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[QUOTE=SteveMacD]Please. It isn't even the worst Fleetwood Mac album, far less the worst album ever.
Why would Christine stay away from a project in which she was there from the beginning? When they started working on the album, it was just Mick, John, and Christine. Then they added Bekka, and then Dave. Billy Burnette rejoined shortly thereafter. To me it is the worst Fleetwood Mac album. Christine should have stayed away because an album of her alone would have been way better than the piece of **** Time is. Sad part is Dave Mason has done some great work, just not with Fleetwood Mac. Last edited by MACFAN; 09-01-2005 at 09:17 PM.. |
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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Rather odd to openly discuss how much better things are when your former bandmates are in the equation, instead of focusing on the strengths of your current bandmates and your current album. ![]() That being said, I rather like 'Time.' I wasn't sure what I'd think of it before I bought it (back in '95), but was quite pleasantly surprised that I truly liked it.
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"Although the arrogance of fame lingers like a thick cloud around the famous, the sun always seems to shine for Stevie." -- Richard Dashut, 2014 |
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The biggest mistake Fleetwood Mac made was The Dance...it was the death-knell of the creativity of the band. A move backwards instead of forward. The proof that they couldn't get out from under the Rumours parachute. They should've just called it a day after Tusk. Let Stevie & Lindsey go full time into solo careers in 1980.
Then re-establish Fleetwood Mac from THAT point with a new lineup. (re-enlist Bob Welch, who would bring along Todd Sharp, and add Martha Davis & Marty Jourard)
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia Last edited by chiliD; 09-02-2005 at 09:39 AM.. |
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The one & only.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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As far as getting out from under the Rumours parachute the tour consisted of 8 songs from Rumours (it is a monster album for goodness sakes), 5 songs from Fleetwood Mac, 2 songs from Tango, 1 from Mirage, 1 from Tusk, 1 from Live, 1 solo Lindsey, 1 solo Stevie, and 4 new songs. Quite a lot of bang for your buck. Also a couple of million in sales ,3 grammy nominations, a Brit award, consistently sold out shows, R&R hall of fame induction, lots of press does not seem like a step backwards to me.. The tour was not a rehash of Rumours but a way for that lineup to say to the world "we are a great F*****g band aren't we". |
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We get it, you worship Lindsey and Stevie. We get it. You don't like Time. We get it.
God knows, there couldn't be a FM without Lindsey and Stevie. We get it. Dead horse. We get it. ![]()
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
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Dead Horse? Aint no dead horse here. The only thing dead was Fleetwood Mac's career in 1995. |
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#12
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How was the history of the band re-written? i dont get what your saying here. And, Lindsey Buckingham as a popular artist after the debacle that was "Out Of The Cradle," and Stevie Nicks a popular artist after the debacle that was "Street Angel." Oh, but it's not polite to point out that their sales sucked donkey balls, too. At least Fleetwood Mac has the excuse that they did absolutely nothing to promote their album. Their touring was all done PRIOR to the album's release. No videos. No touring. No television. No radio interviews. What's Lindsey's excuse? What's Stevie's excuse? I never said sales are what make a good album. Both OOTC and SA were good albums, to me anyway and their respective tours were pretty good to. How and when a band/artist promotes themselves is their decision. Which is why those two albums produced a total of three songs for the 1997 set and only three songs for the 2003-2004, with two being dropped by the end of the tour. Yeah, monster albums those two are. Mirage and Tango were both pretty big hits in their day. What a band chooses to include in their set is again their decison. If that's what you want to believe, then so be it. But it was really the creative death nail for Fleetwood Mac. As much as I liked "Say You Will," it only sold about what "Behind The Mask" sold. The shows all sold well, but people weren't jonesing for the new stuff. They wanted the hits. Which basically means that Fleetwood Mac is an oldies band, and it's all the harder to take them as seriously. All promoters wanted to promote with Fleetwood Mac is "Rumours." Is it that hard to believe that an album that consisted of a major rehashing of "Rumours" would have sold millions, been up for three Grammy awards, and gotten an award in Britain? The thing is, they will NEVER have that EVER again, especially with NEW albums. "The Dance" basically was a huge high for the band, but the aftermath is that they are limited in where they can go with their careers.[/QUOTE] Out of 15,000 folks in an arena how many of them are "die hards" who know the lesser known material. When I go see the Rolling Stones, U2 or any big name act I wanna hear the hits, why should Fleetwood Mac be different. U2 may be a bit more adventurous than Fleetwood but they still play the hits. Is there something wrong with that? Yes I do find it hard to believe that a 20 year old band can release basically a greatest hits album (considering they already had one) and a live one to boot and sell millions. Every fan I know who is a die hard was jonesing to hear the stuff from the Say You Will album and we got a lot from the album like 5 or 6 so that aint bad. They brought out Beautiful Child, I know Im Not Wrong, Red Rover, Eyes Of The World, Goodbye Baby, Say Goodbye all non hits. Hell even Say You Will and Peacekeeper werent that well know so they did try and the shows were great regardless of 'the hits". Last edited by MACFAN; 09-04-2005 at 07:03 PM.. |
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#13
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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