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#2
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#3
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She, in my opinon, will have fulfilled the "releases" obligation and then start fresh. Like I said, I could be wrong. It's, as I first stated, what I have a hunch of. |
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#4
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When WBR releases something like Crystal Visions, its because Stevie wants it to be released. Its a win-win for all involved- mining the catalogue with little to no overhead/promotion... a far easier sell (and, nine times out of ten, more profitable) than a new studio album. Don't blame WBR- blame lazy-ass Stevie. |
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#6
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I think I'll probably buy it.
Although, I do feel, at this stage, they could give us something new to work with, theres only so many times I can look through my itunes library and see like 15 different choices of Silver Springs to listen to. :P ![]()
__________________
"Take your silver spoon.." Even If I Never Hold You.. Again.. |
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#7
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Look at Stevie's Soundstage CD and DVD. Even though it's not a new studio album, it had to be recorded, mixed and edited, packaged, and soon it will be released. Making her Soundstage release was probably almost as expensive as making a new studio album, because look at all the $$ that goes into it. Even renting the space to record it (Grainger Studio), and paying all the musicians and back-up singers, it all adds up and it has to be worth it in the end if they (Warner) are confident enough to spend the money on all of it. |
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#8
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If you were to compare the costs between the Soundstage production and the cumulative costs of recording & promoting Trouble In Shangri-La, it approaches ten times as much. |
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#9
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Another Rumours reissue with that much material could be good, but I would have much rather had expanded Mirage and Tango sets.
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#10
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Soundstage is not only an audio production, but it is also a visual production. The show that eventually aired had to be filmed and edited, plus the airtime had to be purchased, and it aired multiple times. I didn't say it was the same amount of money, but i said it is probably almost as much because of how much time and money actually went into it. |
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#11
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You know, you're probably right. At her show here in Boston last Summer...I was due to go and say, "hi" as I haven't seen her face to face since the 90s...no she didn't forget me or say I couldn't come. Things were so busy and there was a long line. I spoke with Jimmy and Al...and others. I felt that her meeting with "Make a Wish" folks and meeting with others that were terminally ill or in wheelchairs or anyone that "really needed to see her" to somehow, help them rise above...that my stupid little, "hey, again...whatcha been up to?" Wasn't urgent. She arrived very early...she (I heard) left very late becasue of her "important" visits. A lot of people probably don't know about what reallly goes on back there. She gives back...she reaches out...and she prays. She's scared and sad as hell sometimes. But, her lazy ass heart is bigger than a lot of anyone will ever know. Some know of her visits to the sick or wounded or "charity" work...most have NO idea. She doesn't call the local news...bring along the press...etc. Backstage, the act is over...and she comes down from her high boots...and spends as much time as possible with those that "urgently need her". One thought I've had... How much time does she take off from the road to be lazy ass? She's pretty much been consistantally on a tour since 1996. Everyone knows when recording has begun for a new record...or do they? I just have a hunch that she remains busy...does not take her fame, money or luxuries for granted...and in her gratitude she returns the love she recieves in different ways...quietly. I don't feel much like rattling on about this subject anymore. After all, I'm not in Stevie's negotiation meetings everyday. |
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#12
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I don't want to start anything, but Stevie is not a lazy ass. Between Charity, Fleetwood Mac, and her solo career I do not see how she has time for much else. Stevie has my vote- always will!
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