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#1
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But "Loving Cup" can kiss my ass! |
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#2
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Yay! Good deal! I didn't want to have to think of another question, and that thing you have going on in FM Survivor wouldn't work too well here. I Want You is immune. BEGIN ROUND 4. |
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#3
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![]() Dammit. I probably got it wrong, anyway, because I didn't say "good sport." ![]()
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#4
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Slow Dancing must go.
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#5
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#6
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#7
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David, what are you doing ????
You should have voted for D.W. Suite to be immune. Well, since the gawd awful Play in the Rain part 1 is no longer immune, I hope it gets eliminated!!! woo.
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"Hearts will break with choices we must make, so sleep and dream of me." - LB |
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#8
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save play in the rain please
please people, nobody's waiting for angry posts about understanding Lindsey's art again, and voting in his spirit on a game at his side of the board about his art. And for you who writes those: don't feel offended, I agree. I'm just sick of those preaching posts.
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#9
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Jerk. ![]()
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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#10
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#11
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Did you guys voting for "Slow Dancing" forget that Play in the Rain part 1 is still in the running?!
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#12
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Is there anything left to say?
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Curtis |
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#13
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#14
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No, I prefer BOTH "Play In The Rain"s over "Slow Dancing".
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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#15
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"Play in the Rain," after all, is the only link this album has with the work of Varèse & Salzedo. If we get rid of it, there goes the only connection in all of Lindsey Buckingham's music to the pioneers of the "Liberation of Sound" movement & their break from European influences & their paralysis of the tempered system. Might Varèse actually have been speaking for Lindsey Buckingham, when he told a group of students & professors in 1939: "When you listen to music, do you ever stop to realize that you are being subjected to a physical phenomenon? Not until the air between the listener's ear and the instrument has been disturbed does music occur. In order to anticipate the result, a composer must understand the mechanics of the instruments and must know just as much as possible about acoustics. I need an entirely new medium of expression: a sound producing machine (not a sound reproducing one)"? |
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