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#1
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I haven’t either, but this guy seems convincing and says he was at the record company. 🤷*♂️
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#2
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You would think there'd be at least some 45's in the basement bins.
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#3
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I've read Warm Ways was a single in UK, Blue Letter was side B. I was looking for a US release, but only found europeans, including this italian record.
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#4
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Yes Warm Ways was only released in the UK as the first single and it flopped. But it was never released in the States. This person is wrong because there is nothing on Fleetwood Mac official websites or Wikipedia that ever talks about the first single was Monday Morning. I think Mick even wrote in his first book the joy the band felt when the first US Single Over My Head was climbing the charts.
When someone says "My uncle or dad is a cop" means they are not a cop. When someone says they "worked for Warner Brothers" thus makes me a Fleetwood Mac expert, they are also not. Landslide, World Turning, and Monday Moring all enjoyed radio airplay. But they were never released as official singles. Gold Dust Woman and The Chain still get some of the most airplay but never released as official singles. If you believe Stevie (I know I know) she has always said that she never wanted Rhiannon to be released as a single because no one thought it was a single and she did not want to see her song drag down the band.
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Last edited by Macfan4life; 09-21-2023 at 04:14 PM.. |
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#5
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Quote:
![]() The first red flag for me was when he said the album was released In April. It was released on July 11, 1975. “Over My Head” was released in September and the band hired out to get a more radio friendly mix.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#6
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Second, in everything we’ve seen in Billboard, the industry rag, none of us has ever seen a mention of any single in 1975 other than “Over My Head.” No DJ who worked for AM pop radio in 1975 has ever reported that he tried to play Mac singles from the new album before “Over My Head.” We’ve just never heard this — and if it were true, it would be publicly true. The most I would buy is that the Reprise label wanted to release those other songs as singles and maybe tested them on a radio audience sample of some sort. But this brings up another point. Was it common to release a single many weeks after the release of the album in 1975? That in and of itself is odd. The album was surely mastered and in the can by June 1975 if it was available July 11, so why didn’t they release a single at that time? We’re aware that the label had no high hopes for yet another Fleetwood Mac album and all that, but why not release a single promptly? I wish I could go back and read the opening sentences of Samuel Graham’s authorized bio of the band, but I no longer have the book.
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moviekinks.blogspot.com |
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#7
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#8
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I googled his name “Kenneth Paule,” and didn’t find anything related to Warner Brothers, so who knows. But Wikipedia can be edited by anyone so it certainly isn’t a reliable source either. |
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#9
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#10
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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#11
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Monday Morning used to get lots of airplay especially stations on Monday Mornings and then making machine gun fire when Lindsey would sing "Monday Morning you sure look fine"
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#12
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Kenneth Richard Paule, Producer, is an American Entertainment Executive who was born in Nagoya, Japan to a father who was a Col. in the US Air Force and served for 26 years as a fighter pilot and a mother who worked in the theatre at the John F. Kennedy Center for the Performing Arts in Washington, DC for 25 years. He was raised in Washington, DC and attended The American University. He began his career as a Travel Coordinator for a private airline company, traveling with rock stars on tour 1978-1980. Following that he began working for screen legend Elizabeth Taylor when she made her Broadway debut in "The Little Foxes" 1981-1982 and her subsequent Broadway appearance in "Private Lives" 1983. He then returned to the music industry, first at the famed New York recording studio The Power Station 1985-1990, and then at the Warner Bros. / Elektra Asylum / Atlantic Group music conglomerate in New York City 1990-1997. He then moved to Los Angeles and worked for the Entertainment Industries Council, Inc. (EIC), who presented The Annual Prism Awards 2000-2010, While there, he served as Supervising Producer of the TV show, which aired yearly on The FX Network. He also co-produced an annual Capitol Hill Premiere of the awards prior to airing, which was hosted by a committee of over 75 members of the US Senate and House of Representatives. He additionally produced Public Service Announcements on various issues. Moving back to the east coast in 2011 he returned to being a Travel Coordinator for touring rock groups, movie stars, athletes and political dignitaries. |
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#13
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