fans across the world would raise hell at that suggestion however (though I suspect the really hard core ones would agree). My point is, we can be technical all we want, but the reality is the most successful lineup of any one band is what the world considers to be the real deal. I almost wish the band had changed names when Lindsey and Stevie joined, because that incarnation of the band was so very disconnected from the band's roots. But in their own way, Fleetwood Mac did just that: by simply titling the 1975 album Fleetwood Mac, they were making a statement that this was definitively a new band. My take on post 1975 Fleetwood Mac is this. For better or worse, the band entered a new realm of success that year, effectively rendering all previous incarnations of the band null and void. In my personal opinion, so long as greater than 50% of the 1975 members of the band are present, you can call it Fleetwood Mac. With the Time album, 60% of the band was still in tact, so I definitely agree that it is a link in the Fleetwood Mac chain. However, the Time tour only had 40% of the lineup present, so I don't consider it to be the real deal. We can all argue semantics forever and twist technicalities to fit our own definitions, but the definition of real Fleetwood Mac is subjective, and can really only be defined by the individual fans themselves. I think once you reach a certain level of success and fame, your name is no longer your own, but belongs instead to the public domain. But that's just my two cents... and they are worthless to anybody but myself! ![]() |
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#12
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![]() ![]() You've just designated all the FM music of Green, Spencer, Kirwan, Welch, etc, to be null and void?!?!?! There is no justice. ![]() |
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#13
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Yeah, I definitely think that's overstating it. I generally prefer the LB/SN/CM incarnation of FM, but I do enjoy the early Peter Green FM and I like what I've heard of Kiln House an awful lot. The Bob Welch era I might be inclined to agree with louie about - but *all* previous incarnations? I don't think so. The Green/Spencer FM might as well be a different band from the Stevie/Lindsey FM, and I can appreciate both on their own terms.
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#14
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I love Lindsey, but I hate "Save Me A Place" from Tusk. It has okay lyrics but that's it! As for "Oh Diane", I've always liked it!
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#15
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..wh..whyyyyy??? ![]()
__________________
"If you see somebody running down the street naked every single day, you stop looking up."- Stephanie Lynn Nicks |
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