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#1
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in 95% of Stevie's career, I think this is true.
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#2
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I listen to some of her demos and think WHAT THE HELL WAS SHE THINKING
POTU (album cut) is a great example. |
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#3
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OMG
and (at 1:50) MY WORD - how HOT was Sting ![]() |
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#4
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the similarities have always weirded me out. didn't Stevie say Waddy came up with the riff? and we all know Stevie's usual chord structure is usually start high in minor keys and progress to lower chords and then a variation of same. there's only a finite number of chord structures in the world...
oh, and yeah, Sting was and still is hawt. tantric mutha****a. |
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#5
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__________________
Sue Take on the situation but not the torment |
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#6
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I wonder if she had heard of this song? If Waddy came up with the riff, it is possible she thought it was his alone. After all, the Police song was not a hit, etc.
I cannot remember now, but is there a piano demo or working demos of EO17 prior to the riff being made? |
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#7
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Nothing like that that I can think of. To my mind, all the "demos" sound more like rought cuts of the final...though I may be wrong.
__________________
Sue Take on the situation but not the torment |
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#8
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Quote:
![]() |
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#9
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Quote:
If you take the Heart song "Barracuda" & slow the tempo by about a third, that's a lot more Edge Of Seventeenish. |
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#10
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Interesting, but the riff in Barracuda has those pauses. But, I see your point, though I think the Police song does sound like E017.
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