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#1
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I think it is true to say that Christine is somewhat conservative in her musical tastes and that's where Lindsey was good for her I think to push her a little farther than she wanted to go. Christine was good for Lindsey by curbing some of his excesses. I do believe, however, that Lindsey appreciated Christine's talent although he didn't always show it! I think some of his comments after her leaving proove that he misses her, at least musically, because he knows what she brings to the band's sound. As for Bob Welsh I think he did sound bitter in that Q&A which is not to say that he had not been on the receiving end of some of Ms McVie's sarcastic remarks. I don't think she is "backward in coming forward" as we say in England. Somebody asked him quite recently if he'd like to record with her again and he said he would but he "didn't think Christine liked him very much" I agree that Lindsey has grown as a songwriter and I like his SYW stuff a lot except for Murrow and Come which are too long for my taste. for me the appeal of FM was always the diversity - everyone brought something different to the mix and somehow it worked. the whole was greater than the sum of its parts. Which is why it annoys me when Lindsey talks like it was all his doing. Anyway it doesn't look like we'll get another FM album because Stevie wont make on "in this lifetime" without Christine because "they tried it once and it didn't work". Gail |
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#2
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It's funny that she says that. I rather liked the album and thought it worked just fine. I missed Christine's sound on it, definitely. As has been said many times, it was really like a 2nd Buckingham Nicks album with the FM rhythm section. It didn't sound much like what I think of Fleetwood Mac, but, then again, they hadn't recorded a studio album with both S and L since TITN, which had a very '80s sound. I'll say it again. Too bad C won't just record with them. They've managed to do OK touring without her, but her contributions are missed on the record. From what she said, she seemed to enjoy the creative process in the studio and she loves how she sounds with S and L. Guess it's just more pressure than she needs or wants.
Last edited by Jessica; 08-22-2007 at 10:04 AM.. |
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#3
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I Agree. In my opinion, that's why the White Album & Rumours were so popular, both with critics & record buyers. They were true BAND albums. They had input from everyone in the band.
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#4
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This is probably true, due to the law suit--and that's sad because at one time they were quite close. In her Rumors-era interviews Chris praised Bob profusely and spoke of him with genuine affection.
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#5
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I wouldn't much like someone who sued me, either. From what he said in the Q&A, Bob gives the impression that he never really cared for Christine as a person. He mostly made complimentary remarks about her as a musician, other than his opinion that she stays in a comfort zone. But, I remember reading more than one interview where C said that she had always gotten along well with Bob. Was she lying? Did Bob's bitterness color his memories? Did he hide his dislike of her over the years?
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#6
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As far as I remember in the first Q&A Bob was rude about Mick and John as well but he seems to have made up with Mick at least. I always got the impression that Christine like him but it looks like the law suit soured their relationship. Gail |
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#7
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Back in the 1980's, Chris had some very nice things to say about Bob. She called him a wonderful man in one interview I have. I think the lawsuit changed everything. I can't exactly blame her. I wouldn't have any nice things to say about someone if they had sued me. In Bob's first Q & A, he said some very nasty, personal things about Chris. Who knows? She may have read it. She has checked out this website. He toned it down alot in his second Q & A after he had reconciled with Mick. It's a shame because they seemed to have a nice chemistry together in Fleetwood Mac & seemed to be good friends as well.
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#8
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#9
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Gail |
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