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  #1  
Old 10-12-2010, 03:27 PM
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Quote:
Originally Posted by ryan4136 View Post
......you already wrote songbird...why must we keep trying to write another one.
With that logic, she'd already written "Show Me A Smile"...why did she need to write "Songbird"?
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  #2  
Old 10-12-2010, 06:26 PM
MacShadowsBall MacShadowsBall is offline
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Should we count "Hold Me" for Christine or collaboration?

If it goes to Christine, I'll be with her other 3 songs.

If it goes for collaboration, it will automatically qualify in the Favorite Mirage songs poll, along with the winner of Christine's other songs from Mirage. Keep in mind if it counts as a collaboration it will eventually battle "World Turning, "The Chain" and any other songs deemed a collaboration.
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Old 10-13-2010, 08:53 PM
MacShadowsBall MacShadowsBall is offline
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Well nobody replied yet to my earlier post, but I'm thinking about counting "Hold Me" as collaboration.
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Old 10-13-2010, 09:27 PM
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I don't think it should be a collaboration. The only part Lindsey has is own vocal is "come on and" He didn't help write it.
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  #5  
Old 10-13-2010, 10:32 PM
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Originally Posted by MacShadowsBall View Post
Well nobody replied yet to my earlier post, but I'm thinking about counting "Hold Me" as collaboration.
Yes, it's not a collaboration.

Michele
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  #6  
Old 10-14-2010, 09:10 AM
jbrownsjr jbrownsjr is offline
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Originally Posted by MacShadowsBall View Post
Well nobody replied yet to my earlier post, but I'm thinking about counting "Hold Me" as collaboration.
Hold Me, Don't Stop, and Think About Me... are all Christine as writer.. just LB on the vocals...


World Turning, Mystified, Isn't It Midnight are penned Buckingham/McVie as the writers..
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Old 10-14-2010, 11:53 PM
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Originally Posted by jbrownsjr View Post
World Turning, Mystified, Isn't It Midnight are penned Buckingham/McVie as the writers..
As is Little Lies (along with Eddie Q). But I'm thinking those tango collaborations were mainly Christine germinations, whereas World Turning seems like both writers began from scratch and worked it out together.
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Old 10-15-2010, 10:07 PM
michelej1 michelej1 is offline
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Lindsey's not a writer on Little Lies and not on Isn't it Midnight either. They did write Ricky together and You and I, Part II

I was surprised to read an interview where Chris said Lindsey did the Mystified lyrics and she did the music. Reverse on You and I. The Mystified words are not only feminine, but more tender than Lindsey usually is.


Michele

Last edited by michelej1; 10-15-2010 at 10:10 PM..
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Old 10-16-2010, 12:30 AM
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Originally Posted by michelej1 View Post
Lindsey's not a writer on Little Lies and not on Isn't it Midnight either. They did write Ricky together and You and I, Part II

I was surprised to read an interview where Chris said Lindsey did the Mystified lyrics and she did the music. Reverse on You and I. The Mystified words are not only feminine, but more tender than Lindsey usually is.


Michele
You're right about Little Lies. That's Just Christine and Eddie. But if you look at the songwriting credits on Tango it says the music for Isn't It Midnight was written by Christine, Eddie, and Lindsey, with lyrics by Christine.


I am interested in what Christine or Lindsey said about lyric/music credits on Mystified and You and I. The credits for neither of those songs makes distinction as to who did what in the collaboration, whereas such distinctions are made on Isn't it Midnight. Such distinctions are also made on Seven Wonders and Family Man. Strange, indeed.

Last edited by aleuzzi; 10-16-2010 at 12:35 AM..
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Old 10-14-2010, 09:51 AM
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Quote:
Originally Posted by MacShadowsBall View Post
Well nobody replied yet to my earlier post, but I'm thinking about counting "Hold Me" as collaboration.




Quote:
Originally Posted by chiliD View Post
With that logic, she'd already written "Show Me A Smile"...why did she need to write "Songbird"?
...because she perfected it with "Songbird."
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Old 10-14-2010, 12:24 PM
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Thanks for your input. I'll count "Hold Me" as Stevie... I mean Christine!
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  #12  
Old 10-14-2010, 11:51 PM
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Why so many negative comments about Love in Store? Am I going crazy here? The song is, to my way of thinking, the best tune on the album--pure pop thats drenched in all these great catchy harmonies. It's so fun and so believable. I actually feel that magic of new love every time I hear it.

Incidentally, most critics at the time thought Christine's songs were the strongest on the album.
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Old 02-21-2012, 09:09 PM
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Love in Store. Some good, some bleh. I liked it less than I liked it overall. That must mean something.

Only Over You. Don't like it. Skip it each time.

Hold Me. Brilliant. Classic. Love it

Wish you Were Here. I really like it. Love the intro. Sounds a bit like Silver Springs.
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  #14  
Old 02-22-2012, 03:10 AM
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Christine's songs are usually very strong, but the production on Love In Store and Only Over you are bland. Both needed to be beefed up.

Hold Me is a great song.

I was actually thinking about Wish You Were Here the other day. Again, the production let's it down. Can you imagine how great it would have sounded with an orchestra accompanying the band?
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Old 02-22-2012, 11:24 AM
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Quote:
Originally Posted by StephenC View Post
I was actually thinking about Wish You Were Here the other day. Again, the production let's it down. Can you imagine how great it would have sounded with an orchestra accompanying the band?
I have a theory about this song, which doesn't sound like anything else on Mirage. It's a sound that seemed to be very popular, which consisted of a very dry, spare sound and very simple, unadorned, crisp instrumentation with prominent drums- not unlike albums released by Billy Joel, Carly Simon, Jackson Browne, and, most notably, John Lennon around the same time. John Lennon's Double Fantasy kind of perfected that sonic template, especially on his greatest song ever- "Watching the Wheels." Other artists, namely Elton John ("Empty Garden") and Queen ("Life Is Real") issued Lennon tributes that kind of paid homage to this particular sound. I think "Wish You Were Here" was Fleetwood Mac's own tribute to John Lennon. No, there is nothing particularly Lennon-specific about the lyrics, but that mournful sentiment of someone who has passed on is there along with the decidedly Double Fantasy-like vocal and instrumental arrangements.
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