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#31
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I think Mick wanted to follow the trend of releasing a live album of greatest hits. Everybody else seemed pretty luke warm to the idea.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#32
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...Sarah |
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#33
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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#34
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i love the studio version ![]()
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#35
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december 5, 1980, it became available in my hometown. I remember that day like yesterday. months of anticipation. I was eager to hear it, because my parents did not let me go to the concert in rotterdam that summer. (I was 14 and lived in a small town on the other side of the Netherlands.) It was the biggest "trauma" of my youth: it was the last time I was able to see SN and LB together until my flight to dallas in 2003.
Al those years "live" was my companion, along with Tusk. Those two became the soundtrack of my life. I don't love that album, I breathe it. Every friggin second of it.
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#36
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Well, back in those days, I used to take pictures of FM members jamming, now I'm showing them to the world ![]() Edit: this is a joke. But it's indeed a cool pic!
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"John, however, wasn't in the mood for idle chatter during the call, and ended the evening by inexplicably hurling a glass of vodka and tonic in Lindsey's face." - Bob Brunning
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#37
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#38
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*But, on the other hand, the live album would've been mostly the "white album" and Rumours tunes on the heels of those two albums' success would've just been a live redundancy. (which is probably what Lindsey's argument against a live album, at that point, would have been)
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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#39
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#40
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At any rate, I'm a fan of the "Live" album -- especially of its artwork & design motif. There was something "Tusk" about the use of the old newspaper font typeface on plain white backgrounds, & the front cover photo is a perfect symbolic representation of the band as seen (weirdly, from both the rear & the front) through the eyes of a stoned fan. The front photo is a deconstruction of both time (motion is irrespective of real time) & space (you see audience but you also see some bandmembers facing you & other bandmembers facing the other direction -- you really don't know where you are). The track list is also daring, especially after a big expensive studio album that relatively disappointed in the sales department: no "Chain" for example but fifteen minutes of new material. All the photos used come from the Tusk Tour, as far as I can tell. But don't believe the liner notes written for the CD release: they take wild stabs at a few aspects & hit wide of the mark at least twice.
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moviekinks.blogspot.com |
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#41
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On top of that is that there are BOOTLEGS of actual Tusk tour shows where the performances of some of the songs are actually BETTER than what was released (some both in performance AND sound quality) One of the first times that Fleetwood Mac had let me down (granted, I had/have lofty expectations)...here was a GOLDEN opportunity to really do something special with their live album and what, in retrospect, was really a half-assed job. (Ditto, later on with The Chain box) But, despite my let down, as with the box set, I'm glad that the album exists, rather than not.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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#42
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WHile on the subject of the Live album and it's contents, am I the only one that thought it very stupid to follow Songbird with Farmer's Daughter on the Dance tour? I mean c'mon, Songbird ands the show PERIOD.
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