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  #226  
Old 11-17-2005, 12:43 AM
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Originally Posted by dissention
Don't forget all the royalties from her solo stuff and her Fleetwood Mac stuff. Chalk up money from Hohan's cover of Edge, too.

Do they really make that much money off LPs?
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  #227  
Old 11-17-2005, 12:51 AM
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Originally Posted by ontheEdgeof17
Do they really make that much money off LPs?
Mostly radio play, I believe. One of them, I can't remember who, has said that they wouldn't have to work and could survive on the royalty checks alone.
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  #228  
Old 11-17-2005, 01:30 AM
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Originally Posted by dissention
Mostly radio play, I believe. One of them, I can't remember who, has said that they wouldn't have to work and could survive on the royalty checks alone.
I'm sure Chris is the one making the most off of song royalties. And probably Stevie following in behind with a close second.
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  #229  
Old 11-17-2005, 01:35 AM
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Originally Posted by Brwn_eyes0511
I'm sure Chris is the one making the most off of song royalties. And probably Stevie following in behind with a close second.
Stevie is the one making the most royalties. Fleetwood Mac and solo? Yup. She made, like, $5 million off of Landslide alone.
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  #230  
Old 11-17-2005, 01:40 AM
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Originally Posted by dissention
Stevie is the one making the most royalties. Fleetwood Mac and solo? Yup. She made, like, $5 million off of Landslide alone.
She's going to make millions of Hohan's cover.....if she releases it as a single.
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  #231  
Old 11-17-2005, 01:46 AM
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Originally Posted by dissention
Stevie is the one making the most royalties. Fleetwood Mac and solo? Yup. She made, like, $5 million off of Landslide alone.
Hmmm...guess you're right. It just seems to me that Chris would be the one seeing the cash flow when it came to song royalties, the majority of her songs with the Mac being more well known, used and played...
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  #232  
Old 11-17-2005, 11:56 AM
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Originally Posted by dissention
Stevie is the one making the most royalties. Fleetwood Mac and solo? Yup. She made, like, $5 million off of Landslide alone.


Did you read this somewhere ? I find that figure quite hard to believe. I base this on the fact that Dolly made about 2-3 million when Crackney destroyed "I Will Always Love You", and that monstrosity was number one for something like 10 weeks and sold over a million copies as a single alone. Not to mention the royalties from the soundtrack, which also sold an insane amount of copies. All tolled it seems that the Landslide cover moved a fraction of those numbers. Like, maybe a fifth of that much.

BTW, Christine isn't making bank off her songwriting roylaties anymore. She sold her publishing to Sony in the mid nineties for a paltry 4 or 5 million dollars. Not sure about the details of the deal, but the publisihing rights, she sold. Though she would still be getting performance royalties, which are different.
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  #233  
Old 11-17-2005, 12:08 PM
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Originally Posted by sparky


Did you read this somewhere ? I find that figure quite hard to believe. I base this on the fact that Dolly made about 2-3 million when Crackney destroyed "I Will Always Love You", and that monstrosity was number one for something like 10 weeks and sold over a million copies as a single alone. Not to mention the royalties from the soundtrack, which also sold an insane amount of copies. All tolled it seems that the Landslide cover moved a fraction of those numbers. Like, maybe a fifth of that much.

BTW, Christine isn't making bank off her songwriting roylaties anymore. She sold her publishing to Sony in the mid nineties for a paltry 4 or 5 million dollars. Not sure about the details of the deal, but the publisihing rights, she sold. Though she would still be getting performance royalties, which are different.
I could have sworn there was an article posted on the Rumours board with the $5 million quote in it. I could have read it incorrectly, though. Regardless, bitch made more money off of it than either one of us is going to see any time soon.

As for Chris, I never knew that. Interesting.
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  #234  
Old 11-17-2005, 12:11 PM
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Originally Posted by sparky


Did you read this somewhere ? I find that figure quite hard to believe. I base this on the fact that Dolly made about 2-3 million when Crackney destroyed "I Will Always Love You", and that monstrosity was number one for something like 10 weeks and sold over a million copies as a single alone. Not to mention the royalties from the soundtrack, which also sold an insane amount of copies. All tolled it seems that the Landslide cover moved a fraction of those numbers. Like, maybe a fifth of that much.

BTW, Christine isn't making bank off her songwriting roylaties anymore. She sold her publishing to Sony in the mid nineties for a paltry 4 or 5 million dollars. Not sure about the details of the deal, but the publisihing rights, she sold. Though she would still be getting performance royalties, which are different.
This may sound stupid, but what exactly do you mean by performance royalties?
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  #235  
Old 11-17-2005, 12:22 PM
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Originally Posted by Ghost_Tracker
Sit down and do the actual math some time.
Believe it or not, she's not actually all that rich.
In the time it took you to read this, Bill Gates made
$3,000. Now THAT'S rich!!!
Stevie's just kinda "moderately wealthy."
I think Stevie is alot more than moderatley wealthy. Publishing is where the real money is in the music industry and Stevie owns plenty of that in her songs outright on her own. Shes getting paid alot of royalties from radio play and some from record sales .She does have to share mechanical royaties with Mac members, others who have played on her solo records depending what kind of deal was worked out and publishing with anyone who has cowritten with her . Count in tour money, merchandising and investments, shes got plenty of money to be considered "rich"!

Last edited by Nicksluvver; 11-17-2005 at 12:24 PM..
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  #236  
Old 11-17-2005, 12:29 PM
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Originally Posted by Brwn_eyes0511
This may sound stupid, but what exactly do you mean by performance royalties?
Songwriters get paid a different and much larger portion of money for the songs than a performer. They both get money when it is played somewhere, but only the songwriter gets paid when a song is covered. I am not sure how the structure works - there is an industry standard for performers and writers but extremely prominent people can renogotiate these percentages.
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  #237  
Old 11-17-2005, 12:35 PM
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Originally Posted by Brwn_eyes0511
This may sound stupid, but what exactly do you mean by performance royalties?
That means she gets paid for her playing on the songs, everytime you here it on the radio. I think she was foolish to sign those publishing rights away to Sony. Whenever those songs get used anywhere, like tv, movies, compilations, Sony gets paid because they own the song. Hopefully we won't hear Don't Stop on the next Cadillac commercial, Christine would be losing a fortune!!!!!!!!!!!! I don't think mechanical royalties are as much as publishing. Anyone know?
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  #238  
Old 11-17-2005, 12:36 PM
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Quote:
Originally Posted by sparky
Songwriters get paid a different and much larger portion of money for the songs than a performer. They both get money when it is played somewhere, but only the songwriter gets paid when a song is covered. I am not sure how the structure works - there is an industry standard for performers and writers but extremely prominent people can renogotiate these percentages.
Thanks Sparky, you just answered my above question!
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  #239  
Old 11-17-2005, 07:02 PM
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Quote:
Originally Posted by Nicksluvver
I think Stevie is alot more than moderatley wealthy. Publishing is where the real money is in the music industry and Stevie owns plenty of that in her songs outright on her own. Shes getting paid alot of royalties from radio play and some from record sales .She does have to share mechanical royaties with Mac members, others who have played on her solo records depending what kind of deal was worked out and publishing with anyone who has cowritten with her . Count in tour money, merchandising and investments, shes got plenty of money to be considered "rich"!

Yeah, meanwhile Britney Spears is flying in fancy coffee from cities a
continent away by Lear Jet. . . .
It's all in the merchandising, baby!
My personal opinion is that the serious buckage went to The Buck -
because he Produced or at least Arranged most of their albums
(Tusk, for example).
Check out the house he recently sold in belair -

http://www.belairvilla.com 22 million dollars.

(OH no, HERE we go with the "are they or aren't they" thing )

Somebody posted a while back that Stevie's house in Phoenix is "only" worth 1.6 million,
although THAT I found very hard to believe, considering its size and how expensive real estate is out there.
BUT, who knows???

Anyway don't worry, I don't expect to see Stevie in front of my
local McDonald's panhandling for handouts. . . .

Last edited by Ghost_Tracker; 11-17-2005 at 07:04 PM..
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  #240  
Old 11-17-2005, 09:46 PM
Nicksluvver Nicksluvver is offline
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[
Anyway don't worry, I don't expect to see Stevie in front of my
local McDonald's panhandling for handouts. . . . [/QUOTE]

LMAO Umm.... yeah LB got extra for the producing and arranging but anyway you slice it, publishing brings in the most money when it comes to the songs. Thats why Sir Paul is so pissed that Wacko Jacko bought The Beatles publishing. But the best part of that is, he borrowed against alot of it from Sony - so he owes out the but! So Sir Paul must be laughing his but off! Yeah in no way shape or form is she ever going to panhandle !
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