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#1
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I'll give you, that Love in Store is fairly bland, even though I like it.......I blame Lindsey's production!!! ![]() Okay, I'm willing to admit, that my love for Mirage, probably has more to do with the fact that I was a kid, when it came out. I LOVED Mirage! I still have vivid memories, of making my friends listen to it! When I make a FM "MY hits" cd, Can't Go Back, That's Alright, and Book of Love, must ALWAYS be sequential! |
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#2
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That said, I wouldn't say I love it like most other LB songs.I must say I don't like "Can't Go Back" or "Book Of Love" as much as I used to, at least at the moment... I still quite like them though... I also quite like "Oh Diane", except if anyone else is listening to it with me - all I want to do then is die! I mean, it's not as if I can skip the track, because it feels like too much of a concession, seeing as their my favourite band! And if I don't, then it probably tarnishes their view of FM anyway! I remember listening to "Mirage" one time, and Dad just happened to come in, hand me dinner, sit down next to me with his own, and start listening to the end of "Hold Me"... which proceeded to the beginning of "Oh Diane"! I would've preferred Dad to have never had to endure that during his lifetime. That said, he didn't say anything, but I'm confident that he would've thought it was rubbish. Also unfortunately, I played the first disc of (Selections from) 25 Years - The Chain in the car during a trip in New Zealand, which contains "Oh Diane"... someone should've slapped Lindsey across the face when he decided to include it in the compilation (assuming it was his fault)! (Sorry Lindsey! )As for "Eyes Of The World"... well, I don't like it as much as I used to, because I recently listened to it with headphones, and I heard all these extra annoying vocal noises at the start, which seemed silly to me. ![]() (That reminds me - I listened to "Tango In The Night" two nights back, and what I originally thought was merely a long pause in the song was actually filled with similarly annoying noises... except these ones didn't annoy me! )Having said all this, I actually still love his Mirage songs! Just not as much as his other ones, of course!And I think all of Christine's and Stevie's songs are excellent on this album! I really don't understand why some people don't like "Only Over You". It's got me mystified...
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The two essentials for a healthy mind: 1. Philosophy & Science 2. Fleetwood Mac NB. Not necessarily in that order... |
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#3
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Empire State is probably in my top 5 Lindsey songs >_>
I wish they would re-release Mirage and put in Smile At You and If You Were My Love, then it would be a really really amazing album. It annoys me how Stevie's songs are (in my opinion) the best on the album, yet she only gets three, while Lindsey gets more songs and most of them are horrific (Oh Diane, anyone? Awful song) Smile At You is best in the Mirage-era demos. I think it's totally, utterly, ruined in Say You Will. I like to pretend it never happened >_> Edit - Woo, just as I posted this, I get Mirage and Street Angel through my letter box. Huzzah for ebay! =D
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Last edited by Artemis; 01-13-2010 at 08:08 AM.. |
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#4
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Homer,
I really like Can't Go Back and Empire State but I'm not so convinced of his other contributions to Mirage. Christine's songs are generally good but suffer from uninspired production - for example, imagine the demo of Little Lies before Lindsey wove his magic around it - that was a beautifully produced track that made an average song actually sparkle - that's what her tracks needed. The simplicity of Stevie's tracks rang true - they thankfully didn't need any comprehensive production because they certainly didn't get it! |
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#5
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![]() You say Stevie's songs didn't get "comprehensive production"? If Gypsy's not the ultimate example of Lindsey's tireless production, then I don't know what is! |
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#6
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![]() The BD demos for "Gypsy" with the Heartbreakers are painful to hear. Just awful. This is the perfect example of Lindsey's (occasional) ability to polish a turd in the studio. |
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#7
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(For an example of Lindsey's exemplary production skills, look no further than what he did on Thrown Down many years later. In it's demo form, I thought it was a lost cause, but he truly transformed it in the studio. A fine job indeed.) Stevie's own production and vocal arrangement skills should not be underestimated either. Just because she's rarely been given credit for such doesn't mean she wasn't instrumental in shaping her own songs throughout her career. She always instinctively knew what she wanted in the studio and often coaxed the results out of her collaborators (who often possessed the musical prowess she didn't to achieve her aspirations). I'm aware she's given Lindsey credit over the years for arranging many of her songs but whilst I acknowledge his many talents and great work on a selection of her numbers, I don't think he "polished any of her turds". Last edited by Phil; 01-13-2010 at 06:56 PM.. |
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#8
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I suspect that at the time Stevie was probably doing her nobless oblige and allowing the other writers to get a larger chunk of the publishing since she had just made a mint off of BD. Plus, whatever didn't get used by FM went directly to her solo career. Mama was at the peak of her powers creatively and commercially, and probably had no time or inclination for band politics. She "tread with gossamer wings." |
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#9
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__________________
moviekinks.blogspot.com |
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#10
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My recollection was that they were all holed up in a rented house in France to get Mirage finished. Still, Stevie could have easily had a terrific fourth song on that album in lieu of one of the fluffer-nutter pieces shat out by Lindsey or Christine, especially since she had newfound leverage within the band to demand things. With a little additional tinkering, "If You Were My Love" and/or "Smile at You" could have been hit singles.
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#11
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Personally I don't think Smile At You or If You Were My Love would have fit on Mirage, as good as they are. I actually like all of Mirage though, I'm with HomerMcVie on this one.
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"I want to come back as a Yorkshire Terrier, owned by me." - Stevie Nicks |
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#12
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I'll tell you why: "I'm OUT of my mind..." It's like nails on a chalk board to me.
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#13
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And I freakin' LOVE Mirage.(This includes ALL of Lindsey and Stevie's songs and Christine's. Love in Store sounds great live.) My third favorite FM album after Tusk and Rumours. Also, thank you, awesome people who posted the LP version of Straight Back and the rehearsal, you rock! |
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#14
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I really enjoy the LP version (getting to hear certain instruments and vocals that get a little buried in the remix), but having heard the CD version first (and for years)... it sounds a little flat without those vocal overdubs that were added (sounding almost like an early outtake version of the song to me). |
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