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Quote:
"Thrown down, like a barricade Maybe now he could prove to her That he could be good for her And that they should be together" The narrator is seeing a relationship, like watching it on a TV, or from a different perspective. She is not living the situation, or dealing with her (that's when the use of the third person form becomes more relevant), she's only an observator. But she knows that the situation (that meeting of two old lovers) has no apparent meaning. At least it does not mean something that they could live in the future, something concrete. It is very vague. The future is dark with that person, as was the past. Again, it's not her the one who's living the experience , therefore the third person is an excellent resource. We know she is, but only because we know the story. A badly-informed listener would say that this is a nice story. And if he has good ears (or eyes to read the lyric booklet), he'd read that verse like this: "Thrown down, like a barricade Maybe now he could prove to her That he could be good for her And that they should be together" because the intention is to leave one with the doubt. What's going to happen in the future? Who knows. Who cares even. The future is so dark that the words are stressing that point. And those become very important in that proces. By no means "superflous", in my humble opinion. In the third person discussion, there is of course a thing about different songwriting styles, which, as Carne so elloquently put, is a matter where there's no "right" or "wrong". Let me put it this way. In their early years, The Beatles wrote songs "for their fans", as they expressed in their Anthology book... their songs were written in first person because they liked to put themselves in the ficticious stories that they told whilst doing the songwriting process. That, the youth and the first attempts on songwriting led to results such as: Love, love me do You know I love you which of course made their point. They made an total change when (in their own words) realized that it was more "interesting" to say "she loves you" instead of "I love you", and they built a very sophisticated lyric (for the time, and for their ages) whilst writing a third-part story: She says you hurt her so She almost lost her mind But now she says she knows You're not the hurting kind She says she loves you This song would lose all the impact if written in first person ("I love you")... But that's a particular case. Paul McCartney in particular, stayed with this style of writing stories about other people ("Eleanor Rigby", "Rocky Raccoon", "Maxwell's Silver Hammer", "Another Day" are perfect examples)... John Lennon never liked the style, even though he used techniques of changing songwriting manners. For instance, he had, in the very confessional Plastic Ono Band album, a song called "I Found Out", about his own childhood traumas and stuff. He had this verse: I heard something 'bout your ma and your pa They didn't want you so they made me a star but later on as it was going to become a "confessional" song, the change made it finally appear as: I heard something 'bout my ma and my pa They didn't want me so they made me a star and it was more "impactant". Like that, in the first person. So basically, it's everything about styles applied to certain songs. In the case of "Thrown Down", to me, it works. But yet Stevie can be very reiterative in the use of that way of writing, so I understand the fact that it can upset some people. Interesting discussion. ![]() Song of the moment - Jane
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"You're here 'cause I say so!" Last edited by Cristian; 01-11-2003 at 09:02 PM.. |
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