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Old 12-18-2009, 12:01 AM
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grace_face grace_face is offline
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Anyone hear Ms Lindsay Lohan's cover of Edge of Seventeen? *vomit* WHY!? WHY, LINDSAY, WHY!?!?!?!?!?

Edit - I am aware this isn't a FM song. lol. My mind was stuck on Stevie for a minute there (always).
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Old 12-18-2009, 12:27 AM
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louielouie2000 louielouie2000 is offline
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Originally Posted by grace_face View Post
Anyone hear Ms Lindsay Lohan's cover of Edge of Seventeen? *vomit* WHY!? WHY, LINDSAY, WHY!?!?!?!?!?

Edit - I am aware this isn't a FM song. lol. My mind was stuck on Stevie for a minute there (always).
I know I'll get a lot of flack for this, but I actually halfway like Lohan's version of Edge... to me the production is more in line with the subject matter of the song. Stevie's version seems to be made a harder edged rock song for the sake of the album having a harder edged rock song. I know Paul Fishkin and Jimmy Iovine wanted to throw Stevie's airy fairy image out the window and prove she was just as much of a rocker as a man for her debut album. To me, Edge was a casualty of this policy.

I actually don't mind Wilson Phillips Go Your Own Way either. It was a wholly new take on the song... and I respect that. The layered harmonies are very Fleetwood Mac. And I detest Wilson Phillips... so it takes a LOT for me to admit I like their version of GYOW .

I really like Matchbox Twenty's version of Never Going Back Again too, again, because it's such an entirely different take on the original. And it really works. I know Lindsey feels the song's subject matter is about coming out of the darkness, thus his prosaic approach to it on Rumours. But there's a definite dark undertone to the lyrics, which Matchbox Twenty totally cashed in upon. I like it!
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Old 12-18-2009, 12:31 AM
michelej1 michelej1 is offline
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Originally Posted by louielouie2000 View Post

I really like Matchbox Twenty's version of Never Going Back Again too, again, because it's such an entirely different take on the original. And it really works. I know Lindsey feels the song's subject matter is about coming out of the darkness, thus his prosaic approach to it on Rumours. But there's a definite dark undertone to the lyrics, which Matchbox Twenty totally cashed in upon. I like it!
Yes, I agree. Lindsey claims that he meant finding joy and never going back to that pain again. I don't think the lyrics necessarily say that. Matchbox Twenty says never going to put myself in a position to be hurt again and their arrangement has a detached, robotic tone that brings that sentiment to life. I like hearing the hard shell that forms when you've been hurt once too often. I like Rob's voice. I want Lindsey to work with him.

Michele
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Old 01-23-2010, 01:27 AM
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Originally Posted by louielouie2000 View Post
I really like Matchbox Twenty's version of Never Going Back Again too, again, because it's such an entirely different take on the original. And it really works. I know Lindsey feels the song's subject matter is about coming out of the darkness, thus his prosaic approach to it on Rumours. But there's a definite dark undertone to the lyrics, which Matchbox Twenty totally cashed in upon. I like it!
ITA. The song is very bitter in its undertone. If it really is about moving on out of the darkness, why is it addressed to his ex, flinging his new relationship in her face? "YOU don't know what it means to win... so come on down and see ME again..."

Plus, the integration of The Chain is brilliant, as is Rob Thomas' anguished vocal.
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