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#106
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~like this with ~'s and ...'s... all over.... the place.~ ... for dramatic~ effect. |
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#107
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Stevie: I AM A BEAUTIFUL ENCHANTRESS~~~ Lindsey: Packing up ~~~and shacking up is all you want to do. Isn't that WIERD~~~ Stevie: I felt I knew you in a past life~~~ Lindsey: I belive everything goes in cycles~~~ Enter ~~~~Mick, playing synth ~vest Mick: Moveyabody, Moveyabody, ARE YOU READY FOR SOME HANKKKKY~~~ PANNKKY |
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#108
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Chris? And how did you get your hands on an advanced copy of the script? ![]() |
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#109
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#110
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#111
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Stevie is an ICON. Period! Just thinking about the McVie's puts me to..Zzzzzzzzzzz. |
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#112
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#113
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#114
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#115
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even if I had no bias towards Stevie, she'd still be the most interesting. |
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#116
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#117
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I kid. |
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#118
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Stevie is no more inherently interesting than Christine McVie or Jeff Beck or Elie Wiesel or even (God forgive me) Beethoven. It's all in the observation--in the perspective of the viewer/reader/listener. That is why everybody in the world does not like exactly the same music, books, films, paintings, politicians, folk songs, & architectural styles. Different people derive different pleasures from different things. Some people think Stevie Nicks is interesting; others do not. Some people think Christine McVie is interesting; others, obviously, do not. You might find Stevie's love affairs, unconquerable spirit, trials & tribulations interesting, but somebody standing next to you might not think any of that is interesting. The mole on Christine's elbow might be decisively more interesting to him. One person thinks "Bleak House" is interesting, but another thinks it's dull. There's just no way to treat "interesting" as some sort of objective quality that resides in the thing viewed rather than in the viewer.
__________________
moviekinks.blogspot.com |
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#119
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David, IMO this post reads like a script from TLC
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#120
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