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View Poll Results: Rumours vs. Tusk
Rumours 35 35.35%
Tusk 64 64.65%
Voters: 99. You may not vote on this poll

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  #1  
Old 08-28-2010, 09:06 PM
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astro-addy astro-addy is offline
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Quote:
Originally Posted by HomerMcvie View Post
Silver Springs wasn't on Rumours, period. Stevie might not have liked it that way, but that's the way it was. I don't feel it fit on there, anyway. IDWTK fits much better.
hm... silver springs instead Idwk??? I always assumed silver springs would have pushed Oh Daddy... why does everyone assume idwtk pushed out silver springs? Is there a story there?
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  #2  
Old 08-28-2010, 09:20 PM
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Artemis Artemis is offline
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Quote:
Originally Posted by astro-addy View Post
hm... silver springs instead Idwk??? I always assumed silver springs would have pushed Oh Daddy... why does everyone assume idwtk pushed out silver springs? Is there a story there?
Stevie's said that Mick told her Silver Springs was off the record and then they "made her" record IDWK "with a gun to her head" or words to that effect. I'll browse through my bookmarks, I know I've saved an interview somewhere.

Edit - Aha, found it. http://www.inherownwords.com/silver.htm
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Old 11-10-2010, 09:59 PM
michelej1 michelej1 is offline
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[By David Bowling for Blogcritics.com, this is the latest in his series of FM album reviews, November 9, 2010]

http://www.seattlepi.com/pop/429908_...itics.org.html

Music Review: Fleetwood Mac - TuskBy DAVID BOWLING
BLOGCRITICS.ORG

What do you do when you have just released one of the ten best selling albums of all time, which topped the American album chart for 31 weeks? This was the question and task that faced Fleetwood Mac when they returned to the studio during late 1978 to record their follow up album to Rumours.

The resulting Tusk would be a long and sprawling double album. It would receive some criticism at the time of its release and not have the commercial success of its predecessor. It would, however, reach number four in The United States and number one in England and sell four million copies worldwide, which would have been outstanding for almost any other band or release.

Unfortunately, it was considered a failure in many circles. In retrospect, it could not have lived up to the expectations which preceded it.

I remember being disappointed at the time of its release, but the album has grown on me as time has passed and as it escaped the Rumours shadow. Today it stands on its own as another brilliant pop/rock release by Fleetwood Mac.

If Tusk was originally one thing, it was ambitious. In many places the sound veers from the safe pop styling of their last two releases to a more adventurous rock direction.

Lindsey Buckingham wrote nine of the twenty tracks and takes the most chances musically. “Tusk” was a drum=based track featuring the USC Marching Band. It was released as the lead single, which quickly announced that this was a different Fleetwood Mac release.

While the song was one of Mick Fleetwood’s crowning achievements, his drumming is excellent throughout. Just check out “Brown Eyes” and “What Makes You Think You’re The One.” Songs such as “The Ledge,” “Not That Funny,” and “What Make’s You Think You’re The One” have a frenetic feel that was not what its fan base was expecting at the time but which seem fine today. His “Save Me A Place” returned the group to a more familiar place complete with tight harmonies.

Stevie Nicks contributed five songs that may have been her overall strongest group and were what the band’s fan base expected of her. “Sara” is one of the finest performances of her career and became a deserved hit single. The original album version was almost two minutes longer than the single and remains superior. It was written about Mick Fleetwood’s wife Sara and her effects upon the group. Its harmonies, overdubbing, and emotional vocal make it one of her better creations.

“Storms” is moody and quiet, while “Sisters Of The Moon,” and “Beautiful Child” continued to develop her mystical personality.

Christine McVie sort of put it on cruise control for this release. “Never Make Me Cry” is a nice piano-based ballad. “Honey Hi” is surrounded with beautiful harmonies. “Over & Over” may have a mournful sound but it is also well created pop.

In many ways, Tusk is the modern pop Fleetwood Mac’s most creative album. It is a release that has stood the passage of time well and bears repeated listens to be truly appreciated.

http://blogcritics.org/music/article...wood-mac-tusk/
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  #4  
Old 11-11-2010, 02:46 AM
iamnotafraid iamnotafraid is offline
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TUSK

It was my first Fleetwood Mac album.
I remember not liking that Buckingham
dude at first.

A little trivia for ya...
Did you know that if you play the record
(vinyl) backwards on side 3, you can hear
them singing Lindsey's Dead, Lindsey's Dead
during I Know I'm Not Wrong.
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