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#2
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Stevie's an artist dammit, and what is Lindsey talking about when he says you can't change "tense and person" in he middle of a narrative? Even authors change points of view in novels for formalistic or aesthetic purposes. Stevie is just being post-modern and experimental regardless of when Lindsey says, "your song is straightforward not experimental." Whatever, like he knows what's going on in her head and what she means to do with the song. Anyway, I guess I should wait until Sunday to get the whole story. ![]()
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#3
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Art is not exempt from editing. Nor is life. |
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#5
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If the song was written that way, it would've been even more horrific thatn it already is. ![]()
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#6
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Ah, that’s hilarious.
Lindsey sounds like he’s giving another interview. Or the whole thing is pre-scripted. Yet again. ![]() Reality TV’s got nothing on this one. As for the “Thrown Down” lyrics debate, seems like we’re once again stuck in a Buckingham-style cycle: http://ledge.fleetwoodmac.net/showth...?threadid=7966 Stevie's lyric sounds better to me than what Lindsey suggested. Even LB wrote lyrics between 1979-1987 mainly for the sound of them, not because of any hugely tangible meaning. Yeah, it's a Nickslyric so it can be a bit confusing. But then again I wonder if even the woman herself knows what all of her writings are about. ![]()
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Gaius ^ - "a selfindulged, but funny butthead of a Fin" - Shackin'up |
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#7
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Very true, but I think that the record companies know that more people were probably looking forward to new Outkast and Shania Twain than Fleetwood Mac. Also, the people that would be buying those albums, I think, would be more likely to buy a double album than a casual Mac fan. |
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#8
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I had to laugh when I was watching that clip, because I immediately thought of Lindsey on The Dance saying something about the "reconvening of this five people." ![]() |
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#9
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![]() Seriously, I say sing it the way you wrote it ![]() |
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#10
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Also, La Nicks loves to make a play on words. She loves to switch between I, she, he, and you - thereby confusing the listener and provoking thought, e.g. Stevie could just as easily be talking about herself in the "now your going home" part of TD. I think she does this intentionally and it is clever. Another example of her using a type play on words is in "Silver Girl:"
You cannot see her soul You cannot see her soul You cannot see her soul You cannot see her soul Unless she lets you See her soul See her soul She lets you see her soul I the second "see her soul" is sh commanding you to see her sould or asking is you see her sould yet because "she lets you see her soul" I know some find this strange, but I like it ![]() |
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#11
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#12
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Also, 18 songs is almost twice the number of songs on alot the stuff released these days. Usually its like 10 songs maybe 11.
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#13
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Just watched about three of the clips and man this is going to be awesome!I can't wait!
Love Stevie in those red tights or whatever they are! and did you see one of the Scotties sitting patiently on the floor by the couch Stevie is sitting on? |
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#14
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#15
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Stevie's doggies are yorkies.
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