| |
|
|
|
#1
01-17-2008, 03:23 PM
|
|||
|
|||
I normally spend time in the Pre-Rumours section,
but in case anyone's missed it, these mac torrents are now up on www.dimeadozen.org: FLEETWOOD MAC - 1982 - Out Takes From: MIRAGE FLEETWOOD MAC - 1980-05-20 - Richfield, Ohio, USA - Coliseum FLEETWOOD MAC - 1979-11-06 - St. Louis, MO - Checker Dome **OFFICIAL TRACKS REMOVED** - SOUND BOARD FLEETWOOD MAC - 1978-08-30 - Baton Rouge, Louisiana, USA - LSU Tiger Stadium - SOUND BOARD FLEETWOOD MAC - 1977-05-18 - Oklahoma City, OK - Fairgrounds Arena - SOUND BOARD FLEETWOOD MAC - 1979-10-20 - Los Angeles, CA - Dress Rehearsal For Tusk Tour - Sound Board - from 2nd GEN Cassette cheers 
|
| . |
|
#2
01-17-2008, 06:45 PM
|
|||
|
|||
|
Quote:
Now, can anybody get the 1982 Outakes from MIRAGE for me? Please?
|
|
#4
01-17-2008, 07:06 PM
|
||||
|
||||
|
Quote:
|
|
#7
01-18-2008, 01:39 AM
|
||||
|
||||
|
Here's a little ditty I found on the web. An interview with some musician.
AT: I'd like for you to explain to me how you compose music based on samples. Where do you get the samples, how do you create them, what kind of samples you are looking for, and what sample-based music is all about. JG: Well the whole idea of taking samples and decontextualizing them for me is based on the incredible excitement of being able to pick bits of music or sound that you like and manipulating them to make something new. I can remember when I first discovered the world of sampling and all of its possibilities. It was just as exciting to me as when it became possible to do home recording with a cassette 4-track. It was this realization that all of the sounds that mean something to me or trigger an emotional or physical response can be taken and pulled apart or repeated or effected. It’s like being able to listen to your favorite 5 seconds of a song over and over and then adding other sounds or bits of other songs and creating a whole new piece of music. One of the first pieces I did was just using the album Tusk by Fleetwood Mac as source material. I love the production sound of the songs by Lindsey Buckingham. I had sampled a little intro from one of the songs into the keyboard and looped it and when I changed the loop length to 0 it made this strange rhythm that seemed to have a life of its own. It was one of those happy accidents. I loved that loop and used it all the time. I started sampling more parts of that record and just experimented with effects and stuff and then loaded them up into the drum pads and by a ton of trial and error came up with an ‘instrument’ that I could play. A lot of the samples were unrecognizable from the source but something about the sound quality of that record still came through. In terms of what kind of samples I’m looking for, I guess initially I was sampling parts of old records that I liked, Kraftwerk or PiL and then just playing around with them until I found a loop or rhythm I liked. Now, I am working from specific ideas that I have, giving myself more of a framework. http://www.artthreat.net/2008/01/bea...t-drum-intervi Last edited by vivfox; 01-18-2008 at 01:46 AM.. Reason: June 22,1980 Live Rhiannon in London!!!
|
|
#9
02-01-2008, 12:31 AM
|
||||
|
||||
|
Stevie and the rest of Fleetwood Mac would be in their hotel rooms in the city of Tokyo, Japan. Comfortable and well rested from the tour break and acclamated to the extreme time zone change from the United States. Three shows in this city starting Feb.3,1980.
 600 people have viewed this thread in the last 11 days!
|
 |
| Thread Tools | |
| Display Modes | |
|
|
$5.40
1970s Pop - Hardcover By Brunning, Bob - GOOD
$3.40
Fleetwood Mac: The First 30 Years, Bob Brunning
$6.91
Bob Brunning Sound Trackers Music Series Hardcover 6 Book Lot Pop, Metal, Reggae
$59.99
"Fleetwood Mac": Behind the Masks By Bob Brunning. 9780450531163
$15.19
Hybrid Mode
